2412.Kelcey ONeil wrote:Cool! What's the invoice number?Eric Philippsen wrote:I have a late ‘65/early ‘66 D10 bolt-on that I got not too long ago. It was in its original 8+1 configuration so I’m having 3 more knees added (Emmons parts, of course). When I get it back I’ll post some pics.
How many here are playing/owning an Emmons Bolton?
Moderator: Shoshanah Marohn
- Eric Philippsen
- Posts: 1966
- Joined: 14 Jan 2008 5:38 pm
- Location: Central Indiana, USA
- Chance Wilson
- Posts: 201
- Joined: 26 Jan 2002 1:01 am
- Location: California, USA
I've had a few and they all had vastly different cabinet drop,pedal response and tone but there's one wood neck that haunts me. Everything on it was atypical and it took a lot of forensics to figure out what was going on because it had lot's of factory mods as if it had been in development for a couple of years. It was stamped as a '67 but it was an older prototype. It had a wood stop bar and the most glaring thing was that there was no relief in the keyheads: the necks were hammered in tight between the changers and keyheads like a Kline. It Was D1002WD or D1002DW (not positive on the last letter but my speculation is Double Wood neck). I can't remember invoice number format but the D1 led me to believe it was the post invoice style stamp implying '67.
- Dustin Cook
- Posts: 162
- Joined: 1 Apr 2010 5:35 pm
- Location: California
Bolt On
66’ invoice 2208B 8x8 done by Tommy Cass, Lynn did the setup. Unbeatable tone, zero cabinet drop.
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- Location: Reno, Nevada - USA
- Kelcey ONeil
- Posts: 327
- Joined: 1 May 2018 11:42 am
- Location: Sevierville, TN
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- Marty Broussard
- Posts: 2378
- Joined: 18 Oct 2002 12:01 am
- Location: Broussard, Louisiana, USA
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- Posts: 166
- Joined: 14 Jun 2005 12:01 am
- Location: Reno, Nevada - USA
Both are invoice guitars. The wood one is #2566.
Comparisons are subjective and difficult. Both guitars were refreshed by Lynn Stafford and perform very well. They both sound great with lots of sustain. Maybe the aluminum guitar rings a bit more. The big difference is the wood neck does a better job staying in tune at outdoor gigs. When indoors, the metal neck stays in tune just fine and is my go to guitar. That said, I would not let either one go.
Comparisons are subjective and difficult. Both guitars were refreshed by Lynn Stafford and perform very well. They both sound great with lots of sustain. Maybe the aluminum guitar rings a bit more. The big difference is the wood neck does a better job staying in tune at outdoor gigs. When indoors, the metal neck stays in tune just fine and is my go to guitar. That said, I would not let either one go.
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- Location: Mechanicsville, MD, USA
Love a wood neck guitar.
This one was a Jerry Roller and Bryan Adams piece of work. Great playing and sounding guitar.
- Kelcey ONeil
- Posts: 327
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- Location: Sevierville, TN
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Very interesting Jim, I was not aware of true bolt on era wood neck guitars. The fact that it's mica and not lacquer like the later wood neck options is definitely unique. Also, the fact that both of those guitars are built on wraparound era bodies and have Stadler and Aldrich endplates further sets that particular one apart from the later ones.Jim Hussey wrote:Both are invoice guitars. The wood one is #2566.
Comparisons are subjective and difficult. Both guitars were refreshed by Lynn Stafford and perform very well. They both sound great with lots of sustain. Maybe the aluminum guitar rings a bit more. The big difference is the wood neck does a better job staying in tune at outdoor gigs. When indoors, the metal neck stays in tune just fine and is my go to guitar. That said, I would not let either one go.
Co-owner and operator: Emmons Guitar Co.
- Marty Broussard
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- Location: Reno, Nevada - USA
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- Kelcey ONeil
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- Location: Sevierville, TN
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- Jason Putnam
- Posts: 546
- Joined: 18 Nov 2011 7:46 am
- Location: Tennessee, USA
- John Gilman
- Posts: 79
- Joined: 22 Jun 2011 9:47 pm
- Location: Jericho, VT USA
I'm happy to be the current owner of that guitar. I got it from Cliff a few years ago. Serial is 1612D. I was told that it was originally a blue burst. No idea who put the bolton necks on it or when. It's 9 and 4 with the 9th pedal doing C6 6th string E to F.Kelcey ONeil wrote:Well, there's another one I've not seen before lol! Any idea on the serial and if the finish is original?Skip Edwards wrote:I like that black one with the wood necks...
This one below belongs to Cliff Kane...unless he unloaded it. Very nice bolt-on.
74 Sho-Bud ProII
73 Sho-Bud/Surratt/Marrs D-10
72 Emmons PP D-10
69 ZB Custom D-10
73 Sho-Bud/Surratt/Marrs D-10
72 Emmons PP D-10
69 ZB Custom D-10
- Chris Templeton
- Posts: 2576
- Joined: 25 Sep 2012 4:20 pm
- Location: The Green Mountain State
I had one of these that was stolen out of the Gibson factory in '91/2:
'
except it was 9/8. Same red and black sunburst with wooden necks.
It was tweaked by Jimmy Crawford.
If anyone sees it, please contact me.
'
except it was 9/8. Same red and black sunburst with wooden necks.
It was tweaked by Jimmy Crawford.
If anyone sees it, please contact me.
Excel 3/4 Pedal With An 8 String Hawaiian Neck, Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
- Justin Griffith
- Posts: 1219
- Joined: 22 Nov 2001 1:01 am
- Location: Taylor, Texas, USA
Re: Love a wood neck guitar.
I have the exact same guitar. Also bought from Jerry Roller. The only difference is mine has the long levers on it.Dave Diehl wrote:This one was a Jerry Roller and Bryan Adams piece of work. Great playing and sounding guitar.
I like it better than my metal neck bolt on.