Piano or Guitar? Two Questions
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- Dom Franco
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Piano or Guitar? Two Questions
I am not sure but there may have already been a thread about this?
Did you start out on Piano or guitar before coming to the steel guitar?
Do you read music?
I believe most steel players came from the guitar.
and I believe that is why many of us don't read music...
If you take piano lessons they teach you to read music, but if you take guitar lessons you learn chords. This is a generalization and I know there are some exceptions...
But If you learn chords and play by ear and sing then you are freed from reading music, and thereby more likely to pick up the steel guitar.
Dom
Did you start out on Piano or guitar before coming to the steel guitar?
Do you read music?
I believe most steel players came from the guitar.
and I believe that is why many of us don't read music...
If you take piano lessons they teach you to read music, but if you take guitar lessons you learn chords. This is a generalization and I know there are some exceptions...
But If you learn chords and play by ear and sing then you are freed from reading music, and thereby more likely to pick up the steel guitar.
Dom
- Keith Glendinning
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- Dom Franco
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- Nic Neufeld
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My route was violin (briefly, in 4th and 5th grade), guitar, bass, sitar, surbahar, then finally landing on steel guitar. I can tinker on piano a bit, and have jammed a bit with elec piano and organ, but nobody is going to be paying me to do anything on keyboard instrument any time soon... Weird stuff notwithstanding guitar and bass are my two main instruments, and steel is the new thing, for me...just a few years so far.
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- David Knutson
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I came through guitar, to dobro to steel, with some mandolin family on the side. I did have some piano lessons as a kid, but I play entirely by ear. Like you, Dom, I'm a singer, and I think that singing - especially harmony - really helps to develop my improv skills on steel.
I was also lucky enough in my early pro years to be surrounded by players who understood and shared practical chord theory, which, for me at least, was way more valuable than reading.
I was also lucky enough in my early pro years to be surrounded by players who understood and shared practical chord theory, which, for me at least, was way more valuable than reading.
David K
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Started (in the 50's) on Clarinet. Then took up Saxophone. (Eb alto) The high school orchestra needed a bassist. (Upright) So I did that..... which started me on the long road to my demise.....lol Lap steel , then guitar, pedal steel and now back to non pedal steel. I sight read,(not as good as I once did.) Took some solfege and functional piano studies. Has all this helped? Well, I'm not sure but I do know theory, chord construction etc. I have always felt that if you are going to play music you should know the language that you are professing to speak.
Melbert 8, Remington S8,Remington D8, Rick B6, Tremblay 6 lap steel, Marlen S-10 4&4, Old Guild M75 and Artist Award, Benedetto Bravo, Epiphone Century Electar (the real one) and a bunch of old lap steels.... mostly Ricks and Magnatones'
- Robert W Wilson
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Started pedal steel 1 1/2 years ago with no guitar experience. Had classical piano training from age 6 or 7 up to jr. high. Got pretty good but didn’t love the classical style, was limited by smallish hands, and couldn’t play anything by ear. Came back to it in my 20’s but got the right index and middle finger chopped up in a 1/2 “ datto blade (4 sawblades stacked together). I can read complex music on the go and stumble through a song I’ve never heard in all keys.
40 yrs later I order a new U12 PSG and posted “I will practice scales and arpeggiosâ€. What a ridiculous naive comment ha ha ha! The 2 chopped fingers work really well with finger picks but the most limiting factor was that I translated everything to keyboard in my head, then to tab and finally the guitar.
So, piano study and reading notation was more of a handicap than the injury. Once I started study with John McClung the steel is making sense (I am probably his slowest student). I bought another keyboard and now, with the PSG knowledge, I am learning to play keys by ear as well!
40 yrs later I order a new U12 PSG and posted “I will practice scales and arpeggiosâ€. What a ridiculous naive comment ha ha ha! The 2 chopped fingers work really well with finger picks but the most limiting factor was that I translated everything to keyboard in my head, then to tab and finally the guitar.
So, piano study and reading notation was more of a handicap than the injury. Once I started study with John McClung the steel is making sense (I am probably his slowest student). I bought another keyboard and now, with the PSG knowledge, I am learning to play keys by ear as well!
- David M Brown
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I began on guitar...but I read music well enough to get sight-reading gigs like shows, theater, etc. I wound up with a Master's in Music degree.
I also can read fairly well on lap steel, best in A6. Some of my early method books used staff notation.
I can read tab to learn new tunes, but prefer the sheet music and making my own arrangements.
I also can read fairly well on lap steel, best in A6. Some of my early method books used staff notation.
I can read tab to learn new tunes, but prefer the sheet music and making my own arrangements.
I played guitar (rather poorly). I'm learning piano now.
I learned to read music in grade school, and from Mel Bay's guitar method. I'm not a real fast sight reader. Getting better now that I'm playing piano.
I learned to read music in grade school, and from Mel Bay's guitar method. I'm not a real fast sight reader. Getting better now that I'm playing piano.
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- Allan Revich
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Hmm. I have to answer “sort of†piano, but really neither.
As a kid I took about 3 months of piano lessons, just enough to learn the notes on the treble clef. Played harmonica and flute (mostly blues and by ear) for about 40 years before picking up the ukulele and learning it. That led to learning guitar and learning how music theory is actually very useful when you know what to use it for! A couple years ago I got a deal on an old National (Valco) Lap Steel and that led me down the lap steel rabbit hole, where I currently dwell.
As a kid I took about 3 months of piano lessons, just enough to learn the notes on the treble clef. Played harmonica and flute (mostly blues and by ear) for about 40 years before picking up the ukulele and learning it. That led to learning guitar and learning how music theory is actually very useful when you know what to use it for! A couple years ago I got a deal on an old National (Valco) Lap Steel and that led me down the lap steel rabbit hole, where I currently dwell.
Current Tunings:
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
6 String | D – D A D F# A D
7 String | D/f – f D A D F# A D
https://papadafoe.com/lap-steel-tuning-database
- Rich Gardner
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I learned to read music as a kid and played trombone in bands and orchestras. Then I took up bass guitar and because I could read, I could deputise odd nights on gigs with written-out arrangements (there were not many in my city who could sight-read a whole show).
When I took up pedal steel I discovered that reading as such is of little value, but the theory that comes with it is priceless.
So to answer Dom's question, neither
When I took up pedal steel I discovered that reading as such is of little value, but the theory that comes with it is priceless.
So to answer Dom's question, neither
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
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As a kid, I played violin in strings class. I lost interest in the instrument because I realized that we weren't learning any fiddle tunes. The nail in the coffin of my fiddle playing was an injury to my left hand that made fretting with my pinkie impossible. I remember playing sheet music on the violin but I have forgotten it all.
I don't see myself reading music with the steel guitar because there are so many different ways of playing a given note on a given tuning and so many different tunings to keep track of.
I don't see myself reading music with the steel guitar because there are so many different ways of playing a given note on a given tuning and so many different tunings to keep track of.
- Fred Treece
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Guitar. The Tommy Tedesco columns in Guitar Player convinced me to force myself to learn to read music. I used two books mainly; one called Fingerpicking Bach, and the other called A Collection of Classical Music For Guitar. I also had Richard Lieberson’s “Old Time Fiddle Tunes For Guitarâ€. I’m glad I did it. I think there are many things about music (as well as guitar playing) I would have missed out on if I hadn’t learned to read. Still can’t sight read for stink, especially in non-guitar friendly keys, but I can figure things out eventually.
- Erv Niehaus
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- Fred Treece
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They probably should have just let him play on cue. For me, learning to read was a tremendous developmental help. For others, obviously it is completely unnecessary.Erv Niehaus wrote:I remember Buddy Emmons once making the comment that he missed out on quite a few engagement because he couldn't read music.
He was scheduled to play with a philharmonic orchestra but, because he couldn't read music, they couldn't use him.
Erv