Speeding drummer
Moderator: Shoshanah Marohn
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- Posts: 3
- Joined: 15 May 2017 7:18 am
- Location: Sweden
This subject interests me a lot. I play bass, and have a strong timing and sense of groove. I´ve played with some very good and some rather bad drummers over the years, in various styles of music.
As beginners, most of us struggle with timing issues. But some musicians are never able to grasp the concept, and wont hear timing. With some personalities there is an attitude problem too - "dont tell me what to do".
On bass, I can straighten out the timing of a less than good drummer. It requires solid timing, the right phrasing and volume (yes). Force him to follow. It works a bit, and when the ladies in the audience starts moving you know that the groove is there. But it will never sound great, and his timing is still bad.
With a great drummer, everything works withour effort. I can put the note anywhere in the pocket to adjust the feel, and it will work. He has timing, and listens to the whole band. Its not about how many notes he can play. It is a fantastic feeling when the whole band is grooving, unlike anything in the world for me.
On the pedal steel however, our ability to help is limited.
As beginners, most of us struggle with timing issues. But some musicians are never able to grasp the concept, and wont hear timing. With some personalities there is an attitude problem too - "dont tell me what to do".
On bass, I can straighten out the timing of a less than good drummer. It requires solid timing, the right phrasing and volume (yes). Force him to follow. It works a bit, and when the ladies in the audience starts moving you know that the groove is there. But it will never sound great, and his timing is still bad.
With a great drummer, everything works withour effort. I can put the note anywhere in the pocket to adjust the feel, and it will work. He has timing, and listens to the whole band. Its not about how many notes he can play. It is a fantastic feeling when the whole band is grooving, unlike anything in the world for me.
On the pedal steel however, our ability to help is limited.
- Don Downes
- Posts: 247
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- Location: New Hampshire, USA
Fredrik is so correct. I've played with some really bad bass players and they can make my job as a drummer incredible difficult. I've also played with incredible bass players, that have made me a better drummer. It's so hard to describe the relationship between a bass player and a drummer. It sometimes feels like a marriage.
Tele, Strat, Gretsch 12-string, 335, Yamaha Bass, Blues Deluxe Reissue, JC-120, Hammond BV, Yamaha MO8, DW Collector Series drums, Cubase, and more stuff
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- David Sawyer
- Posts: 36
- Joined: 29 May 2021 7:54 am
- Location: White Pine, Tennessee
A little late to this particular party but I wanted to say:
Herb, right on with your comments. I'm sharing with the band.
We had some big grooves back in the day, but I recall some times when the rhythm section exhibited what you're warning about.
Herb, right on with your comments. I'm sharing with the band.
We had some big grooves back in the day, but I recall some times when the rhythm section exhibited what you're warning about.
Sierra Session D10, HeadRush GigBoard, Sarno Black Box
- Fred Treece
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Hmm, that’s weird. I thought this looked familiar. Is posting the same message twice in one thread a thing now?David Sawyer wrote:A little late to this particular party but I wanted to say:
Herb, right on with your comments. I'm sharing with the band.
We had some big grooves back in the day, but I recall some times when the rhythm section exhibited what you're warning about.
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- Robert B Murphy
- Posts: 143
- Joined: 9 Feb 2022 6:56 am
- Location: Mountain View, Arkansas, USA
I have a friend who was a drummer before he took over the family studio. His sense of timing is uncanny, he would say something like: " That was a good track but you sped up from 110 beats per minute to 115 at the end. Can you do it again, same feel but just hold back at the end?" He hated the way a click track added a mechanical feel and always tried to talk people out of using one.
My opinion is that when a drummer is off to the races the last thing they'll ever think about is how the over all band sounds to the audience and it's usually futile to try to talk sense to them. Grooves are nice and it's great to play with people who are aware of the overall sound , have a good internal clock, and are aware of the importance of visual communication on stage but being a pro is being good at making the best of a bad situation. I'm not saying don't try but save it for after the set and be civil.
The worst thing you can do is make an on-stage problem visually apparent to the audience. It ain't a mistake if it don't look like a mistake. When you flub a note or forget a lyric or detest one of the band members, don't telegraph that to the people who paid to see you.
My opinion is that when a drummer is off to the races the last thing they'll ever think about is how the over all band sounds to the audience and it's usually futile to try to talk sense to them. Grooves are nice and it's great to play with people who are aware of the overall sound , have a good internal clock, and are aware of the importance of visual communication on stage but being a pro is being good at making the best of a bad situation. I'm not saying don't try but save it for after the set and be civil.
The worst thing you can do is make an on-stage problem visually apparent to the audience. It ain't a mistake if it don't look like a mistake. When you flub a note or forget a lyric or detest one of the band members, don't telegraph that to the people who paid to see you.
Bob, small o.
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