Chalker on The Wilburn Brothers Show-Awesome
Moderator: Shoshanah Marohn
Chalker on The Wilburn Brothers Show-Awesome
https://youtu.be/8MRk2os2PJs
Curly not only is in the mix, but he leads it. I only post one of several episodes.
- scott murray
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thanks for sharing, hadn't seen this one yet. the entire show is a tribute to Faron Young, recorded April 13, 1974. uploaded by Jason Wilburn, nephew of Doyle & Ted
Curly is on fire, hot in the mix, and even plays a little C6 at the end of the show
more great C6 here: https://youtu.be/i2Eg6aiIGUg?t=825
Curly is on fire, hot in the mix, and even plays a little C6 at the end of the show
more great C6 here: https://youtu.be/i2Eg6aiIGUg?t=825
Last edited by scott murray on 27 Dec 2021 10:39 pm, edited 1 time in total.
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Sounds like "Four In The Morning" was using a prerecorded track, with all the string sections, etc...
I've always been curious. Does anyone know..... how did that work on those TV shows? Did the artist carry around the tracks on tape for these performances, were they sent by someone prior to the show, or what.....? Today you could bring a CD or thumb drive, or just a link to a cloud location, but then tape was the only way. Maybe some experienced TV people can chime in with some info.
RC
I've always been curious. Does anyone know..... how did that work on those TV shows? Did the artist carry around the tracks on tape for these performances, were they sent by someone prior to the show, or what.....? Today you could bring a CD or thumb drive, or just a link to a cloud location, but then tape was the only way. Maybe some experienced TV people can chime in with some info.
RC
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Msa
black msa with white trim...
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Great stuff. I loved those Wilburn Bros. shows and Curly and Hal were always lighting it up on them. Thanks for posting this Jon.
Like Jerry said, those early-mid 70s, MSA Classics had White trim instead of chrome. Curly's MSA Classic was the only one I've ever seen that had two white trim strips on the necks though. Most others had just one. The two strips looked way better to me.
I also noticed Curly's first run, Session 400 (with silver grill cloth instead of black which followed shortly) on the floor behind him.
Curly sure was awesome and cool !!!
Like Jerry said, those early-mid 70s, MSA Classics had White trim instead of chrome. Curly's MSA Classic was the only one I've ever seen that had two white trim strips on the necks though. Most others had just one. The two strips looked way better to me.
I also noticed Curly's first run, Session 400 (with silver grill cloth instead of black which followed shortly) on the floor behind him.
Curly sure was awesome and cool !!!
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Is that MSA a Classic or a pre Classic. Maybe late 60's
anybody know? I don't see Classic on the front apron. An outstanding musician! T.Lee
anybody know? I don't see Classic on the front apron. An outstanding musician! T.Lee
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- Bill Cunningham
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Curly went to MSA after they introduced the Classic. And, as a youngster, I remember well what Tiny said about the unique two strips of trim on the neck. I never saw another one besides his with that effect.Lee Dassow wrote:Is that MSA a Classic or a pre Classic. Maybe late 60's
anybody know? I don't see Classic on the front apron. An outstanding musician! T.Lee
I was/am a big fan of Curly going back to this timeframe as I was just getting interested in playing steel. Unrelated, but I met him once. In 1975, I believe, I attended the CMA awards. It was the year Charlie Rich burned John Denver’s envelope. There was an after party with all the stars and Curly was playing a Gibson 355 in the cocktail jazz band working the party. Yes, they had a jazz quintet playing the CMA party.
Bill Cunningham
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What era is that Steel guitar, late 60's or early 70's? T.L.
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Spectacular... What a player.
Curly was one of the only world class players that I can remember that was regularly seen on TV etc using an MSA.. It was mostly Emmons, Bud, and maybe a ZB here or there back in those days... MSA were popular everywhere and they sold them by the thousands, but not many top pros used them, at least not many that I remember..
I used to look for them as an MSA player back then and was always disappointed...
I think this guy used an MSA on this cut.
https://www.youtube.com/watch?v=-1On2vIZPTo
Curly was one of the only world class players that I can remember that was regularly seen on TV etc using an MSA.. It was mostly Emmons, Bud, and maybe a ZB here or there back in those days... MSA were popular everywhere and they sold them by the thousands, but not many top pros used them, at least not many that I remember..
I used to look for them as an MSA player back then and was always disappointed...
I think this guy used an MSA on this cut.
https://www.youtube.com/watch?v=-1On2vIZPTo
I'm over the hill and hittin'rocks on the way down!
no gear list for me.. you don't have the time......
no gear list for me.. you don't have the time......
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Bill thanks for the info. Bob great tune, T.L.
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- J D Sauser
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I seem to remember reading a story by Lloyd Green talking about him introducing Chalker to E9th. Who better to be introduced to E9th by? Ha!
In my opinion Lloyd was the tastiest of all professional E9th players, setting the "manual" on how to accompany a country singer next to (NOT so much behind) Charley Pride on the Panther Hall Live record... a close second being in my opinion Curly Chalker. I know some will be looking up wondering if I ever heard of a cat by the name of Buddy Emmons! Emmons to me is a completely different artist.
One may argue that you could hear "a lot of Lloyd" in Chalker's E9th... while I would agree, I think much of it was also him being himself. He had a unique technique of picking chords almost like single notes on C6th he tastefully and discretely carried over into his E9th playing.
Interestingly too, he could make one of the old MSA "Boat Anchors" SING endlessly, which elegantly refuted the "argument" that MSA's "didn't quite have IT".
... J-D.
In my opinion Lloyd was the tastiest of all professional E9th players, setting the "manual" on how to accompany a country singer next to (NOT so much behind) Charley Pride on the Panther Hall Live record... a close second being in my opinion Curly Chalker. I know some will be looking up wondering if I ever heard of a cat by the name of Buddy Emmons! Emmons to me is a completely different artist.
One may argue that you could hear "a lot of Lloyd" in Chalker's E9th... while I would agree, I think much of it was also him being himself. He had a unique technique of picking chords almost like single notes on C6th he tastefully and discretely carried over into his E9th playing.
Interestingly too, he could make one of the old MSA "Boat Anchors" SING endlessly, which elegantly refuted the "argument" that MSA's "didn't quite have IT".
... J-D.
Last edited by J D Sauser on 10 Jan 2022 6:22 pm, edited 2 times in total.
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A Little Mental Health Warning:
Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.
I say it humorously, but I mean it.
A Little Mental Health Warning:
Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.
I say it humorously, but I mean it.
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I love the backup Doug Jernigan does for Faron on Wine me Up here:
https://www.youtube.com/watch?v=wgZtQBPKHVU
https://www.youtube.com/watch?v=wgZtQBPKHVU
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