Who is using Fender Tonemaster Deluxe for steel?
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- Dave Zirbel
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Who is using Fender Tonemaster Deluxe for steel?
I finally heard one of these. My friend Charlie Joe Wallace uses one with his Fender Custom T-8 and I was impressed. It sounded real nice. He said he’s been using it for a year with no problems. Is anyone else using one for pedal steel and how are you liking it?
Thanks
Thanks
Dave Zirbel-
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
- Bob Watson
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- Norman Evans
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I had a TM Deluxe for a couple of years and really liked it. I traded it for a TM Twin so I would have a mid control and more power. I wish I had kept the Deluxe. Here's a video I made using the DI out with the Deluxe.
https://www.youtube.com/watch?v=vl_2BzOWzdk
https://www.youtube.com/watch?v=vl_2BzOWzdk
- Ian Worley
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When I saw the title of your thread I clicked to chime in that Charlie uses one, but you already knew that! Charlie uses his for PSG too, he also has a TM Twin and uses that when he needs more oomph, but the Deluxe works and sounds great at reasonable volumes, and you can lift it with your pinky finger.
All lies and jest, still a man hears what he wants to hear and disregards the rest - Paul Simon
- Tom Wolverton
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Is the TM DR any louder than a regular DR. I have an old BFDR with a D120F in it. It sounds great, but doesn’t really cut it for PSG on gigs with typical drums & bass.
I so much WANT the TMDR to work, but I fear the loss of headroom is still there.
Maybe we need a ToneMaster ‘64 VibroVerb. LOL
I so much WANT the TMDR to work, but I fear the loss of headroom is still there.
Maybe we need a ToneMaster ‘64 VibroVerb. LOL
To write with a broken pencil is pointless.
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Very usable for Steel. I have used one on over 50 gigs.. There appears to be many steelers who use original twins but the weight is a problem. Gotta love the lighter weight! I have played multiple venues where original twins are provided with backline so I am able to give a good comparison. The differences are subtle. I found the original to be a little more even on the EQ and maybe a touch brighter. .. The Tonemaster can give a pretty different tone at 4 vs 4 1/2 on eq controls.. I have no trouble finding what I want.. I use the max watt setting, the breakup starts to happen about 5 on the volume.. I only go that high on very large festival stages. I usually go w volume at 3-4 and put a little in the monitor. One channel for steel one for lap steel. I like being able to have two instruments with different EQs ready to go.. no switching.
- Dave Zirbel
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You're talking about the Deluxe Tonemaster?Very usable for Steel. I have used one on over 50 gigs.. There appears to be many steelers who use original twins but the weight is a problem. Gotta love the lighter weight! I have played multiple venues where original twins are provided with backline so I am able to give a good comparison. The differences are subtle. I found the original to be a little more even on the EQ and maybe a touch brighter. .. The Tonemaster can give a pretty different tone at 4 vs 4 1/2 on eq controls.. I have no trouble finding what I want.. I use the max watt setting, the breakup starts to happen about 5 on the volume.. I only go that high on very large festival stages. I usually go w volume at 3-4 and put a little in the monitor. One channel for steel one for lap steel. I like being able to have two instruments with different EQs ready to go.. no switching.
Dave Zirbel-
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
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I do use a Tonemaster Deluxe for my stage shows with Ronstadt Revue. I use the clean channel for steel (because I have all my effects in pedals) and use the effects channel for Tele (so I can use the onboard reverb).
I almost never run the volumes above 3. Put some in my monitor and let the sound tech handle FOH.
I've been very happy with this setup. Sounds good to me and my back is happy with the arrangement too.
I almost never run the volumes above 3. Put some in my monitor and let the sound tech handle FOH.
I've been very happy with this setup. Sounds good to me and my back is happy with the arrangement too.
- Tim Whitlock
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Lovely tone Norman!Norman Evans wrote:I had a TM Deluxe for a couple of years and really liked it. I traded it for a TM Twin so I would have a mid control and more power. I wish I had kept the Deluxe. Here's a video I made using the DI out with the Deluxe.
https://www.youtube.com/watch?v=vl_2BzOWzdk
I could never get a Deluxe Reverb loud enough for pedal steel. Love it for non-pedal. I assume the Tonemaster would not be any louder.
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I had one as backline last week. It was a small but loud band and we only had a line check. By the time we started, I had a terrible monitor mix and could barely hear the amp over the rest of the band, even when cranked.
So depending on the situation, power could be an issue.
That said, I've seen/heard some audience videos of the set and it sounded great out front.
So depending on the situation, power could be an issue.
That said, I've seen/heard some audience videos of the set and it sounded great out front.
- Norman Evans
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Tim wrote "Lovely tone Norman!
I could never get a Deluxe Reverb loud enough for pedal steel. Love it for non-pedal. I assume the Tonemaster would not be any louder.[/quote]"
Thanks Tim, The Deluxe was plenty loud enough for anywhere I played, but I didn't play with any extremely loud bands. The DI out gives exactly what I hear from the speaker. Send the signal to the house system and let it do the heavy lifting.
I could never get a Deluxe Reverb loud enough for pedal steel. Love it for non-pedal. I assume the Tonemaster would not be any louder.[/quote]"
Thanks Tim, The Deluxe was plenty loud enough for anywhere I played, but I didn't play with any extremely loud bands. The DI out gives exactly what I hear from the speaker. Send the signal to the house system and let it do the heavy lifting.
- Dave Zirbel
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Differences
Fender deluxe reverb vs. twin reverb vs. super reverb tone masters? Which do you like better for steel and why?
- Norbert Dengler
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Tonemaster deluxe
Would some of you post your settings using a Tonemaster Deluxe . I have one and would like to try it , but start close to begin with .
- Norman Evans
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Re: Tonemaster deluxe
I usually ran Bass about 8-9 and treble 6-7 on the Deluxe.Karol Wainscott wrote:Would some of you post your settings using a Tonemaster Deluxe . I have one and would like to try it , but start close to begin with .
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Tonemaster Deluxe
Thanks Norman , I will start there . I have a GFI Ultra .
- Larry Dering
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Karol, I have a GFI Ultra and the Tonemaster Twin among other amps. I feel like the Tonemaster Twin has it's following but I wasn't happy with my steel tone. I just replaced my pickup from a GFI III to a Lawrence 705. The tone is much better and I haven't yet tried the Tonemaster again. It's a killer amp for Telecaster guitar. I still own several Fender tube amps including a Deluxe reverb reissue. I may have to try that soon.
- Norbert Dengler
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hi Karol, the settings depend on your guitar and your pickup choice. anotherfactor can be a delay that might brighten or mud up your tone. in my case, playing a bright single coil i set it on 5W brights around 4-5, bass around 7 and reverb at 4 for playing with the band. so keep on trying, again, i`m very pleased with the overall performance of the tonemaster deluxe, even bought a second one recently.
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Tonemaster
Thanks Larry and Norbart for the information .
- Danny Naccarato
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- Jonathan Shacklock
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I used my pre-loved TM Deluxe Reverb for the first time at a gig the other night. With the room being upstairs I was very thankful for the 22lbs.
It was just loud enough (with a quiet drummer) so no need for steel in the monitor. I had the volume on 7 or 8 but I tend to play relatively backed off on the VP and didn’t hear any breakup. I’ve played the same room with my N112 and the useable volume from the amp is similar. The Peavey has louder hiss when turned up, enough for the sound man to comment. In both cases I lined out to the desk.
At home I do prefer the sound of the speaker/cab to the DR line out but I was totally happy to line out in a band situation, it sounded really good. The reverb (firmware update) was absolutely lush. I do miss having a mid control. I don’t know if I would trade the weight issue for the mid control and extra volume (and cost) of the TM Twin - it’s a close call. The TM DR is almost laughably easy to lug up a flight of stairs, the extra 10lbs of the TM Twin would be a significant negative for my needs. For a lightweight amp that looks and sounds great for practice and gigs I think it’s a winner.
It was just loud enough (with a quiet drummer) so no need for steel in the monitor. I had the volume on 7 or 8 but I tend to play relatively backed off on the VP and didn’t hear any breakup. I’ve played the same room with my N112 and the useable volume from the amp is similar. The Peavey has louder hiss when turned up, enough for the sound man to comment. In both cases I lined out to the desk.
At home I do prefer the sound of the speaker/cab to the DR line out but I was totally happy to line out in a band situation, it sounded really good. The reverb (firmware update) was absolutely lush. I do miss having a mid control. I don’t know if I would trade the weight issue for the mid control and extra volume (and cost) of the TM Twin - it’s a close call. The TM DR is almost laughably easy to lug up a flight of stairs, the extra 10lbs of the TM Twin would be a significant negative for my needs. For a lightweight amp that looks and sounds great for practice and gigs I think it’s a winner.