John Hughey, and Dickey Betts
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- Mark van Allen
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There was a time period when a bunch of us would run into or play with Vassar at various festivals, and one of the younger "jam" bands screwed up the courage to ask him to appear on a record they were recording at my studio. They paid for the session, and expected him to play on one or two tracks... but he showed up loaded for bear, played on most of the album and did anything they wanted. They wanted some harmony parts, he'd oblige, they said "go crazy!" and he'd take it outside. A total gentleman, always accomodating and generous, and very encouraging to the younger generation of players.
Around the same time I was tracking some songs for a local songwriter and her grandfather, who was a long-time Vassar fan. I mentioned that to Vassar, and he generously agreed to play on one of their tracks one day when he was already in the studio. Didn't charge a dime and added some very sweet stuff that really excited and touched the older man and his grandaughter. Just that kind of a guy.
Around the same time I was tracking some songs for a local songwriter and her grandfather, who was a long-time Vassar fan. I mentioned that to Vassar, and he generously agreed to play on one of their tracks one day when he was already in the studio. Didn't charge a dime and added some very sweet stuff that really excited and touched the older man and his grandaughter. Just that kind of a guy.
- Lonnie Portwood
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Vasser
I have this orig album, my children grew up listening to this and it had a lasting impression on them. We'd play the tape while on trips, we called this our "travelin music. They are actively involved in "our" music (Keith is our drummer, Penny Lynn on vocals,) (Portwood Family Band) Vasser used to come to Jacksonville each Christmas season to visit His "double first cousin", Carroll Clements, who lives near me. We've had Carroll and Vassar over for jams in my music room several times, jammin til the wee hours. We'd take breaks, Vassar would puff a few times on that old worn out pipe, tell stories of the "road", eat fried chicken and tater salad, etc. I have about an hour and half of video of one of these times. I would'nt take anything for those memories, good times. They can never be duplicated. As for this album, especially "hand picked", I can't think of any musical performance that has had such an impression on me.
I wish all you fans of great music a great Christmas Season and a blessed New Year! Lonnie
I wish all you fans of great music a great Christmas Season and a blessed New Year! Lonnie
Music is probably the most "spiritual of mankinds emotions, and when practised with a pure heart, can lead one into the presence of God, who invented it. Lonnie Portwood
- Michael Berry
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Dredging up a thread I knew had to already exist on the board. I've been listening to Highway Call a lot lately and 'Hand Picked' just gets me every time. Such inspiring playing all around and John's steel is just fantastic on the whole album. Dust off your copy and crank this one up again. It's a gem.
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- Earnest Bovine
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Dickey Betts played about as loud as anybody I ever heard...having said that,I love his playing...Earnest Bovine wrote:I was at many of those shows and I never heard a note from the steel (all too loud).Steve Hinson wrote:Julian Tharpe did the tour...
A real loud rock and roll band + a front of house engineer that likely never mixed a band with a steel guitar before=recipe for disaster...
I've starred in this movie many times...and I'm pretty sure you have too,Doug...
You know what I do?I put my amp so I can hear it...after that,it's out of my hands...I play the show,and get the money...
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- Marc Muller
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I had the privilege of having Dickie Betts sit in with our band, Dark Star, at Zaharriah's on High Street in Columbus circa 1977 not too long after the Highway Call album. His band at the time(not ABB) was playing the Agora about a block away. They came in to see our last set after their show was over and we asked him to sit in. It was one of my favorite moments playing steel for a hour or so with him on some blues and swing classics. I remember we did the Lionel Hampton tune, Red Top among others. He played our guitar player's sixties Tele and Deluxe amp. First thing he did was turn everything up to 10! After the show, he and some others hung around. They locked the club up and we stayed inside and partied until dawn in true 70's rock fashion. He was very humble and down to earth....and what talent!!
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Back before Wolfgang's Vault was blocked thru court action from selling the right to download certain old concert sound board recordings, I paid to download the live concert tour supporting this album. Dickey toured with Vassar, The Poindexters AND John Hughey, at least for the recording I have of the tour. John Hughey absolutely SHREDS on the live versions of Hand Picked and Jessica. If anyone in interested in the live recording, which is now no longer available, please PM me.
Last edited by John Brabant on 23 Jun 2020 11:06 am, edited 2 times in total.
John Brabant
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- Bryan Staddon
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I’ve always liked Dickey Betts works with the Allman Brothers. Solo wise I only have his album “Pattern Disruptive†that unfortunately didn’t really do much for me. I was totally unaware of “Highway Call†until this thread. The positive comments prompted me to purchase it. Really good! Great songs. And John Hughey does some great work on this music release.
- Joachim Kettner
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Big thanks for resurrecting this thread. I found a used copy of this album and can't stop playing it! I was a long time fan of the ABB, but John Hughey and Vassar really steal the show on this... Trying to figure out on "Hand Picked" if he is doing it all on E9 or is he switching necks on the solos?
I took a listen to "Duane's Tune" and agree. That song stands out on the album. Makes the CD more worthwhile to me now. Thanks. ðŸ‘Joachim Kettner wrote:Ken I guess "Duane's Tune" is on Pattern Disruptive give it try, it's really good.
Dickey said in an an interview that the twin leads with Duane were influenced by the Western Swing bands.
- scott murray
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sounds like it's all C6David Gertschen wrote:Big thanks for resurrecting this thread. I found a used copy of this album and can't stop playing it! I was a long time fan of the ABB, but John Hughey and Vassar really steal the show on this... Trying to figure out on "Hand Picked" if he is doing it all on E9 or is he switching necks on the solos?
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- George Biner
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I saw Vassar Clements near the end of his career with the Dirt Band -- oh my god, never heard a fiddle played like that, a mystical quality, totally original, total dynamic control, not one standard lick all night -- he was the master.
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"Now there is a snappy sounding instrument. That f****r really sings." - Jerry Garcia
Electrical engineer / amp tech in West Los Angeles
Mullen RP SD10 E9 / Fender Deluxe Reverb, Princeton, Princeton Reverb
"Now there is a snappy sounding instrument. That f****r really sings." - Jerry Garcia
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My 75'PP is a wood cab/wood neck because of John's tone on that record. I ordered it that way and later told him of his influence on my choice when I met him. JE:-)>
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Emmons S-10PP 3/4 - 79'
Emmons S-12PP 3/4 -78'
MSA Legend SD12 5/5 -06'
Mullen S-12 4/5 - 1986
Nashville 112 x2 W/Knob Guards - Don't leave home with out one!
Walker SS rack system - 12"BW's
Quilter Steelaire Combo
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