Do You Know the Original Source of this Buddy Emmons Quote?
Moderator: Shoshanah Marohn
-
- Posts: 2367
- Joined: 6 Jan 1999 1:01 am
- Location: Black Diamond, Alberta, Canada
Hi Doug,
Thanks again for your help finding this quote. I remember dragging the words over to my computer many years ago, but I never thought I would need to cite its source in a book. Nice save!
In the book, we are footnoting you and your Google drive address as the current source of this information, unless you object.
all the best,
Steve
Thanks again for your help finding this quote. I remember dragging the words over to my computer many years ago, but I never thought I would need to cite its source in a book. Nice save!
In the book, we are footnoting you and your Google drive address as the current source of this information, unless you object.
all the best,
Steve
Budy Quote for Fish
I believe this is what you're looking for. I clipped this from either Ernie Renn's site, or the Forum. I think it's from the Forum given the format:
Posted by Buddy Emmons on 12 Apr 1998 at 2:56 pm
In Reply to ? for Buddy. Playing outside by John Lacey
John, Up to the time I heard Pat Martino I was playing more or less "the tuning," which sounds very much like your reference to pentatonic, etc. I could play inside as you say with speed and ease but never with what I thought sounded like an intelligent approach to solos. For some strange reason Pat's scales seemed to open the door for me to a world that was already there and I didn't know it. His substitution of the G five minor seventh chord for C seventh solos was a scale I had played before but never associated it with a minor. Now I use the Bb major 7th (5th fret, strings 1 through 9) and C9th position (10th fret, pedal 5 pattern) for both Gm7 and C7th solos. Of course this is probably the tip of the iceburg for what you were inquiring about, but it is a good start on key substitutions. It allows you to sound like you've learned something new when all you've done is played an old pattern in a new location.
Posted by Buddy Emmons on 12 Apr 1998 at 2:56 pm
In Reply to ? for Buddy. Playing outside by John Lacey
John, Up to the time I heard Pat Martino I was playing more or less "the tuning," which sounds very much like your reference to pentatonic, etc. I could play inside as you say with speed and ease but never with what I thought sounded like an intelligent approach to solos. For some strange reason Pat's scales seemed to open the door for me to a world that was already there and I didn't know it. His substitution of the G five minor seventh chord for C seventh solos was a scale I had played before but never associated it with a minor. Now I use the Bb major 7th (5th fret, strings 1 through 9) and C9th position (10th fret, pedal 5 pattern) for both Gm7 and C7th solos. Of course this is probably the tip of the iceburg for what you were inquiring about, but it is a good start on key substitutions. It allows you to sound like you've learned something new when all you've done is played an old pattern in a new location.
Rob Segal
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
What a can of worms! That 'Ask Buddy' clip is almost certainly where I remember seeing the reference to Metheny. I had never seen that page that Doug so diligently researched.
Much appreciation for everybody's efforts!
Much appreciation for everybody's efforts!
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
- Ernie Renn
- Posts: 3457
- Joined: 4 Aug 1998 11:00 pm
- Location: Brainerd, Minnesota USA
- Contact: