Collectors Dream
- Cartwright Thompson
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- Gary Watkins
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Price? What price? The ad just said it was a chance to own this and I want to own it. No one said anything about a price!Cartwright Thompson wrote:Marc, name your price!
If you succeed in cheating someone, don't think that the person is a fool. It's just that the person trusted you far more than you deserved.
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- Location: Tuscaloosa, Alabama, USA
Don Helms
DON DONATED ONE OF HIS GUITARS TO THE HANK WILLIAMS MUSEUM IN MONTGOMREY ALA. AT ONE OF OUR ALABAMA STEEL GUITAR ASS. SHOWES. I DON'T KNOW IF THEY STILL HAVE IT OR NOT.
- Cartwright Thompson
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To add a bit of fuel, particularly the concept of Don owning spares, or multiple console grands :
Around 20 years ago, more or less. I was in the market for a Gibson double eight Console Grand . I found one for sale at Steel Guitars Nashville. It was a bit of a beater, but affordable . I was looking for a player, and started to engage Bobby Seymour about buying the steel.
Right before I was about to pull the trigger, someone else, came in and bought it.
According to Bobby, it was Don Helms. He said Don stated the original had become way too valuable for him to be comfortable hauling it around to gigs, so he bought the beater from Bobby , before I could make the deal.
Bobby was known to embellish a story, so there’s that, but he had nothing to gain, if it was “less than accurateâ€.
Again, purely anecdotal, no proof of anything. Could just be Bobby , being Bobby. He was known to spin some yarn, just for entertainment.
Anyway, it does throw another log on the fire regarding the possibility Don maybe owned more than one, and someone would look to profit on it.
Around 20 years ago, more or less. I was in the market for a Gibson double eight Console Grand . I found one for sale at Steel Guitars Nashville. It was a bit of a beater, but affordable . I was looking for a player, and started to engage Bobby Seymour about buying the steel.
Right before I was about to pull the trigger, someone else, came in and bought it.
According to Bobby, it was Don Helms. He said Don stated the original had become way too valuable for him to be comfortable hauling it around to gigs, so he bought the beater from Bobby , before I could make the deal.
Bobby was known to embellish a story, so there’s that, but he had nothing to gain, if it was “less than accurateâ€.
Again, purely anecdotal, no proof of anything. Could just be Bobby , being Bobby. He was known to spin some yarn, just for entertainment.
Anyway, it does throw another log on the fire regarding the possibility Don maybe owned more than one, and someone would look to profit on it.
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- Erv Niehaus
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- Location: Litchfield, MN, USA
- Alex Cattaneo
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- Jerry Overstreet
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No, probably not now. He's been drawn and quartered, tarred and feathered without one speck of evidence that there's something untoward here.Bill McCloskey wrote:My guess is we will not hear from mr helms again. He sank his bait, his email address, and waiting for a nibble
Has anyone actually contacted the email address provided?
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Howdy Fellas!
This isn't me, FYI. Now, if you see someone posing as me trying to sell one of uncle Levon's mandolins-- DON'T believe it !!
Remington Steelmaster S8 w/ custom Steeltronics pickup. Vox MV-50 amplifier + an 1940's Oahu cab w/ 8" American Vintage speaker. J. Mascis Fender Squire Jazzmaster, Hofner Club bass, Ibanez AVN4-VMS Artwood Vintage Series Concert Size Acoustic Guitar. 1920s/30s Supertone Hawaiian-themed parlor guitar. Silvertone parlor guitar.
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Actually, if it’s the real deal, with provenance, (real verifiable proof) , it becomes something larger than a utility instrument. To a collector, an iconic piece of musical history. You could take it to an Auction, and maybe it goes for six figures, just a guess...
I have a console grand, near dead mint, with the case in mint condition as well. A true closet classic. I’m not selling it, but at best it’s in the 2K range, just a guess...
Mine doesn’t come with any known significant history.
Point is, it doesn’t matter what you or I value it as. Pieces of significant musical history are valued by collectors on their significance, not what you could buy one like it for.
I have a console grand, near dead mint, with the case in mint condition as well. A true closet classic. I’m not selling it, but at best it’s in the 2K range, just a guess...
Mine doesn’t come with any known significant history.
Point is, it doesn’t matter what you or I value it as. Pieces of significant musical history are valued by collectors on their significance, not what you could buy one like it for.
- Erv Niehaus
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Careful
I have good reason to think this listing may be legit. I’m busy at the moment, but will contact b0b w/ what a I know ASAP. Don’t poop too hard on this one yet, fellas.
Excel Superb D10, Kline U12, Sarno Black Box, Goodrich L120, Boss DD5, Baby Bloomer, 1965 Super Reverb chopped to a head, feeding a mystery PA cab w/ a K130.
They say "thats how it goes". I say "that ain't the way it stays!"
They say "thats how it goes". I say "that ain't the way it stays!"
I'm closing this until the guitar can be independently authenticated.
In a conversation several years before his death, Don himself told me that he was once offered "six figures" for that guitar. His response was "Which six figures?". He knew it was priceless.
In all seriousness, this is among a handful of steel guitars that actually are historic museum pieces. I have serious doubts as to the legitimacy of this ad.
In a conversation several years before his death, Don himself told me that he was once offered "six figures" for that guitar. His response was "Which six figures?". He knew it was priceless.
In all seriousness, this is among a handful of steel guitars that actually are historic museum pieces. I have serious doubts as to the legitimacy of this ad.
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