Volume Pedal Choices
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- Casey Saulpaugh
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- Location: Asheville, NC
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Volume Pedal Choices
Hope everyone’s doing well…
Here’s an article about volume pedals for pedal steel guitar: https://playpedalsteel.com/pedal-steel-volume-pedals/
I’m curious if anyone uses volume pedals that aren’t from Goodrich or Hilton? Also, what do you like or dislike about the volume pedal you’re using, or ones you’ve used in the past?
Here’s an article about volume pedals for pedal steel guitar: https://playpedalsteel.com/pedal-steel-volume-pedals/
I’m curious if anyone uses volume pedals that aren’t from Goodrich or Hilton? Also, what do you like or dislike about the volume pedal you’re using, or ones you’ve used in the past?
Playpedalsteel.com - An online resource for steel guitar.
__________________________________________________________
"The Essentials" - An online video series: an easy and intuitive approach to mastering the pedal steel.
https://playpedalsteel.com/playing-peda ... ssentials/
__________________________________________________________
Pedal Steel Guides & Digital Downloads: https://playpedalsteel.teachable.com
__________________________________________________________
"The Essentials" - An online video series: an easy and intuitive approach to mastering the pedal steel.
https://playpedalsteel.com/playing-peda ... ssentials/
__________________________________________________________
Pedal Steel Guides & Digital Downloads: https://playpedalsteel.teachable.com
- Nicholas Cox
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- Location: California, USA
Moyo
I use a Moyo sometimes. I like that it is small and light and has a tuner out. The only thing I don’t like is that it doesn’t feel as sturdy beneath the foot as a full sized volume pedal.
- Erv Niehaus
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Wow
I never like anything new, but I sure like the MOYO vp!
SH
SH
- Jerry Overstreet
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- Lee Baucum
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Lee, from South Texas - Down On The Rio Grande
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
- Joe Hensley
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I’ve used a Fender volume pedal (the same pedal) for over 50 years! From my point of view, it’s the best pot-pedal ever designed.. It’s the lowest profile and the best shielded, and it’s a snap to service. It also pivots in the middle, and not near the back, so ankle movement is reduced and it’s perfectly balanced, making it stay wherever you put it (no tension spring adjustments needed). Lastly, the string is spring-loaded, so there’s no worrying about the string stretching and getting loose.
Use whatever type or brand you like. I’ve tried most of them, and I don’t much care for other designs, since this one works so well for me.
Use whatever type or brand you like. I’ve tried most of them, and I don’t much care for other designs, since this one works so well for me.
- Eric Philippsen
- Posts: 1966
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- Location: Central Indiana, USA
The Telonics is everything they say it is but, being too lazy in my old age to deal with plugging it in, I only use it for big gigs. Instead, I still use either a Goodrich 120 or the low-profile 120. Built like a tank, take it out of the pack-a-seat, throw it on the floor, plug in and go. I do carry a Moyo as a backup because it’s size doesn’t take up much space. Never had to use it, though.
- Dale Rottacker
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I played my old Sho~Bud FULL Profile pedal from the early 70's till maybe 2012, still with a good sounding Allen Bradley Pot in it. But the height of it was starting to bother my somewhat stiff ankle, so went to an L120 Goodrich and then FINALLY a Telonic's Multi-Taper and then a Goodrich Omni, and THEN traded the Omni for another Telonic's VP.
ALL good pedals, but I REALLY Love my Telonic's, which to me is King of the Hill.
ALL good pedals, but I REALLY Love my Telonic's, which to me is King of the Hill.
Dale Rottacker, Steelinatune™
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
- Erv Niehaus
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- Dale Rottacker
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How do you know what I paid for it/them?Erv Niehaus wrote:It should be for what you paid for it.
Erv
Dale Rottacker, Steelinatune™
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
- Erv Niehaus
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- Location: Litchfield, MN, USA
- Casey Saulpaugh
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I’m going to look deeper at the MOYO, Stage One, and Telonics options. I really enjoy the tone of the Goodrichs, and the clarity & frequency response of the Hiltons.
Jerry, how did you compensate the EQ on the original Ernie Ball? I’ve found this pedal to be great for regular guitar, but definitely noticed how much frequency response I’d lose when using for pedal steel (high-end especially).
Jerry, how did you compensate the EQ on the original Ernie Ball? I’ve found this pedal to be great for regular guitar, but definitely noticed how much frequency response I’d lose when using for pedal steel (high-end especially).
Playpedalsteel.com - An online resource for steel guitar.
__________________________________________________________
"The Essentials" - An online video series: an easy and intuitive approach to mastering the pedal steel.
https://playpedalsteel.com/playing-peda ... ssentials/
__________________________________________________________
Pedal Steel Guides & Digital Downloads: https://playpedalsteel.teachable.com
__________________________________________________________
"The Essentials" - An online video series: an easy and intuitive approach to mastering the pedal steel.
https://playpedalsteel.com/playing-peda ... ssentials/
__________________________________________________________
Pedal Steel Guides & Digital Downloads: https://playpedalsteel.teachable.com
- Steve Lipsey
- Posts: 1900
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I got a Telonics and was a big fan, until I realized that my Moyo backup pedal is more than good enough...nice feel, simple, as well built as the Telonics...less to go wrong, although the Telonics is made well enough....anyway Telonics is gone and I have 2 Moyos now...
www.facebook.com/swingaliband & a few more....
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
- Erv Niehaus
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- Jerry Overstreet
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- Location: Louisville Ky
Understood. It's pretty obvious when you switch from the 500K ohm Goodrich et al. pot pedals to the EB 250K. I just never had a real problem once I got used to it. Boosting the amp highs and adjust the mids and bass along with George L's cables, a Matchbox with a tone control or offboard multi-fx units.Casey Saulpaugh wrote:Jerry, how did you compensate the EQ on the original Ernie Ball? I’ve found this pedal to be great for regular guitar, but definitely noticed how much frequency response I’d lose when using for pedal steel (high-end especially).
Some players just can't get used to the warmer tone and sub out the 250 K pot for a 500K or now, the 470K Dunlop.
Other complaints about the EB is the height and travel for especially tall players.
I keep it in my possibles bag as a spare and have had to resort to it forgetting my Goodrich which is my first choice. I just get used to it and play on.
- Flip Brown
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- Location: Vermont, USA
- Contact:
The Lehle volume pedal
The Lehle mono pedal works for me. It has adjustable tension, adjustable gain, no strings to wear out, and with their attachment bracket I can swivel it to match my duck-footed natural alignment.
MSA Millennium SD-10 #22, Fender Steel King with Eminence EPS-15C speaker, Lehle Mono 90 Volume Pedal, Sarno Black Box, Baby Bloomer, Sarno Earth Drive, EHX Mel 9, EHX Small Stone, Mooer Chorus, Keeley Caverns, Clinesmith bar, Acri picks, Nioma lap steel, Regal resonator, and a whole bunch of other instruments.
- Glenn Demichele
- Posts: 661
- Joined: 11 Oct 2012 8:55 am
- Location: (20mi N of) Chicago Illinois, USA
Played a Goodrich for years. Traded it for my THIRD Moyo.
I love those things. They're tiny so they fit in the seat, and I've always played in my socks so my toes wrap around the top so it's like I'm controlling it with my hand-Amazing. I use my third one for my home setup, and take the other two to gigs, both mounted next to each other on a rubber pad with velcro. I use one for volume and the other for effects control (like wah or reverb intensity). If the volume should break (like never), I can just move the jacks.
I love those things. They're tiny so they fit in the seat, and I've always played in my socks so my toes wrap around the top so it's like I'm controlling it with my hand-Amazing. I use my third one for my home setup, and take the other two to gigs, both mounted next to each other on a rubber pad with velcro. I use one for volume and the other for effects control (like wah or reverb intensity). If the volume should break (like never), I can just move the jacks.
Franklin D10 8&5, Excel D10 8&5, homemade buffer/overdrive, Moyo pedal, GT-001 effects, 2x BAM200 for stereo. 2x GW8003 8" driver in homemade closed-box. Also NV400 etc. etc...
- Dave Mudgett
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I mostly use my old Sho Bud pedals, still intact with their original Allen-Bradley 500K potentiometers. I haven't found anything I like better. I have found a few of those original potentiometers over the last 10-15 years, so I think I'm set for life. Sorry, not enough to part with any.I’m curious if anyone uses volume pedals that aren’t from Goodrich or Hilton? Also, what do you like or dislike about the volume pedal you’re using, or ones you’ve used in the past?
I have a pile of volume pedals. Some came with guitars or steels, some I found at guitar shows or flea markets, a couple from the forum. I used an Ernie Ball for guitar for years, so when I started, that's what I had. The 250K potentiometer did suck the high end out of my highly-wound pedal steel pickups. A buffer will fix that, but I'd prefer not to have to use one. I still have an old EB or two (with the jacks on the side) that I sometimes use for guitar. I have an older Goodrich or two, but at least one if not both need new pots - they're not the old AB pots.
I don't think it matters all that much what volume pedal I use, as long as it is solid and has a ≥ 500K pot in a standard type of circuit. Otherwise, everything else is personal ergonomics. I don't worry about using a low-profile pedal because I raise my pedal steels enough so they're comfortable with whatever pedal I decide to use.
Active pedals are fine, I've tried a few. But I actually like the brilliance to come down just a touch when pulling the volume back. Actually, I should say that I like the brilliance to go up a touch when I push the volume up. No batteries, no power cables, no muss, no fuss. I know people complain about the pots, the strings, and so on. But I think they're relatively easy to deal with, and I have a few of these pedals so I always have a spare ready to go.
- Jack Hanson
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- Location: San Luis Valley, USA
Me too. Except for on my Emmons pedal guitars. On those, I use the units that hang from the pedalbar, so eloquently designed by the man himself. Most have their original AB pots, but on a couple of them I have installed the Bradshaw/Dunlop pots, which sound fine to these old ears.Dave Mudgett wrote: I mostly use my old Sho Bud pedals...
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- Bill Terry
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- Location: Bastrop, TX
Me too..Dave wrote:But I actually like the brilliance to come down just a touch when pulling the volume back. Actually, I should say that I like the brilliance to go up a touch when I push the volume up. No batteries, no power cables, no muss, no fuss. I know people complain about the pots, the strings, and so on. But I think they're relatively easy to deal with, and I have a few of these pedals so I always have a spare ready to go.
I've got a couple of old Emmons volume pedals. I found a stash of NOS A-B pots and I think I'm good to go also... Although it took some getting used to initially, I like the relatively short travel. The drop-pin mount to the pedal bar is also a nice feature when you have to schlep your guitar on and off stage in a hurry for a band swap, as is the trend around most of the Austin clubs these days.
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