Always... Patsy Cline, St. Louis
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- Steve Hitsman
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Always... Patsy Cline, St. Louis
My office through September 5.
- Drew Howard
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- Roger Rettig
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- Kenny Davis
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I think chicken wire would be more period correct. Just sayin'...Kenny Davis wrote:The Amarillo Little Theatre production in OKC (later in Woodward, OK) had the background vocalists behind the screen with the band in full view.
I'm starting a two-week run (8 shows, I think) of "Always..." on Thursday in Fredericksburg TX. The fifth run of this show I've done since 1995. I don't know if "A...PC" has kept steel players longer than "Whorehouse," but it's gotta be close.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
- Roger Rettig
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'...Whorehouse...' dates back to the late '70s whereas 'A..PC' first surfaced in the '90s, I believe.
Sadly (in my view), the older show doesn't get mounted very often these days; it's become dated with the salty language that's a part of the script. Not every community theater group is comfortable putting 'BLWiT' on, while '...Patsy' seems to soldier on for ever.
I did my first APC in '98 and I've done about thirty-six productions of it since then. As for 'Whorehouse...', however, I did it in London's West End in 1981 (with the Broadway 'leads') and on just two other occasions since (here in the US, one was a lengthy tour). I'd love another crack at it. I think it has some fine songs in the score and it's tons of fun to play!
Sadly (in my view), the older show doesn't get mounted very often these days; it's become dated with the salty language that's a part of the script. Not every community theater group is comfortable putting 'BLWiT' on, while '...Patsy' seems to soldier on for ever.
I did my first APC in '98 and I've done about thirty-six productions of it since then. As for 'Whorehouse...', however, I did it in London's West End in 1981 (with the Broadway 'leads') and on just two other occasions since (here in the US, one was a lengthy tour). I'd love another crack at it. I think it has some fine songs in the score and it's tons of fun to play!
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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Another comparison that could be made is this: the production of BLWiT is hugely more complex and expensive, dealing with lots of actors/dancers and musicians, set construction, choreography, original music, etc.,Roger Rettig wrote:'...Whorehouse...' dates back to the late '70s whereas 'A..PC' first surfaced in the '90s, I believe.
Sadly (in my view), the older show doesn't get mounted very often these days; it's become dated with the salty language that's a part of the script. Not every community theater group is comfortable putting 'BLWiT' on, while '...Patsy' seems to soldier on for ever.
In contrast, APC is rudimentary in its book, and simple in staging and presentation. Likewise is another show of the genre many of us have done, "Hank Williams: Lost Highway."
Easier and cheaper is what the marketplace is always looking for.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
- Roger Rettig
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That's a good point, Herb. BLWiT has a large cast and, of course, costs more to mount. APC, on the other hand, while it's hardly 'Chekhov', is an easy-to-stage standby in a theater's season and decent profits are usually to be had.
Having said that, I've had conversations with several artistic managers at the venues I've worked at who unequivocally stated that '..Whorehouse...' might 'raise a few eyebrows' with their usual demographic. I can see that the premise of the play, and it's dialog, would be an issue.
APC 'creaks' a bit for me but the songs see it through. It depends upon a convincing 'Patsy' and a boisterous and talented 'Louise'; anything less makes for a long night on the bandstand.
Having said that, I've had conversations with several artistic managers at the venues I've worked at who unequivocally stated that '..Whorehouse...' might 'raise a few eyebrows' with their usual demographic. I can see that the premise of the play, and it's dialog, would be an issue.
APC 'creaks' a bit for me but the songs see it through. It depends upon a convincing 'Patsy' and a boisterous and talented 'Louise'; anything less makes for a long night on the bandstand.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Jack Hanson
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- Steve Hitsman
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- Steve Hitsman
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I was talking with the music director/band leader of my most recent APC (Fredericksburg TX, thru Aug 22) and he was saying that this play had to be the "gift that keeps on giving" for Ted Swindley. I mentioned this thread to him and he said there could be several dozen productions of APC going on right now somewhere in the USA.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
- Steve Hitsman
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- Craig Stock
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