TT-12 question/observation
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TT-12 question/observation
Always in search of.... tone!
I love my TT-12 combo and have recently started playing out with just the 202, feeding the PA via the line out on the back. I'm now using a BOSE T4S feeding an L1Pro 16 column amp.
I went back and rewatched Mr. Toy's video on the unit and discovered that the Vintage setting renders the BASS and TREBLE controls passive, while the MID stays active. I missed that first time around, and I have seen videos posted by others who apparently didn't know this either.
So I made some changes. I set the BASS and TREBLE to max, and the MID to 12:00 - this should give me a flat response, right? Well, wow it opened up the tone for me. I now have it set with BASS dimed, MID at 1:00 and TREBLE just backed off a bit from max. Cuts through the mix and my volume can come down, without being shrill. I've also found that tweaking the MID is all that is needed when accounting for different venues and their acoustics.
What a huge difference! Thought I'd share...
I love my TT-12 combo and have recently started playing out with just the 202, feeding the PA via the line out on the back. I'm now using a BOSE T4S feeding an L1Pro 16 column amp.
I went back and rewatched Mr. Toy's video on the unit and discovered that the Vintage setting renders the BASS and TREBLE controls passive, while the MID stays active. I missed that first time around, and I have seen videos posted by others who apparently didn't know this either.
So I made some changes. I set the BASS and TREBLE to max, and the MID to 12:00 - this should give me a flat response, right? Well, wow it opened up the tone for me. I now have it set with BASS dimed, MID at 1:00 and TREBLE just backed off a bit from max. Cuts through the mix and my volume can come down, without being shrill. I've also found that tweaking the MID is all that is needed when accounting for different venues and their acoustics.
What a huge difference! Thought I'd share...
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- Jack Stoner
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The "VINT" is one setting on the Voice switch on a TB202.Ken Metcalf wrote:I have a TS8 and have not seen the vintage setting.
Where is it located?
GFI Ultra Keyless S-10 with pad (Black of course) TB202 amp, Hilton VP, Steelers Choice sidekick seat, SIT Strings (all for sale as package)
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- Jack Stoner
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Those setting are radical for me.
My GFI has a Lawrence 710 pickup and nickel strings.
"Standard" guitar cords, not George L's.
With a Hilton or Telonics VP (maybe the Goodrich Omni): Bass 12 O'clock, Mid and Treble two clicks left from 12 O'clock (same as Travis' on a demo video I saw).
With a Goodrich 120 pot pedal: Bass two clicks left from 12 O'clock. Mid two clicks left from 12 O'clock and Treble 12 O'clock.
I usually use FullQ but on occasion I'll use the "Fender" Vint.
On guitar cords, if you go back over my old posts you will see I used and promoted George L's. When I first tried the Quilter 202 it was with George L's and I couldn't find a setting I liked and was going to return it. We had two steels at the time, a Franklin that I was testing the 202 with and a GFI Expo S-10 (my wife's). The GFI had standard guitar cords and for whatever reason I tried the 202 with the GFI and there was THE sound! I tried the 202 with the Franklin and the regular guitar cords and the same results, so the 202 was a keeper.
My GFI has a Lawrence 710 pickup and nickel strings.
"Standard" guitar cords, not George L's.
With a Hilton or Telonics VP (maybe the Goodrich Omni): Bass 12 O'clock, Mid and Treble two clicks left from 12 O'clock (same as Travis' on a demo video I saw).
With a Goodrich 120 pot pedal: Bass two clicks left from 12 O'clock. Mid two clicks left from 12 O'clock and Treble 12 O'clock.
I usually use FullQ but on occasion I'll use the "Fender" Vint.
On guitar cords, if you go back over my old posts you will see I used and promoted George L's. When I first tried the Quilter 202 it was with George L's and I couldn't find a setting I liked and was going to return it. We had two steels at the time, a Franklin that I was testing the 202 with and a GFI Expo S-10 (my wife's). The GFI had standard guitar cords and for whatever reason I tried the 202 with the GFI and there was THE sound! I tried the 202 with the Franklin and the regular guitar cords and the same results, so the 202 was a keeper.
Last edited by Jack Stoner on 15 Sep 2022 8:28 am, edited 1 time in total.
GFI Ultra Keyless S-10 with pad (Black of course) TB202 amp, Hilton VP, Steelers Choice sidekick seat, SIT Strings (all for sale as package)
Cakewalk by Bandlab and Studio One V4.6 pro DAWs, MOTU Ultralite MK5 recording interface unit
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Re: TT-12 question/observation
I wouldn't have believed it, because like Jack Stoner, this is a pretty radical setup for me... but have to admit that on my MSA, at least on C6th with a Single Coil pickup it sounds great... I will say that on my Rittenberry on C6th its a touch on the Crispy side. With a little adjusting I think I might be pretty happy with this in the Vintage Mode.Landon Johnson wrote:I set the BASS and TREBLE to max, and the MID to 12:00 - this should give me a flat response, right? Well, wow it opened up the tone for me. I now have it set with BASS dimed, MID at 1:00 and TREBLE just backed off a bit from max. Cuts through the mix and my volume can come down, without being shrill. I've also found that tweaking the MID is all that is needed when accounting for different venues and their acoustics.
What a huge difference! Thought I'd share...
Dale Rottacker, Steelinatune™
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
*2021 MSA Legend, "Jolly Rancher" D10 10x9
*2021 Rittenberry, "The Concord" D10 9x9
*1977 Blue Sho-Bud Pro 3 Custom 8x6
https://msapedalsteels.com
http://rittenberrysteelguitars.com
https://www.telonics.com/index.php
https://www.p2pamps.com
https://www.quilterlabs.com
- Jack Stoner
- Posts: 22087
- Joined: 3 Dec 1999 1:01 am
- Location: Kansas City, MO
Re: TT-12 question/observation
I tried it, just to see. I only have E9th, with a Lawrence 710 pickup and Goodrich pot pedal. Way too much bass and treble. Back to "my settings".Dale Rottacker wrote:I wouldn't have believed it, because like Jack Stoner, this is a pretty radical setup for me... but have to admit that on my MSA, at least on C6th with a Single Coil pickup it sounds great... I will say that on my Rittenberry on C6th its a touch on the Crispy side. With a little adjusting I think I might be pretty happy with this in the Vintage Mode.Landon Johnson wrote:I set the BASS and TREBLE to max, and the MID to 12:00 - this should give me a flat response, right? Well, wow it opened up the tone for me. I now have it set with BASS dimed, MID at 1:00 and TREBLE just backed off a bit from max. Cuts through the mix and my volume can come down, without being shrill. I've also found that tweaking the MID is all that is needed when accounting for different venues and their acoustics.
What a huge difference! Thought I'd share...
GFI Ultra Keyless S-10 with pad (Black of course) TB202 amp, Hilton VP, Steelers Choice sidekick seat, SIT Strings (all for sale as package)
Cakewalk by Bandlab and Studio One V4.6 pro DAWs, MOTU Ultralite MK5 recording interface unit
Cakewalk by Bandlab and Studio One V4.6 pro DAWs, MOTU Ultralite MK5 recording interface unit