Megan Lovell's rig (Larkin Poe)

Lap steels, resonators, multi-neck consoles and acoustic steel guitars

Moderator: Brad Bechtel

Post Reply
User avatar
JB Bobbitt
Posts: 144
Joined: 10 Sep 2018 11:01 am
Location: California, USA

Megan Lovell's rig (Larkin Poe)

Post by JB Bobbitt »

"Time is an enemy"
-Bob Dylan
User avatar
Nic Neufeld
Posts: 1319
Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

Amen to preferring the sound of dead strings, haha. Ich auch.
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
Dennis Conklin
Posts: 13
Joined: 30 Jun 2019 8:26 pm
Location: Ohio, USA

Post by Dennis Conklin »

I was surprised to see she uses a TubeScreamer. I have heard on here several times that that has too much mids for steel. Obviously work for her though
Jim Pitman
Posts: 1901
Joined: 29 Aug 1998 12:01 am
Location: Waterbury Ctr. VT 05677 USA

Post by Jim Pitman »

Hats off to her. The cradle for her Rick is a concept I've been toying with for years and never acted on. We sitting musical brethren are boring visually. I play my dobro standing.... so why not. I also dig the fact she used the GBD GBD tuning like i do.
Gosh, I wish I were 40 years younger. I'd ask her on a date.
User avatar
Peter Jacobs
Posts: 982
Joined: 4 Aug 1998 11:00 pm
Location: Northern Virginia

Post by Peter Jacobs »

Dennis Conklin wrote:I was surprised to see she uses a TubeScreamer. I have heard on here several times that that has too much mids for steel. Obviously work for her though
I’ve been fortunate to see Larkin Poe live. That steel, her amp and her technique sounded incredible. Not muddy or honky in the least. She gets a very sweet singing tone that sounds incredible in a band situation.

As another G tuning player (actually Gadd4), I was surprised that she said she uses strings starting at .013 or .014. Maybe I should lighten up my gauges?
User avatar
Doug Beaumier
Posts: 15642
Joined: 4 Aug 1998 11:00 pm
Location: Northampton, MA
Contact:

Post by Doug Beaumier »

That cradle for her Rick reminds me of Alvino Rey's guitar shape cradle for his lap steels. He made them for a different reason though. He said audiences in the 1930s didn't recognize the instrument he was playing (a lap steel) so he set it into a guitar body to make it more understandable to audiences.

Image

It's interesting that Megan's strings are "several years old" and she's not too picky about the brand of strings she uses. I like that. I kinda feel the same way.
User avatar
K Maul
Posts: 1869
Joined: 14 Feb 2000 1:01 am
Location: Hadley, NY/Hobe Sound, FL
Contact:

Post by K Maul »

I’m that way about strings, too. Less that way on Pedal steel but my lap steel strings often get rusty before I change em! As for the Alvino Rey things, I get the audience ignorance factor. I started up a band where I mostly play bottleneck slide on standard guitar simply to avoid people asking “what is that, a dulcimer?” Type questions!
Kevin Maul: Airline, Beard, Clinesmith, Decophonic, Evans, Excel, Fender, Fluger, Gibson, Hilton, Ibanez, Justice, K+K, Live Strings, MOYO, National, Oahu, Peterson, Quilter, Rickenbacher, Sho~Bud, Supro, TC, Ultimate, VHT, Webb, X-otic, Yamaha, ZKing.
User avatar
Doug Beaumier
Posts: 15642
Joined: 4 Aug 1998 11:00 pm
Location: Northampton, MA
Contact:

Post by Doug Beaumier »

I hear ya, Kevin! I too change the strings on my pedal steel more often than lap steel. Especially in the summer, with all the outdoor gigs.
I was surprised that she said she uses strings starting at .013 or .014.
Me too. And after she said that she played a quick 'string pull' lick, pulling string 1 up 1/2 step. That's probably why she likes a thinner string 1.
User avatar
Peter Jacobs
Posts: 982
Joined: 4 Aug 1998 11:00 pm
Location: Northern Virginia

Post by Peter Jacobs »

You ain’t kidding, Doug. Check out how she pulls the 2nd string throughout the entire song here:

https://www.youtube.com/watch?v=Ob3fY2mIeHA
Chris Bauer
Posts: 3067
Joined: 4 Aug 1998 11:00 pm
Location: Nashville, TN USA

Post by Chris Bauer »

Re: Dennis' comment on Tube Screamers. I'm not a fan of them for six string but I love them for steel.

For anyone who doesn't like that TS mid-range sound, though, a great alternative is the Wampler Clarksdale. It's a Tube Screamer-type circuit but with three tone control knobs that give you a super amount of tonal control.

As for old strings on lap steel, YES!
User avatar
Michael Butler
Posts: 520
Joined: 16 Sep 2013 8:32 pm
Location: California, USA
Contact:

Post by Michael Butler »

Jim Pitman wrote: Gosh, I wish I were 40 years younger. I'd ask her on a date.
you better ask her husband first. ha!

i enjoy their videos. it's great to see and hear their songs. love her lap steel sound.

as far as using a TS, you can always tweak it to what you like.

play music!
please see my Snakeskin's Virtual Music Museum below.

http://muscmp.wordpress.com/
Pete Burak
Posts: 6530
Joined: 2 Oct 1998 12:01 am
Location: Portland, OR USA

Post by Pete Burak »

Their group absolutely rips in concert!
Saw them play a long set at the Portland Blues Festival last 4th of July, and they just plain slayed the audience, took no prisoners, with a smile.
:D
The lead singers guitar tone is really great, too!
Last edited by Pete Burak on 3 Apr 2020 8:24 am, edited 1 time in total.
User avatar
Nic Neufeld
Posts: 1319
Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

She's definitely a unique player...few other people playing Ricky bakelites...in bluegrass open G...for rock and blues. She plays primarily like a fretted lead guitarist, not a lot of chords but mostly single string, which is her role in the band (Rebecca Lovell is an exceptional instrumentalist too, on mandolin and guitar, but you rarely hear her solo, perhaps kind of an agreed turf delineation between the two of them?).

I think if she were more of a chordal player, Tube Screamers might start to get too muddy, but for her playing style, it works great. I like a TS for steel too, but only in a rock context (nonpedal).

We saw them in Salina on our way to the Rocky Mountains last summer...definitely a great live show, they've been at this since they were kids basically.

Personally I really enjoy some of their early stuff almost more than their current rock/blues sound...if you like bluegrass check out the second Lovell Sisters album (Time to Grow), and their first stuff as Larkin Poe (Spring/Summer/Fall/Winter EPs, as well as their collab with Thom Hell) is probably my favorite of theirs, if you can find it.

This one has a nice blend of dobro and Ric: https://www.youtube.com/watch?v=hcMQKUndQVA

This one is just good pop, Megan still on the dobro: https://www.youtube.com/watch?v=IOW4SCMP4N4

They never recorded this one, but a good song, tasteful playing on it: https://youtube.com/watch?v=dGEjbJkxFhs
Waikīkī, at night when the shadows are falling
I hear the rolling surf calling
Calling and calling to me
Post Reply