Sticker glue
Moderator: Shoshanah Marohn
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- Posts: 341
- Joined: 14 Jan 2007 10:14 am
- Location: West Yorkshire, UK
Sticker glue
Hi Folks
What is the best type of glue to put on a homemade sticker to enable it to adhere to a formica surface but yet be easy to remove if needed without leaving a glue mark or at least if it did could be washed off etc.
Was thinking of putting one on my steel .Thanks for looking.
What is the best type of glue to put on a homemade sticker to enable it to adhere to a formica surface but yet be easy to remove if needed without leaving a glue mark or at least if it did could be washed off etc.
Was thinking of putting one on my steel .Thanks for looking.
- Ian Worley
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- Jack Stoner
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My wife, in some of her crafts, uses double sided removable tape. It is thin like regular Scotch tape. It holds til you want to remove it and no residue.
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Cakewalk by Bandlab and Studio One V4.6 pro DAWs, MOTU Ultralite MK5 recording interface unit
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- Mike Auman
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I use this too, the Scotch product number is "667" and it's in a yellow dispenser. It's pretty much the stuff on the back of a Post-It note.Jack Stoner wrote:My wife, in some of her crafts, uses double sided removable tape. It is thin like regular Scotch tape. It holds til you want to remove it and no residue.
Long-time guitar player now working on lap steel.
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- Joined: 14 Jan 2007 10:14 am
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If it's not a permeable paper I use rubber cement. I find it causes less curling.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
- Dennis Detweiler
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I had a couple of emblems made for me by a trophy shop. They have self sticking adhesive on them. Trophy shop said to use a hair dryer to heat it a little and pull it off. It worked great and on a lacquered finish guitar.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
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