Susan Alcorn Best Jazz Albums of 2020 in NY Times
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Susan Alcorn Best Jazz Albums of 2020 in NY Times
Congratulations Ms Alcorn! I hope the orders are piling up.
https://www.nytimes.com/2020/12/02/arts ... lbums.html
https://www.nytimes.com/2020/12/02/arts ... lbums.html
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The real Deal
Yay for Susan!! She so great! JW
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The Times may be the most prominent of newspaper jazz polls to recognize Ms. Alcorn's new album, but far from the only one. The jazz rubes here in the Rocky Mountains dig it too:
https://theknow.denverpost.com/2020/12/ ... 20/250074/
Congratulations, Ms. Alcorn!
https://theknow.denverpost.com/2020/12/ ... 20/250074/
Congratulations, Ms. Alcorn!
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Thank you Thornton, Chris, Paddy, John, Chuck, Ron, Joe, Bob, Ian, Mike, Jack, Jack, Gary, Charlie, and Tal - most of you are personal friends.
This was quite a shock and surprise. After I recorded Pedernal a little over a year ago, I had a feeling that things might change a bit - I felt it was going to be a good record; I was lucky to record in a really nice studio with some truly great musicians, and a legendary mixing engineer (Ron "Saint" St. Germain). I figured it would get a few nice reviews, and that would be it; I never expected the NY Times list (and several other ones too), and I've always felt like an outsider (especially on the SGF), so all this attention was hard to wrap my head around - it felt weird.
But the thing I think that is the most important about the attention this album seems to be getting (though very little in the steel guitar world) is that it's a steel guitar album getting recognition. There are so many other great steel guitar players who put out really good albums of jazz, minimalism, microtonalism, and creative music. Hopefully this is a door open for other steel guitar-based albums.
Some of the reviews have been kind of funny. One in France said the pedal steel reminded him of a sewing machine (?), and another one compared it to IKEA because we're always putting the guitar together on stage. Some reviews have called it a "steel pedal" or a lap steel, and most of them hear the album as being country-flavored, Americana, or reminiscent of the west - a typecasting of our instrument which I hope will lessen with time. I guess it's like someone playing jazz on the bagpipe (it's been done and done well) as sounding like Scotland. The album does contain fiddle and steel, so maybe that's what they hear, but mostly I'm glad that they liked the album and that a steel guitar instrumental album can be taken seriously.
The pedal steel guitar had a golden age in the fifties, sixties, and seventies - great and legendary musicians who had such facility on the instrument and such originality. They could play pretty much anything they set their minds to (as can current musicians like Tommy White, Paul Franklin, and Travis Toy), but they lived in Nashville and their collective genius was mostly funneled into country music to the point that most of us have a hard time imagining country without the pedal steel. Here's to hoping that someday soon we can have another renaissance to the instrument that is played well and excels in other genres of music. In fact, listening to great players, many of them younger, I think the renaissance is well underway. Who says it's a dying instrument.
Well, I was going to just write thanks, but I got carried away and wrote an essay - my apologies (and thanks).
This was quite a shock and surprise. After I recorded Pedernal a little over a year ago, I had a feeling that things might change a bit - I felt it was going to be a good record; I was lucky to record in a really nice studio with some truly great musicians, and a legendary mixing engineer (Ron "Saint" St. Germain). I figured it would get a few nice reviews, and that would be it; I never expected the NY Times list (and several other ones too), and I've always felt like an outsider (especially on the SGF), so all this attention was hard to wrap my head around - it felt weird.
But the thing I think that is the most important about the attention this album seems to be getting (though very little in the steel guitar world) is that it's a steel guitar album getting recognition. There are so many other great steel guitar players who put out really good albums of jazz, minimalism, microtonalism, and creative music. Hopefully this is a door open for other steel guitar-based albums.
Some of the reviews have been kind of funny. One in France said the pedal steel reminded him of a sewing machine (?), and another one compared it to IKEA because we're always putting the guitar together on stage. Some reviews have called it a "steel pedal" or a lap steel, and most of them hear the album as being country-flavored, Americana, or reminiscent of the west - a typecasting of our instrument which I hope will lessen with time. I guess it's like someone playing jazz on the bagpipe (it's been done and done well) as sounding like Scotland. The album does contain fiddle and steel, so maybe that's what they hear, but mostly I'm glad that they liked the album and that a steel guitar instrumental album can be taken seriously.
The pedal steel guitar had a golden age in the fifties, sixties, and seventies - great and legendary musicians who had such facility on the instrument and such originality. They could play pretty much anything they set their minds to (as can current musicians like Tommy White, Paul Franklin, and Travis Toy), but they lived in Nashville and their collective genius was mostly funneled into country music to the point that most of us have a hard time imagining country without the pedal steel. Here's to hoping that someday soon we can have another renaissance to the instrument that is played well and excels in other genres of music. In fact, listening to great players, many of them younger, I think the renaissance is well underway. Who says it's a dying instrument.
Well, I was going to just write thanks, but I got carried away and wrote an essay - my apologies (and thanks).
Last edited by Susan Alcorn on 18 Dec 2020 10:31 am, edited 2 times in total.
www.susanalcorn.net
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Cd
Susan,
Congratulations
Billy Knowles
Congratulations
Billy Knowles
Billy Knowles
STEEL GUITAR EAST
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my web site: http://www.steelguitareast.com
I finally got my copy of Pedernal a couple of days ago, and listened to it Saturday night. I was amazed. My wife was amazed -- she said I could just leave it on forever!
I ordered four more of them yesterday for friends who really need to hear this. Wow!
Thank you, Susan Alcorn!
--Al Evans
I ordered four more of them yesterday for friends who really need to hear this. Wow!
Thank you, Susan Alcorn!
--Al Evans
2018 MSA Legend, 2018 ZumSteel Encore, 2015 Mullen G2, G&L S-500, G&L ASAT, G&L LB-100, Godin A4 Fretless, Kinscherff High Noon
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Congratulations Susan... Happy for you to get this kind of recognition, this is great for you in particular and for the steel guitar in general...
Dale Rottacker, Steelinatune™
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*2021 MSA Legend, "Jolly Rancher" D10 10x9
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*1977 Blue Sho-Bud Pro 3 Custom 8x6
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