I'm Going With Hal Rugg...
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Hi Joe,On careful listening, it also sounds like a tenor banjo playing rhythm, or if not, a muted guitar doing a "Mrs. Brown You've Got a Lovely Daughter" part.
I'm unaware of that ever being a thing in Nashville.??
Harold Bradley played what I believe was a tenor (4-string) banjo with a flat-pick on sessions quite a bit, so that would be my guess. More of an arpeggiated style on this one (not that same rhythm banjo style) but check out Loretta Lynn's "Blue Kentucky Girl" as an example of Harold on a session.
https://www.youtube.com/watch?v=HWNP-kN ... ts&t=6&t=0
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Hal
Wow, what kind of blocking was Hal doin back then….
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- scott murray
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this just came back up in another thread...
Hal plays a similar intro lick and Jerry Reed drops the ball
https://youtu.be/lhxSWj4fyAs
Hal plays a similar intro lick and Jerry Reed drops the ball
https://youtu.be/lhxSWj4fyAs
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Yes, what my life long childhood friend Johnny Cox said!
Hal left an indelible impression on us. I will add, Johnny Cox and Paul Franklin showed this then 10 year old kid so much about pedal steel guitar. They and so many of the greats of the era (too many to mention) helped me immensely . So grateful !
Hal left an indelible impression on us. I will add, Johnny Cox and Paul Franklin showed this then 10 year old kid so much about pedal steel guitar. They and so many of the greats of the era (too many to mention) helped me immensely . So grateful !
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Ain't that the way it's supposed to be? If you loved steel back then this was steel in its heyday, as we couldn't get enough.Bruce Bouton wrote:Steel guitar with backing vocal:)
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*2021 MSA Legend, "Jolly Rancher" D10 10x9
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What great memories you have, Tommy, and you've fully absorbed everything they shared with you. Then you became your own player and one of the very best ever. Now you're indirectly teaching all of us.
When I used to do that Summer season (15 weeks in Medora, ND) for more years than I care to remember, the MD would make selections from, not only the country music of the day but also some classics. My heart would sink if I saw one of Hal Rugg's unplayable intros all scored out for me in notation. The best I could achieve was a 'semblance'.
When I used to do that Summer season (15 weeks in Medora, ND) for more years than I care to remember, the MD would make selections from, not only the country music of the day but also some classics. My heart would sink if I saw one of Hal Rugg's unplayable intros all scored out for me in notation. The best I could achieve was a 'semblance'.
Roger Rettig - Emmons D10
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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The End Of Quality Country Music
I don't know if I'm off base with the topic, but, I cannot stand to listen to the likes of Morgan Wallen, spelling not considered important. The songs basically suck, lyrics and melodies. Nothing melodic or worthy of any attention. Has the best already been composed, sung and played? It would appear so.
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