Ronnie Milsap question
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- Roger Rettig
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Ronnie Milsap question
Does anybody know who played steel on Ronnie's 'Cowboys and Clowns'? I know it was cut in LA - unusual for Milsap - but the steel part sounds as if it was written out rather than being improvised.
Could it have been our Earnest? He could have read a chart.
Could it have been our Earnest? He could have read a chart.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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cowboys and clowns
https://youtu.be/DA7RGxbV9w4
Whoever it was,that was a fabulous production. never heard it before. Thanks Roger for post. JK
Whoever it was,that was a fabulous production. never heard it before. Thanks Roger for post. JK
- Roger Rettig
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Thanks for posting a link, Joe - that sort of wizardry is beyond me!
Yes, I think it's a remarkable cut, even if Milsap says he wasn't pleased with his performance. I've been binge-watching him on YouTube and am reminded of what a terrific singer he is.
Yes, I think it's a remarkable cut, even if Milsap says he wasn't pleased with his performance. I've been binge-watching him on YouTube and am reminded of what a terrific singer he is.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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Nice stuff! Proves that vocals and steel lines can co-exist. And...it's a refreshing change from the S.O.P. (which is for the lead to duck into a hole and hide every time the singer opens his/her mouth.)
We used to hear that occasionally on west-coast stuff, but almost never from the Nashville-produced music. Of course, nowadays, we're lucky to hear any steel at all on the commercial country.
We used to hear that occasionally on west-coast stuff, but almost never from the Nashville-produced music. Of course, nowadays, we're lucky to hear any steel at all on the commercial country.
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- Earnest Bovine
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I realize that Jay Dee's name has been suggested before. My theorizing led me to assume it was a reader/player, given the structure of the part. Jay Dee, of course, has the ears and the chops to play anything.
Earnest makes it clear it wasn't him, even if one of his strengths is his reading ability.
I must say, though, that nothing about this steel-part is 'typical Jay Dee' (except, perhaps, the tone?) It's a lesson to me that I should never be surprised by the breadth of a truly great player.
Earnest makes it clear it wasn't him, even if one of his strengths is his reading ability.
I must say, though, that nothing about this steel-part is 'typical Jay Dee' (except, perhaps, the tone?) It's a lesson to me that I should never be surprised by the breadth of a truly great player.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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Although Jay Dee isn't the sight reader Doug is (very few are) his unique tone and abilities make it more than worthwhile for producers and arrangers to take a little time to create a part like this with him. Probably true of other Wrecking Crew era players who were not great readers but had unique qualities no one else could bring to the party. Personally, I really miss records that were made this way.
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Here's another example of a movie soundtrack song from Steve Dorff and Snuff Garrett, sung by a Nashville artist and recorded in Hollywood. Eddie Rabbitt with some very prominent Jay Dee; it came out a year or two before before the Milsap track. Both were number-one records.
https://www.youtube.com/watch?v=o1mcyj958HU
And from the same movie that the Milsap song came from (and apparently the same tracking session) is this Merle Haggard and Clint Eastwood song. More great Jay Dee, and at least one of the singers is really good.
https://www.youtube.com/watch?v=7l0luZHf_yg
https://www.youtube.com/watch?v=o1mcyj958HU
And from the same movie that the Milsap song came from (and apparently the same tracking session) is this Merle Haggard and Clint Eastwood song. More great Jay Dee, and at least one of the singers is really good.
https://www.youtube.com/watch?v=7l0luZHf_yg
- Roger Rettig
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Hats off to all involved. There have been some terrific songs in Eastwood's movies. Charlie Rich, Eddie Rabbit, Glen Campbell and more.
I regard both Jay Dee and Ronnie as American treasures.
I regard both Jay Dee and Ronnie as American treasures.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Roger Rettig
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