Twin Reverb Tone Master
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- Dave Harmonson
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Twin Reverb Tone Master
Anybody using the Fender Twin Reverb Tone Master amp? Does it really compare to the real thing?
I'm leery of "real tube tone with no tubes" but a lot of players love them. Also been trying out a couple preamps with 12ax7, 5751, 12at7.. Also was gong to drag a PSG to GC but they're all closed so
https://bb.steelguitarforum.com/viewtopic.php?t=349441
https://bb.steelguitarforum.com/viewtopic.php?t=353435
https://bb.steelguitarforum.com/viewtopic.php?t=354810
https://bb.steelguitarforum.com/viewtopic.php?t=349441
https://bb.steelguitarforum.com/viewtopic.php?t=353435
https://bb.steelguitarforum.com/viewtopic.php?t=354810
Last edited by Gene Tani on 4 Apr 2020 12:57 pm, edited 1 time in total.
- keyless Sonny Jenkins laps stay in tune forever!; Carter PSG
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- The secret sauce: polyester sweatpants to buff your picks, cheapo Presonus channel strip for preamp/EQ/compress/limiter, Diet Mountain Dew
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Tone Master Twin
I picked one up near the end of Dec. In my opinion, it is "the real thing". It's just lost weight. ha
- Larry Dering
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- Dave Campbell
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i love mine. have you ever had a gig on a twin where you could really get it humming and it sounds magical? i don't think the tonemaster is quite 100% there, but it's close. have you ever practiced at home with a twin and had it on 1 and it sounds terrible? that's where the tonemaster shines. because of the built in attenuator, the tonemaster sounds fender twin good at every volume from full out outdoor stage to backing a vocalist to practicing late at night. also, it has some great IR outs that make getting a good (and quick) recording sound a breeze.
if i had to fault it, i find the reverb not very usable (too washy) and the speakers have a little bit of that neo speaker vibe, but not nearly as much as a lot of other amps.
most places will sell you one with a money back return. go for it.
if i had to fault it, i find the reverb not very usable (too washy) and the speakers have a little bit of that neo speaker vibe, but not nearly as much as a lot of other amps.
most places will sell you one with a money back return. go for it.
- Dave Hopping
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Tone Master Twin
Just to expand on my earlier comment about the new Fender Tone Master twin. Over 40 years ago I had two different Fender Twins with 12" JBLs. They were considered about the best you could do for a steel guitar amp in those days, and I really liked mine, except for the 90 lbs. About mid 70's I switched to a Peavey LTD 400 with a 15" JBL and eventually sold my Twin. Since then I have had mostly Peaveys including a Nashville 1000 and a Nashville 112 that I still own. I've also had amp heads with cabs with 15" premium speakers.
In Dec. I brought home a new Fender Tone Master Twin from our local dealer with the intension of trying it for a few days and then returning it to the store. My wife wasn't too thrilled about "another amp" in the house, but when I played through it for a few minutes she said "don't take that amp back" it sounds great. Now, does it sound exactly the same as my 90 lb amp with JBLs? Probably not, but to me, at my age, a heavy amp is out of the question and this twin sounds wonderful, and weighs 10 lbs less then my Nashville 112. Most chain music stores have a generous return policy, what have you got to lose? Yes, it is a big amp, but very manageable at 33 pounds.
In Dec. I brought home a new Fender Tone Master Twin from our local dealer with the intension of trying it for a few days and then returning it to the store. My wife wasn't too thrilled about "another amp" in the house, but when I played through it for a few minutes she said "don't take that amp back" it sounds great. Now, does it sound exactly the same as my 90 lb amp with JBLs? Probably not, but to me, at my age, a heavy amp is out of the question and this twin sounds wonderful, and weighs 10 lbs less then my Nashville 112. Most chain music stores have a generous return policy, what have you got to lose? Yes, it is a big amp, but very manageable at 33 pounds.
- Larry Dering
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- Dave Harmonson
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Thanks for all the replies. My favorite amp is my Vibrosonic but my back hates it. For the next month of two I’m probably not playing anywhere but my living room so there’s no rush. I did pick up a ‘66 Showman head to drive my 15†Sica Neo awhile back and had it out before we got shutdown. The Showman is still pretty heavy but no tv no line the Vibrosonic combo.
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- Brooks Montgomery
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I really like mine for everything, from quiet practice to bar gig.
The way things are looking, I’m glad I like it so much for practice!
I’ve got it set on 1 watt for practice in my living room right now, and it’s inspiring to play thru.
I did find that the bright switch works really well with several of my laps, but with my Zum,
Encore I like the bright off.
The way things are looking, I’m glad I like it so much for practice!
I’ve got it set on 1 watt for practice in my living room right now, and it’s inspiring to play thru.
I did find that the bright switch works really well with several of my laps, but with my Zum,
Encore I like the bright off.
A banjo, like a pet monkey, seems like a good idea at first.
- Steve Lipsey
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I have a formula - your amp should weigh no more than (100-your age)...at age 30, I had an original Twin (1966, bought new)...then gradually migrated through Milkman, from Pedal Steel Amp, to Pedal Steel Mini, to Half and Half, and finally to the "The Amp", 2 lbs, on my pedal board, and good till I'm 98 years old...and really? It sounds just fine!
Probably similar to the tonemaster, just knowing how Tim approaches amp design...
Probably similar to the tonemaster, just knowing how Tim approaches amp design...
www.facebook.com/swingaliband & a few more....
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
- Brooks Montgomery
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- Location: Idaho, USA
I should add, I don't seem to miss my pedal board at all with this amp. I like the onboard 'verb.Brooks Montgomery wrote:I really like mine for everything, from quiet practice to bar gig.
The way things are looking, I’m glad I like it so much for practice!
I’ve got it set on 1 watt for practice in my living room right now, and it’s inspiring to play thru.
I did find that the bright switch works really well with several of my laps, but with my Zum,
Encore I like the bright off.
For getting a little more growl than the attenuator can accomplish, for blues and rock-type lap steel, the one pedal that I'm smitten with lately is the little tiny Hotone Grass that somebody here recommended a year or more ago. Of all my different dust-collecting overdrives and blues pedals, it really does seem to have a good Dumble sound when paired with the Twin TM.
Anybody else find any sweet spots, adjustments, pedals etc.?
A banjo, like a pet monkey, seems like a good idea at first.