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Post new topic Buying a GFI S-12 K U, any recommendations?
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Author Topic:  Buying a GFI S-12 K U, any recommendations?
Rodrigo de la Mora

 

From:
Nevada, USA
Post  Posted 1 Nov 2019 1:49 pm    
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Hello everyone,
this is my first post on the forum, I am fairly new to pedal steel, professional guitarist for 25 years and have being playing a carter starter E9 3x4 for about 6 months and fell in love with the instrument’s expressive capabilities, so I’m buying a GFI S-12 KU and was wondering if anyone can give me any recommendations on any upgrades or copedent customization I could do to it, I’ve done some research and there are as much variations as there are players, so got a little lost in a sea of possibilities, would like to narrow whats the most useful, so if anyone wants to share experiences of what worked for them or not in a similar Pedal Steel I would appreciate it very much.

Thank you in advance.
Light and Sound to all

Rodrigo
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Bobby D. Jones

 

From:
West Virginia, USA
Post  Posted 1 Nov 2019 9:23 pm     Buying a GFI S-KU, Any Recomendations
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I have a key head GFI S12 U ULTRA set up Day/Newman 7PX4K copendent. (This copendent has no LKR lever, to allow easier use of pedals 4-5-6-7) Weight Guitar 32 lb. Case 17 lb. Guitar in 49 lb. I played this guitar in a house band tonight. I am 76 years old I like the weight of the GFI compared to my old MSA. I also have a GFI S12 S-K U. I bought this summer. I am in the process of sitting it up Day/Newman.
GFI are active in building guitars and have parts as needed.
E-Mail me here on the forum if you have any questions. BDJ
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Larry Phleger

 

From:
DuBois, PA
Post  Posted 2 Nov 2019 9:10 am    
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What Bobby said. Any E9 or C6 instructional material can be easily applied to this copedant.
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Charley Bond


From:
Inola, OK, USA
Post  Posted 2 Nov 2019 10:17 am     setting up your GFI
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I like what these guys say... but I might add the LKR, just because. It will be up to you.

I am PRO for the Day way, I like the Tommy White copedent.


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Charley Bond


From:
Inola, OK, USA
Post  Posted 2 Nov 2019 10:20 am     OOPs, I didn't see the 12
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Since you have 12 strings, just add some more pulls...
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Jack Stoner


From:
Kansas City, MO
Post  Posted 2 Nov 2019 11:27 am    
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If the Carter you have is set up with the Emmons setup (1st pedal or "A" raises 5 and 10), I'd stick with that on the 12 string.

My wife's GFI Expo S-10 is setup with the stock factory setup and that is the Emmons (as is my Franklin).
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Dave Mudgett


From:
Central Pennsylvania and Gallatin, Tennessee
Post  Posted 2 Nov 2019 12:39 pm    
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In spite of the advice given here, I would not change from Emmons to Day without giving it careful thought. Emmons (left-to-right ABC) vs. Day (left-to-right CBA) setup is a personal choice. As Jack points out, your Carter Starter is set up Emmons, so you'll need to make some adjustments to your playing if you switch to Day. But as long as you're getting a new guitar that will probably be your main player, now is probably a good time to evaluate which might be better for you, so I'd try this to see how each feel to you:

For most players, the most common constantly-repeated E9 pedal moves are on the A+B pedals. So I would do this on your Carter Starter: do your A+B pedal moves (first press A-alone, then B alone, now squeeze B while holding down A, now let off A while holding B, then do A+B squeeze together, on and off.) Now repeat all these sequences using the B+C pedals in reverse order to simulate what it would be like to make these A+B moves Day-style: (first press C-alone, then B alone, now squeeze B while holding down C, now let off C while holding B, then do C+B squeeze together, on and off.) Which is more comfortable? I tried this fairly early on, and Emmons was much more comfortable for me. Since you're been training for 6 months, it is likely to be true for you also, but work with it for a while and see if Day is really more natural for you. Then set it up whatever way you want. This has an impact on how you set up your knee levers, though.

This is the Emmons/Franklin style setup on my Zum 12-string Universal E9/B6. There are 8 pedals, numbered 0 through 7, P0 is the Franklin change - I tend to like my A-pedal shifted a little to the right, this accomplishes that. I split the B-pedal with LKR G#=>F# to get the G note on string 6, and the A-pedal with LKV B=>Bb to get the C note on string 5, I find them very useful. I think this is a fairly typical E9/B6 universal setup, but of course there are a lot of small variations on the theme.
Code:

Analysis:    F    X    G   Frkln A    B    C  Bwah   P5   P6   P7    E     D
String#     LKL  LKV  LKR   P0   P1   P2   P3  P4    P5   P6   P7   RKL   RKR
                                                                    Lock
1   F#   ---- ---- ----G#--- ---- ---- ---- ---- ---- ---- ----- ---- ----- ----
2   D#   ---- ---- ----E---- ---- ---- ---- ---- --------- ----- ----C#----D----
3   G#   ---- ---- ---- ---- ---- ----A---- ---- ---- ---- ----- ---- ----- ----
4   E    ----F---- ---- ---- ---- ---- ----F#--- ---- ----F----- ----D#---- ----
5   B    ---- ----A#--- ----A----C#--- ----C#--- ---- ---- -----C#--- ----- ----
6   G#   ---- ---- ----F#---F#--- ----A---- ---- ---- ---- -----A#--- ----- ----
7   F#   ---- ---- ---- ---- ---- ---- ---- ---- ----F---- ----- ---- ----- ----
8   E    ----F---- ---- ---- ---- ---- ---- ---- ---- ----D----- ----D#---- ----
9   B    ---- ---- ---- ----A----C#--- ---- ----C---- ---- ----- ---- -----D----
10  G#   ---- ---- ---- ---- ---- ----A---- ---- ---- ---- ----- ---- ----- ----
11  E    ---- ---- ---- ---- ---- ---- ---- ----D#---F---- ----- ---- ----- ----
12  B    ---- ---- ---- ---- ---- ---- ---- ----G#---C#--- ----- ---- ----- ----

I put E=>Eb on RKL (opposite knee from E=>F) on all my pedal steels, including standard 10-string E9. I find it more useful for me. There have been a lot of discussions on the merits of different placements of the E=>F and E=>Eb levers. But IMO, if you want to get maximum bang for your time, read this thread, paying particular attention to the interchange between Buddy Emmons and Paul Franklin, as well as others: https://bb.steelguitarforum.com/viewtopic.php?t=29594 - but I'll add the caveat that with an E9/B6 universal, it is a helluvalot easier to deal with the C6-style pedals P5-P8 while holding in E=>Eb lever with the RKL than it is with LKR. It is holding in that E=>Eb lever that gives you the B6 side of the tuning.

As a result, I rarely use the RKL lock, but it's there. I have thought about adding a 9th pedal, putting the normal C6 P8 on it, and then put the standard C6 P4 on P4, and move the BooWah (now on P4) to P8, in line with where it is on my D-10s. That would make it totally consistent with my D10 steels, but the way it is now works fine for me.

Anyway - the way I have this universal 12 guitar and my D10s set up makes it pretty straightforward to go back and forth between them without losing my way.

BTW, I would really miss the LKR lever that Jeff Newman omitted on his E9/B6 setup. I have no doubt he had a good reason to do this himself, but with absolute due respect, I can't see any advantage to leaving it off.
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b0b


From:
Cloverdale, CA, USA
Post  Posted 2 Nov 2019 12:53 pm    
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I'd go with Johnny Cox's D13th Universal. It has all of the standard E9th and C6th changes without having to "switch modes" like the E9/B6 or Bb6/Eb9 universals.



Here's a slightly different version with leftmost pedals arranged ABC instead of CBA:


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Mike Perlowin


From:
Los Angeles CA
Post  Posted 2 Nov 2019 1:13 pm    
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For whatever it's worth, here is my copedant. The W is my wrist lever.


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Patrick Edwards

 

From:
Port Orchard, Washington, USA
Post  Posted 2 Nov 2019 1:20 pm     GFI 12 string setup
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First of all since you’ve just been playing 6 months and it won’t be hard to relearn muscle memory,lower the E s to D# on RKR It’s easier to hold in when you want to play B6 mode
Then on RkL lower string 2 D# to D and string 8 to E to D.(some would raise string 9 B to D instead ). Raising strings1and 7 F#toG on the vertical lever this change will most often be used holding A and B pedals down.Then lower string 5 B to A# on LKR.
Just my thoughts rearranging the pulls on the GFI 12 string universal copedent chart on their website. Oh yeah , I would order a blue one. Good luck
Patrick
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Rodrigo de la Mora

 

From:
Nevada, USA
Post  Posted 4 Nov 2019 1:45 am    
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Thanks to everyone for their valuable sharing of knowledge, I’m speaking with the people of GFI to see what will work best for me, I really appreciate your feedback.

Thank you
Rodrigo
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Len Amaral

 

From:
Rehoboth,MA 02769
Post  Posted 6 Nov 2019 5:36 pm    
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Mike, I notice in your copedent you have have LKL raising strings 4&8 E to F and lowering string 11 E to C#

That sounds interesting lowering the 11th string a tone an a half. I may try that on one of my guitars.
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b0b


From:
Cloverdale, CA, USA
Post  Posted 6 Nov 2019 5:41 pm    
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Len Amaral wrote:
Mike, I notice in your copedent you have have LKL raising strings 4&8 E to F and lowering string 11 E to C#

That sounds interesting lowering the 11th string a tone an a half. I may try that on one of my guitars.


That's common on Extended E9th, where it's the 12th string lower E to C# on the F lever. I first saw it on Winnie Winston's copedent, liked it, and used it for 3 decades. A very useful change.
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