Illinois: More Patsy
Moderator: Dave Mudgett
- Steve Hitsman
- Posts: 2039
- Joined: 25 Mar 1999 1:01 am
- Location: Waterloo, IL
Illinois: More Patsy
I'll never catch up with Russ and Roger but I'll be doing 13 performances of Always... Patsy Cline in Sullivan, IL, (Lake Shelbyville) August 18-28.
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- Steve Hitsman
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- Location: Waterloo, IL
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- gary pierce
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- Roger Rettig
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Steve:
I feel as though I'm losing ground here - I haven't done a 'Patsy' in two-and-a-half years! Mind, you, due to Covid, then my own health, I haven't worked anywhere since the end of 2019.
While I can't speak for Russ, my total number of performances of the Ted Swindley musical is 750 exactly.
Russ, though, has done many productions of 'A Closer Walk with PC' - for some reason, I've never done that one.
Russ was here at my place a couple of weeks ago and we went through my Emmons putting wrongs right! I learned a great deal in the process and, while I'd once refused to tackle the underside at all, I now have sufficient grasp of the basics. Changing a pedal or knee-pull is now something I'm comfortable doing. It's not only Russ who helped: Jon Light, Bobby Jones, Ian Worley, Tucker Jackson and others were most generous with their advice. Russ was here on-site, as it were, and seeing things done properly taught me much.
Sorry for the topic-drift; best wishes for your impending run. Do you know who the ladies will be yet?
I feel as though I'm losing ground here - I haven't done a 'Patsy' in two-and-a-half years! Mind, you, due to Covid, then my own health, I haven't worked anywhere since the end of 2019.
While I can't speak for Russ, my total number of performances of the Ted Swindley musical is 750 exactly.
Russ, though, has done many productions of 'A Closer Walk with PC' - for some reason, I've never done that one.
Russ was here at my place a couple of weeks ago and we went through my Emmons putting wrongs right! I learned a great deal in the process and, while I'd once refused to tackle the underside at all, I now have sufficient grasp of the basics. Changing a pedal or knee-pull is now something I'm comfortable doing. It's not only Russ who helped: Jon Light, Bobby Jones, Ian Worley, Tucker Jackson and others were most generous with their advice. Russ was here on-site, as it were, and seeing things done properly taught me much.
Sorry for the topic-drift; best wishes for your impending run. Do you know who the ladies will be yet?
- Steve Hitsman
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- Joined: 25 Mar 1999 1:01 am
- Location: Waterloo, IL
- Roger Rettig
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- Location: Naples, FL
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The Patsy must be good but don't you feel the Louise character makes or breaks the show? Seems she has most the dialogue,"jokes" and stage time and seems to connect more with the audience. Ron
Emmons SKH Le Grande, '73 P/J bass, Tick tack bass, Regal high strung, and a Coral Sitar, USA Nashville 112.
- Steve Hitsman
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- Joined: 25 Mar 1999 1:01 am
- Location: Waterloo, IL
Absolutely Ron. I just did the show with Kelli Dodd as Patsy and Brittany Ambler as Louise. Kelli has a great voice and did the Patsy role wonderfully but Brittany was hilarious and had me sitting behind my guitar laughing continuously. Likewise, Zoe Vonder Haar is St. Louis really stood out as Louise. The Louise role tells the story.
- Roger Rettig
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I'm going out on a limb here, but I must confess that the dialog/'jokes' throughout the show make for a very long evening.
It's a testament to some of the better comediennes who I've seen in the 'Louise' role that they've managed to engage the audience and invoke a positive response to what I feel is an inferior 'book'. I have to name names - Zoë, of course, Joy Hawkins, Sally Struthers, Cindy Williams, Melanie Fry - they've all turned in performances that override the somewhat amateur material and have done so by virtue of their skill.
'Always, Patsy...', while it hasn't kept a roof over my head for the 25 years I've lived in America, it's at least paid for my breakfasts and I shouldn't bite the hand that's fed me. In the end, it's the name 'Patsy Cline' and those enduring songs that bring people through the door.
Steve: I see from your post that the show has come and gone by now; how did it go?
It's a testament to some of the better comediennes who I've seen in the 'Louise' role that they've managed to engage the audience and invoke a positive response to what I feel is an inferior 'book'. I have to name names - Zoë, of course, Joy Hawkins, Sally Struthers, Cindy Williams, Melanie Fry - they've all turned in performances that override the somewhat amateur material and have done so by virtue of their skill.
'Always, Patsy...', while it hasn't kept a roof over my head for the 25 years I've lived in America, it's at least paid for my breakfasts and I shouldn't bite the hand that's fed me. In the end, it's the name 'Patsy Cline' and those enduring songs that bring people through the door.
Steve: I see from your post that the show has come and gone by now; how did it go?
- Steve Hitsman
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I totally agree Roger. I think the Patsy audience might be waning in the Phoenix area. I have a "Patsy & Loretta" Concert show followed by a "Highwaymen" Concert show, coming up in October. The Highwaymen show is selling well. Just so so for P&L. It will be fun. No silly play- just music
Emmons SKH Le Grande, '73 P/J bass, Tick tack bass, Regal high strung, and a Coral Sitar, USA Nashville 112.
- Roger Rettig
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Ron:
I'm happy to have a sympathetic ear on this.
My memories of the 750 shows I did (35 different productions of 'APC' over 21 years - so far!) are of drifting off into my own world throughout the interminable dialog and 'bits of business'.
My most embarrassing moment? Having come straight from one production in Norfolk, VA to my first experience of Jackie Petroccia as 'Patsy', I momentarily lost concentration. The VA 'Patsy' had wanted 'I Fall to Pieces' in B, Jackie wanted it in Bb.
No problem of course but, on our first show, I lost track of things. Before I could stop myself, I'd set my bar at the second fret, pedals down. Needless to say, it was catastrophic; the band played in Bb, I didn't. You can scrape your was out of being one fret down, but sharp is a different matter!
I'm happy to have a sympathetic ear on this.
My memories of the 750 shows I did (35 different productions of 'APC' over 21 years - so far!) are of drifting off into my own world throughout the interminable dialog and 'bits of business'.
My most embarrassing moment? Having come straight from one production in Norfolk, VA to my first experience of Jackie Petroccia as 'Patsy', I momentarily lost concentration. The VA 'Patsy' had wanted 'I Fall to Pieces' in B, Jackie wanted it in Bb.
No problem of course but, on our first show, I lost track of things. Before I could stop myself, I'd set my bar at the second fret, pedals down. Needless to say, it was catastrophic; the band played in Bb, I didn't. You can scrape your was out of being one fret down, but sharp is a different matter!
- Steve French
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