What type of Slide / Tone bar for an 8 String Lap Steel?
Moderator: Brad Bechtel
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What type of Slide / Tone bar for an 8 String Lap Steel?
Hello All,
My first post here. I started playing a 6 string Electro lapsteel but my first 8 string should be arriving today in the mail.
I purchased a Shubb-Pearce SB-1 slide which is supposed to be for 8 string lap steel but it seems really long, over 3". I was reading about Jerry Byrd Dunlop 919 which is Jerry's preferred length of 2 3/4" so now I'm getting confused as to what type of slide I should be using.
Then I started thinking about Don Helms because he played an 8 string too. Any assistance to help untangle my confusion would be greatly appreciated!
Thanks,
Dave B
My first post here. I started playing a 6 string Electro lapsteel but my first 8 string should be arriving today in the mail.
I purchased a Shubb-Pearce SB-1 slide which is supposed to be for 8 string lap steel but it seems really long, over 3". I was reading about Jerry Byrd Dunlop 919 which is Jerry's preferred length of 2 3/4" so now I'm getting confused as to what type of slide I should be using.
Then I started thinking about Don Helms because he played an 8 string too. Any assistance to help untangle my confusion would be greatly appreciated!
Thanks,
Dave B
- Erv Niehaus
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- Location: Litchfield, MN, USA
I own Clinesmith, Jerry Byrd, Shubb, Pearse, Tribo-Tone and a custom rail bar given to me by Cindy Cashdollar (sentimental favorite) but my favorite everyday bar for 6 or 8 strings is the Clinesmith. That said, the choice of bar is a very personal thing and what others like may not be what you prefer.
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- Mark Eaton
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Mark, for the life of me I can't remember. .... ruler says 7/8 by 2 and 7/8ths. Does that make sense?
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- Mark Eaton
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- Nic Neufeld
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I bought two Ezzee slide bars from Basil Henriques, both of which I love...one is I think a smaller bar which I preferred at first, because I had a hard time with reverse slants starting out and did better with a smaller, more manageable bar. I think it may have been 2 7/8" by 3/4". The first bar I bought was larger, and while at first I found it unwieldy, in time I much, much prefer it. It is 7/8" x 3 1/3" or thereabouts. Basic bullet bar with recessed end for ease of thumb control on reverses, and the polymer construction is quiet on the strings. I play (aside of the acoustics) exclusively 8 string and that is what I've come round to preferring...
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- Jim Fogarty
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I use, and love, a Clinesmith I have. Black, 3/4†diameter, 2 7/8†length, 5.3oz. At some point I may get a white 13/16 x 3" from him.
I've also used the BJS Jerry Byrd, same size, and liked it a lot.
I know some people like the Ezzee slide, but I tried a friend's and found it almost unusable. Lots of extraneous noise. Not even close to the Clinesmith. He also said Basil was very unpleasant to deal with. YMMV, but be forewarned.
But before you go buying ANYTHING, that Shubb SP1 is perfectly fine. I use it as my backup bar, and if I'm going to play something that involves a lot of bar lifting and hammer-ons/pull-offs. It's pretty good for slants, too. A new bar won't change your life!
I've also used the BJS Jerry Byrd, same size, and liked it a lot.
I know some people like the Ezzee slide, but I tried a friend's and found it almost unusable. Lots of extraneous noise. Not even close to the Clinesmith. He also said Basil was very unpleasant to deal with. YMMV, but be forewarned.
But before you go buying ANYTHING, that Shubb SP1 is perfectly fine. I use it as my backup bar, and if I'm going to play something that involves a lot of bar lifting and hammer-ons/pull-offs. It's pretty good for slants, too. A new bar won't change your life!
- Joe A. Roberts
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- Dave Mudgett
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My hands are large, and I have tried and struggled with the smaller lap steel bars. Anything under 3/4" diameter or 3-1/4" length cramps me up, and even 3/4" is a challenge. So I generally just use my pedal steel bars (typically 15/16" diameter or 7/8" at the smallest and 3-3/8" - 3-5/8" long) or use a Shubb SP-1 semi-bullet bar if I'm gonna be lifting/crashing the bar doing hammer-on/pull-offs a lot, which is often => Western Swing. I know a lot of lap players eschew the dobro-style bars, but the SP-1 combines features of both and I think it works pretty well.
I think personal ergonomics plays a large role for a lot of players. Weight can get to be an issue for a larger bar, so I often use one of my Zirconium bars, which allow a larger size at a lighter weight. Ed Packard did a run of these 10-15 years ago, don't know if there are any left. But they are excellent bars - not quite as bright as a chromed bullet bar, but very smooth and very, very hard.
I probably should try one of Todd's polymer 3/4" bars. The extra grippinness of the polymer might help with my handling issues.
I think personal ergonomics plays a large role for a lot of players. Weight can get to be an issue for a larger bar, so I often use one of my Zirconium bars, which allow a larger size at a lighter weight. Ed Packard did a run of these 10-15 years ago, don't know if there are any left. But they are excellent bars - not quite as bright as a chromed bullet bar, but very smooth and very, very hard.
I probably should try one of Todd's polymer 3/4" bars. The extra grippinness of the polymer might help with my handling issues.
- Bob Watson
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Jerry Byrd was one of the most amazing steel guitar players to ever play the instrument and when I started playing lap steel I thought it would be a good idea to try out the size of bar that he suggested, so I ordered a Dunlop 919. Perhaps you should try one out, they're cheaper than a lot of other bars out there and you would be able to see whether or not you liked the size and feel. The 918 is similar but a little longer. I got one of those next, but I wound up liking the 919 better. When you figure out what size bar that you prefer you can spend a little more and get one made out of something other than stainless steel and see if you like the tone better. I have a Tribotone that's real close to the same size as the 919 and I go back and forth between it and the 919, depending on what kind of tone I'm looking for at the time.
IMHO, the best bar, when you finally find it, is the one you don't even think about - it just works for what you want to do. Like Barney Kessel once said about his guitar, the bar becomes "like a comfortable old pair of slippers".
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- Erv Niehaus
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Dave,
I usually play with a zirconium bar.
I bought a white one and a while later I bought a black one from Ed.
I think he quit making them because the raw material got too expensive.
I like the tone and the feel of a zirc bar.
Especially in the Minnesota cold weather.
It doesn't feel as cold as a steel bar when you pick it up.
My next favorite is a BJS, John Hughey bar.
Erv
I usually play with a zirconium bar.
I bought a white one and a while later I bought a black one from Ed.
I think he quit making them because the raw material got too expensive.
I like the tone and the feel of a zirc bar.
Especially in the Minnesota cold weather.
It doesn't feel as cold as a steel bar when you pick it up.
My next favorite is a BJS, John Hughey bar.
Erv
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- Posts: 9
- Joined: 2 Apr 2021 11:38 am
- Location: California, USA
Wow,
Thanks for all the great replies!
I found a Dunlop 919 on Ebay for 15 bucks so I can compare with the Shubb SP1
Now onto strings! I like the sounds of Buck Owens steel player and would like like to try to play along with some of that Bakersfield stuff. So I bought an E9 pedal steel string set but now I'm reading on the forum that E9 isn't the best tuning for lapsteel...
Well I can always go back to the Don Helms tuning I was using which has such a happy sound (Walking After Midnight in a Box...) but I was hoping to expand my use of tunings a bit
Dave
Thanks for all the great replies!
I found a Dunlop 919 on Ebay for 15 bucks so I can compare with the Shubb SP1
Now onto strings! I like the sounds of Buck Owens steel player and would like like to try to play along with some of that Bakersfield stuff. So I bought an E9 pedal steel string set but now I'm reading on the forum that E9 isn't the best tuning for lapsteel...
Well I can always go back to the Don Helms tuning I was using which has such a happy sound (Walking After Midnight in a Box...) but I was hoping to expand my use of tunings a bit
Dave