Session 400 Upgrades Complete!
Moderator: Shoshanah Marohn
- Eric Reeves
- Posts: 41
- Joined: 14 Mar 2021 4:40 pm
- Location: Washington, USA
Session 400 Upgrades Complete!
Brought home the old mid 70's Session 400 today from my amp tech. Started out with a bad speaker, and thought I might as well dive into the rest of the innards whilst it's there. Replaced the old shallow basket 1501 Black Widow with a much lighter Eminence Double T 15 Travis Toy signature. Did a grip of cap replacements as well that are way beyond my pay grade for understanding, but I've included a photo synopsis of the upgrades for ya'll more versed than myself to pick apart. I gotta say, this thing is KILLER and crystal clean all the way through. I hadn't expected such a turn around, but man, these amp guru's know their stuff!
I gotta thank Dale Rottacker for the Amp itself, as well as the eventual speaker upgrade that I had been jonesin for, a set of quality George L cables, a really nice bar, and some great words of encouragement.
Also wanna thank Brad Sarno for reaching out with his mod guide that I started with as a foundation https://web.archive.org/web/20180214233 ... 0page.html
Last but not least, Bruce Baumann of Brown Dog Amp Works. Bruce was incredibly fast and thorough, and was able to bring to life the vision I had, with his years of expertise. Bruce was an absolute pleasure to work with and visibly takes pride in his craftsmanship. I'll be taking in a few tube amps for a "wake up" soon.
Here's a few before and after pics with a side by side of the circuitry to pick apart and study along with a chart of upgrades we used for the build.
This is such a better amp than I deserve and I hope I'll be able to grow into it!
I gotta thank Dale Rottacker for the Amp itself, as well as the eventual speaker upgrade that I had been jonesin for, a set of quality George L cables, a really nice bar, and some great words of encouragement.
Also wanna thank Brad Sarno for reaching out with his mod guide that I started with as a foundation https://web.archive.org/web/20180214233 ... 0page.html
Last but not least, Bruce Baumann of Brown Dog Amp Works. Bruce was incredibly fast and thorough, and was able to bring to life the vision I had, with his years of expertise. Bruce was an absolute pleasure to work with and visibly takes pride in his craftsmanship. I'll be taking in a few tube amps for a "wake up" soon.
Here's a few before and after pics with a side by side of the circuitry to pick apart and study along with a chart of upgrades we used for the build.
This is such a better amp than I deserve and I hope I'll be able to grow into it!
Last edited by Eric Reeves on 10 Apr 2021 4:53 pm, edited 1 time in total.
1966 EMMONS S-10 Bolt On Push-Pull
- Larry Dering
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- Jack Hanson
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Re: Session 400 Upgrades Complete!
I love my old Session 400 head. I usually run it into a TT-12, but it also sounds great into a BW 1501-4 (and probably many Celestions, as well).
Last edited by Jack Hanson on 10 Apr 2021 5:01 pm, edited 1 time in total.
- Jack Hanson
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No problem, Eric! I edited my snarky comment as well. That's one lovely Session you have there. Looks like it went out the back door down in Meridian only a few days ago -- not decades. Those old amps with transistors in lieu of ICs are definitely worth a little maintenance now and then. Pretty much bulletproof, like the Fullerton Fenders usually were.
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- Bill Terry
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You may have a ready buyer market for that Spider-Web BW if you don't want it. I and others I've talked to prefer that original BW over the later ones, it just seems smoother and less strident to me. I've got one in my Session 400 now, I think it just matches up with the amp real well.
Only down-side (other than it's obviously heavier than any Neo) is that I'm not sure you can still get replacement baskets.
Only down-side (other than it's obviously heavier than any Neo) is that I'm not sure you can still get replacement baskets.
Lost Pines Studio
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- Eric Reeves
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- Bill Terry
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Good to know.Eric wrote: Bruce seemed to think he could get a new basket for it.
Lost Pines Studio
"I'm nuts about bolts"
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- Jeremy King
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- Eric Reeves
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- Location: Washington, USA
That's all I have left to do is replace the reverb tank and the bushings. It's pretty loose and crashin when bumped. What'd you end up going with? I think a like replacement is about $30 or so.Jeremy King wrote:I recently upgraded my late 70s Session 400 with a Double T speaker too! I really dig it. I also replaced the reverb tank and I couldn't be happier.
1966 EMMONS S-10 Bolt On Push-Pull
- Jeremy King
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I bought one of these. It has a 3rd spring that allows for a smoother taper from what I can tell. It was super easy to replace and seems to be pretty tough. I highly recommend it.
https://reverb.com/item/27734633-reverb ... y-3-spring
https://reverb.com/item/27734633-reverb ... y-3-spring
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I have a 70's Session 400 with original shallow basket BW 1504. The cone tore in a couple places. I couldn't find a replaceable basket for it. I glued it and it seems to behave just fine. I absolutely love the sound of this amp.
I refurbished mine about six years ago. I redid the caps per Sarno, touched up the tolex, replaced the spring reverb with a medium decay three spring type, and replaced the grill cloth with Fender type since the Peavey type wasn't available.
Hint - the Tolex can be repaired using Mars Black acrylic paint. It's quite thick and one can imbed a pattern in it that makes it look like tolex plus the color/gloss is a perfect match.
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I refurbished mine about six years ago. I redid the caps per Sarno, touched up the tolex, replaced the spring reverb with a medium decay three spring type, and replaced the grill cloth with Fender type since the Peavey type wasn't available.
Hint - the Tolex can be repaired using Mars Black acrylic paint. It's quite thick and one can imbed a pattern in it that makes it look like tolex plus the color/gloss is a perfect match.
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- Eric Reeves
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- Jeremy King
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It made the reverb smoother on my amp. I like it because a little goes a long way with the 3 spring and this amp. With the original tank I would usually keep it on 5 or 6 but with this one I can run it at 3 or 4 and achieve the same amount. You can oversaturate it in reverb too which I like to do occasionally for some atmospheric stuff.
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I have a musical associate friend from the east coast that stays at my house in VT on occasion and we do gigs in the local ski areas. (pre-covid) He's a singer songwriter guitarist. He's been playing with a reggae band in his area and absolutely loves my session 400. He states the reverb gives it the "reggae sound" for whatever that's worth.
The original reverb seemed a little lifeless so I intentionally replaced it with a three spring. I've forgotten now if the original was a one or two spring unit.
Gotta love those Session 400 heads too. I'm jealous.
The original reverb seemed a little lifeless so I intentionally replaced it with a three spring. I've forgotten now if the original was a one or two spring unit.
Gotta love those Session 400 heads too. I'm jealous.
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Bill, most of the power transistors are in parallel. The low value square ceramic resistors ensure the current is shared among the parallel transistors.
The topology of the session 400 output is called Qausi-complimentary. There' a set of transistors sourcing current from the positive rail of the power supply into the speaker during the positive half of the cycle and another set sinking current into the negative rail during the negative half cycle. The other end of the speaker is connected to ground. The power supply is +/- 55 volts. There is no output transformer like a tube amp has nor an output coupling capacitor like a class A single ended SS amp bas. It's essentially class AB, but the it's called quasi complimentary because all the transistors are NPN types rather than half being NPN and the other half being PNP.
The topology of the session 400 output is called Qausi-complimentary. There' a set of transistors sourcing current from the positive rail of the power supply into the speaker during the positive half of the cycle and another set sinking current into the negative rail during the negative half cycle. The other end of the speaker is connected to ground. The power supply is +/- 55 volts. There is no output transformer like a tube amp has nor an output coupling capacitor like a class A single ended SS amp bas. It's essentially class AB, but the it's called quasi complimentary because all the transistors are NPN types rather than half being NPN and the other half being PNP.