JUST Landed a New S8: C6 Stringing & Gauges?
Moderator: Brad Bechtel
JUST Landed a New S8: C6 Stringing & Gauges?
OK, Guys!
I finally landed a sweet little Remington S8 with a custom (red) finish and a replacement pick-up custom made by Jason from Steeltronics.
The issue with the Remmys--really the only issue IMHO--is those high output George L E66 pedal steel pickups. Not very non-pedal-y-sounding. So the pickup is made to sound like steels from the 40s and 50s, wired around 10K and coil tapped around 7.5k.
Now, I've been playing C6 for a while and I'm fairly comfortable with it, but I've played a 6-string, strung (low to high) C-E-G-A-C-E.
Now that I have an 8-string, some have suggested I put a high "G" up top. What's the advantages of doing that? And drawbacks?
Would love to hear from folks who play Western Swing and Hawaiian stuff.
Thanks bunches!
--Mark
I finally landed a sweet little Remington S8 with a custom (red) finish and a replacement pick-up custom made by Jason from Steeltronics.
The issue with the Remmys--really the only issue IMHO--is those high output George L E66 pedal steel pickups. Not very non-pedal-y-sounding. So the pickup is made to sound like steels from the 40s and 50s, wired around 10K and coil tapped around 7.5k.
Now, I've been playing C6 for a while and I'm fairly comfortable with it, but I've played a 6-string, strung (low to high) C-E-G-A-C-E.
Now that I have an 8-string, some have suggested I put a high "G" up top. What's the advantages of doing that? And drawbacks?
Would love to hear from folks who play Western Swing and Hawaiian stuff.
Thanks bunches!
--Mark
Last edited by Mark Helm on 6 May 2023 1:43 am, edited 1 time in total.
Remington Steelmaster S8 w/ custom Steeltronics pickup. Vox MV-50 amplifier + an 1940's Oahu cab w/ 8" American Vintage speaker. J. Mascis Fender Squire Jazzmaster, Hofner Club bass, Ibanez AVN4-VMS Artwood Vintage Series Concert Size Acoustic Guitar. 1920s/30s Supertone Hawaiian-themed parlor guitar. Silvertone parlor guitar.
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- David Knutson
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The first thing I'd probably try if I were staying with an E on the first string is L-H: G Bb C E G A C E
You could tune to an A on the 7th string.
I might just put that on a guitar to try it against my ongoing decision about E13 versions, and A6. Maybe it would sit nice with E13. Haha, I'll never decide, will I?
You could tune to an A on the 7th string.
I might just put that on a guitar to try it against my ongoing decision about E13 versions, and A6. Maybe it would sit nice with E13. Haha, I'll never decide, will I?
RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Wakarusa 5e3 clone
1953 Stromberg-Carlson AU-35
Sho~Bud D-10 Professional #7962
Remington T-8, Wakarusa 5e3 clone
1953 Stromberg-Carlson AU-35
- Allan Revich
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If you play a lot of blues or rock, you could opt to put the G on the bottom instead of the top.
G Bb C E G A C E (C13), or G A C E G A C E (C6)
G Bb C E G A C E (C13), or G A C E G A C E (C6)
Current Tunings:
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
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The Pickup
Can you post a picture of the pickup? I'm in the market to change the sound of my T-8 Remington. It has George L 10-1 humbuckers. I wonder what the difference would be in the midrange of the guitar. I think the pickup placement has a very different set of overtones, or something, and I know Herb wanted it to be that way. I think the powerful humbucker exaggerates that set of frequencies. So, I wonder what a 10K pickup would do, given that placement. I'm more comfortable with the center of the pickup at two inches from the bridge. This one is 2-3/4.
Have you formed any opinions on this?
Have you formed any opinions on this?
RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Wakarusa 5e3 clone
1953 Stromberg-Carlson AU-35
Sho~Bud D-10 Professional #7962
Remington T-8, Wakarusa 5e3 clone
1953 Stromberg-Carlson AU-35
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I agree with the two standard comments:
1) Having the 5th (in C that would be the high g) on top is extremely useful. A huge improvement over having the third (e), I was immediately won over after coming from the usual C6 with a top e. I'll never switch back. And no surprise that A6 became as close to a Western Swing standard as any other tuning.
2) the high g is a bit shrill, not hugely so and just go up one string gauge if it were to sound wimpy. Don Helms top string was tuned up to g# and nobody complained (10 out of 11 #1 hits for Hank Williams, Walking after midnight with Patsy Cline and many more).
If the high g gets too you playing on your own (I think it is great in band settings), go to heavier strings and A6, move up 3 frets and everything will be just the same. I have my Dobro (8-string) in G6, so swing/jazz works the same just at different frets.
1) Having the 5th (in C that would be the high g) on top is extremely useful. A huge improvement over having the third (e), I was immediately won over after coming from the usual C6 with a top e. I'll never switch back. And no surprise that A6 became as close to a Western Swing standard as any other tuning.
2) the high g is a bit shrill, not hugely so and just go up one string gauge if it were to sound wimpy. Don Helms top string was tuned up to g# and nobody complained (10 out of 11 #1 hits for Hank Williams, Walking after midnight with Patsy Cline and many more).
If the high g gets too you playing on your own (I think it is great in band settings), go to heavier strings and A6, move up 3 frets and everything will be just the same. I have my Dobro (8-string) in G6, so swing/jazz works the same just at different frets.
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Re: The Pickup
Rick Abbott wrote:Can you post a picture of the pickup? ...Have you formed any opinions on this?
Here's a pic, Rick! And, no, I haven't informed any opinions yet. I want to add the coil tap switch and see what I get. The guy I bough this from has a Remmy T8 that he put these Steeltronics pickups on and added the coil tap switches to and he goes back and forth.
I tend to prefer the creamy-er 10K tone to the 7.5, but, amp and pedals can make such a huge difference I'm not sure it matters a ton to anybody but guys like us!
Remington Steelmaster S8 w/ custom Steeltronics pickup. Vox MV-50 amplifier + an 1940's Oahu cab w/ 8" American Vintage speaker. J. Mascis Fender Squire Jazzmaster, Hofner Club bass, Ibanez AVN4-VMS Artwood Vintage Series Concert Size Acoustic Guitar. 1920s/30s Supertone Hawaiian-themed parlor guitar. Silvertone parlor guitar.
- Hiro Keitora
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- Douglas Schuch
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Others can discuss the merits and pitfalls of a particular tuning, but once you decide on it, here is a handy chart for calculating what string gauge you need for that tuning:
https://bb.steelguitarforum.com/viewtopic.php?t=181987
https://bb.steelguitarforum.com/viewtopic.php?t=181987
Pedal steel, lap steel, resonator, blues harp - why suck at just one instrument when you can do so on many?
- David M Brown
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Yes, G on top is the same pattern as A6. but....David Knutson wrote:I like having the 5th of the chord on top, but I find the high G a little too “whiny” in C6. Much better suited for A6, or G6. I usually have a b7 on the 8th string. Lots of C6 players will stick with the high E and add two lower notes.
Hiro Keitora wrote:Bobby Ingano has G on top and B flat at the bottom on his 7 strings Rick A-25
He has his workshop video on YouTube demonstrating the use of high G as well as bottom B flat. Check it out
Lots of fine players use those tunings.Rick Abbott wrote:The first thing I'd probably try if I were staying with an E on the first string is L-H: G Bb C E G A C E
There's also the version with the low C
C Bb C E G A C E
which is how I have one of my steels set up and really like.
- Bill Groner
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I was looking at the picture of the pickup. I am amazed by the whole guitar. The simplicity of it, is what amazes me.
Take the bridge......a plate, a bar with two tapped holes for two screws that's it! Very easy to string it up. The whole thing looks simple and to the point, not much eyewash. I wish I had built one of these when I still had the opportunity and use of the shop equipment. It looks like a very nice one to build. Mark, glad you were able to find the one you wanted.
Take the bridge......a plate, a bar with two tapped holes for two screws that's it! Very easy to string it up. The whole thing looks simple and to the point, not much eyewash. I wish I had built one of these when I still had the opportunity and use of the shop equipment. It looks like a very nice one to build. Mark, glad you were able to find the one you wanted.
Currently own, 6 Groner-tone lap steels, one 1953 Alamo Lap steel, Roland Cube, Fender Champion 40