How many here are playing/owning an Emmons Bolton?

Instruments, mechanical issues, copedents, techniques, etc.

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Tom Quinn
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How many here are playing/owning an Emmons Bolton?

Post by Tom Quinn »

How many pickers here have an old metal-neck Bolton. They keep showing up in various posts. I sure love the two I have. Unreal tone and they play pretty good as well. If you have one -- or more -- post a photo.


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I need an Emmons!
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Erv Niehaus
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Location: Litchfield, MN, USA

Post by Erv Niehaus »

I owned two at one time. :D
Erv
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Silas Hamilton
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Joined: 4 Feb 2021 9:31 pm
Location: Shelby, North Carolina 28150

Post by Silas Hamilton »

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Here’s my 67. She’s a stout ol’ girl.
1961 ShoBud permanent, 1971 Emmons Fatback, 1965 Emmons Wraparound no. 2171, Twin Reverbs. God Bless Weldon Myrick.
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Marty Broussard
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Location: Broussard, Louisiana, USA

Post by Marty Broussard »

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My ‘66 …….amazing tone…
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Cody Stewart
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Location: Traverse City Michigan, USA

Post by Cody Stewart »

This is my 66 bolt with 67 era pickups in it. I was reluctant to join the p/p club due to mechanical reasons. Many will say a true aluminum neck bolt-on will have tuning issues. I can say that mine stays in tune better than any all pull I own. It doesn't change much with temperature fluctuations either. They have a certain amount of vibrancy in the mid range other p/p's don't. To my ears, it's like a mini explosion every time a string is picked. The p/p guys in Texas call it "PING." I think that's a good way to describe it. They arguably cut through a live mix more effectively than the other p/p configurations. Tommy Detamore and Bill Terry are probably the Bolt-On Experts when it comes to gigging with them. They know what they do and like them for those reasons.
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Bolt On’s: Red Belly, Brown Belly, 73 Sho~Bud Pro~II, Fender’s/Peavey’s. If it doesn't sound like 1968, then I probably won’t like it.
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Marty Broussard
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Location: Broussard, Louisiana, USA

Post by Marty Broussard »

I agree with Cody. I love the “ping”…..I call it the “sparkle”……
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
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Rick Heins
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Post by Rick Heins »

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This is a very cool ‘67 Bolt On I picked up about a year ago. It was set up beautifully by Kelcey O’Neil and plays very well. Just got the pickup rewired (something was weird sounding about it: too thin/bright) by Clay Alden to vintage specs and it sounds great now!
Last edited by Rick Heins on 3 Dec 2021 3:06 pm, edited 2 times in total.
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forrest klott
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Location: Grand Rapids Mi USA

Post by forrest klott »

Here’s another residing in the Wolverine state. Invoice #2611, original pickups. Cody and I had them end plate to end plate not long ago, man that was a fun day!


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Last edited by forrest klott on 24 Nov 2021 5:26 pm, edited 2 times in total.
Dale McPherson
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Location: Morristown, Tennessee, USA

Bolton

Post by Dale McPherson »

My 65 Wrap and 67 Bolton.
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Last edited by Dale McPherson on 30 Nov 2021 6:32 pm, edited 1 time in total.
John Steele
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Post by John Steele »

I do.
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George Seymour
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Location: Notown, Vermont, USA

Post by George Seymour »

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D-1063
And two more D-1036 and DR-005
Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones
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Garry Vanderlinde
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Post by Garry Vanderlinde »

I've got a '66 with 9 original floor pedals. Haven't seen any of those yet. E to Eb/F on right knees. 8)

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George Seymour
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Post by George Seymour »

Garry Vanderlinde wrote:I've got a '66 with 9 original floor pedals. Haven't seen any of those yet. E to Eb/F on right knees. 8)

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And three rows of tuning holes...seems the new Resound wraps will have that arrangement for split tuning...quite rare of a bolt on Garry...I love em :)
Old Emmons D-10's & Wrap Resound 65, Standel amps!
Old Gibson Mastertones
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Abe Levy
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Post by Abe Levy »

I’ve got two. A black one and a white one. Here’s 1066D…

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Mostly Pre-1970 guitars.
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Johnie King
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Post by Johnie King »

I'm pretty sure this is Mike Bourque's Wrap around.

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Last edited by Johnie King on 1 Dec 2021 7:32 am, edited 1 time in total.
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Garry Vanderlinde
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Post by Garry Vanderlinde »

What's up Johnie? That Bolt On looks like a Wraparound :alien:
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Johnie King
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Post by Johnie King »

Yes Garry I made a boo boo.
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Johnie King
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Re: Bolton

Post by Johnie King »

I think one of these is a wrap also.
Dale McPherson wrote:My 65 Wrap and 67 Bolton.
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Eric Philippsen
Posts: 1966
Joined: 14 Jan 2008 5:38 pm
Location: Central Indiana, USA

Post by Eric Philippsen »

I have a late ‘65/early ‘66 D10 bolt-on that I got not too long ago. It was in its original 8+1 configuration so I’m having 3 more knees added (Emmons parts, of course). When I get it back I’ll post some pics.
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Damir Besic
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Post by Damir Besic »

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Kelcey ONeil
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Post by Kelcey ONeil »

Eric Philippsen wrote:I have a late ‘65/early ‘66 D10 bolt-on that I got not too long ago. It was in its original 8+1 configuration so I’m having 3 more knees added (Emmons parts, of course). When I get it back I’ll post some pics.
Cool! What's the invoice number?
Co-owner and operator: Emmons Guitar Co.
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Kelcey ONeil
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Post by Kelcey ONeil »

Eric Philippsen wrote:I have a late ‘65/early ‘66 D10 bolt-on that I got not too long ago. It was in its original 8+1 configuration so I’m having 3 more knees added (Emmons parts, of course). When I get it back I’ll post some pics.
Cool! What's the invoice number?
Co-owner and operator: Emmons Guitar Co.
Ron Funk
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Location: Ballwin, Missouri

Post by Ron Funk »

Kind of a "1967 Quad Bolt-On" - -Invoice Numbers 2460 and 2462.

(Invoice Number 2461 did not involve sale of a steel guitar).


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Last edited by Ron Funk on 3 Dec 2021 6:41 pm, edited 1 time in total.
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Jay Ganz
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Post by Jay Ganz »

My '66 Bolt-on 👇


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William Smith
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Location: Manhattan, Kansas

Bolt-On Sound

Post by William Smith »

I hear of the great tone of the "Bolt-On" guitars. Is there an example of a side-by-side recording of the difference between a Bolt-On and a non-Bolt-On guitar that demonstrates this difference? It would be interesting to hear something like that using the same amp, volume pedal, etc. recorded in a single sitting using the same settings.

Thanks and those are sure some awesome looking guitars!
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