Ok delay pedal survey
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- Charley Paul
- Posts: 264
- Joined: 8 Jul 2015 2:49 pm
- Location: California, USA
- Barry Coker
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- Location: Bagley Alabama, USA
- Dennis Detweiler
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- Joined: 8 Dec 1998 1:01 am
- Location: Solon, Iowa, US
TC Electronic M350 for delay and reverb. It has many choices of delay and reverb simulation and all can be dissected and fine tuned. I especially like the reverbs with pre-delay knob to adjust the amount of dry signal before the reverb kicks in (add reverb tail to the delay signal).
For stomp boxes at home, I use a MXR Carbon Copy and TC Electronic Hall Of Fame. I carry the Hall of Fame in my seat for a backup.
For stomp boxes at home, I use a MXR Carbon Copy and TC Electronic Hall Of Fame. I carry the Hall of Fame in my seat for a backup.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Chris Willingham
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Strymon El Cap for me. Tap tempo and it's just the best sounding tape emulation I've ever heard. Warm and dark. Perfect for steel IMO. Certainly can't go wrong with Chase Bliss tho. Every pedal Joel makes is incredible and are the most versatile pedals made today. Pricey and worth it.
Fiddle, banjo and steel for Tennessee Jet
2021 MSA Legend XL Signature S10 5X6 brown burst
Beard Josh Swift Sig, the purple one
Lap King Rodeo
p2p Bad Dawg 1x12, Quilter TT12 and a bunch of fiddles
2021 MSA Legend XL Signature S10 5X6 brown burst
Beard Josh Swift Sig, the purple one
Lap King Rodeo
p2p Bad Dawg 1x12, Quilter TT12 and a bunch of fiddles
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- Bob Hoffnar
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- Location: Austin, Tx
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- Location: West Virginia, USA
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- Joined: 4 Aug 1998 11:00 pm
- Location: Nashville, TN USA
I’m a bit of a delay junkie and have an embarrassing number of them that get used for different sounds as needed. That said, the one I’m using most - by far - these days is one of the cheapest and simplest I own; the Mojo Hand FX Mirror Ball.
Three things I love about it:
1. The original signal keeps it’s tone - no high end loss like with so many delays - but then the repeats have that cool analog-sounding decay.
2. Unlike so many other modern delays that give you fun-but-extreme wobbly modulation, you can add just enough modulation to thicken your sound without any noticeable wobble.
3. The price. Not sure what these go for new but they regularly show up used for $75 - $80.
Three things I love about it:
1. The original signal keeps it’s tone - no high end loss like with so many delays - but then the repeats have that cool analog-sounding decay.
2. Unlike so many other modern delays that give you fun-but-extreme wobbly modulation, you can add just enough modulation to thicken your sound without any noticeable wobble.
3. The price. Not sure what these go for new but they regularly show up used for $75 - $80.
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- Posts: 360
- Joined: 4 Nov 2017 3:54 pm
- Location: Arizona, USA
delay
I really like the Gurus Echosex 3 with tap tempo. It is tube
driven with a 12ax7. Beautiful all the way around. When I
want to go nuts I run an Earthquaker Devices Dispatch Master
into a Dunlop Echoplex pedal and then into the Echosex. Completely
ambient cacophony. I love it. There is a great Chris Buck
demo video of the Echosex on youtube if you're interested. [/img]
driven with a 12ax7. Beautiful all the way around. When I
want to go nuts I run an Earthquaker Devices Dispatch Master
into a Dunlop Echoplex pedal and then into the Echosex. Completely
ambient cacophony. I love it. There is a great Chris Buck
demo video of the Echosex on youtube if you're interested. [/img]
- Richard Nelson
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- Bobby Nelson
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- Location: North Carolina, USA
- Ken Metcalf
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- Location: San Antonio Texas USA
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Tap tempo is a requirement for me, and a big plus is being able to set the echo to 2/3 of the beat for swing. The Neunaber Echelon and the Strymon DIG both have this feature.
I use the Line 6 POD XT sometimes. It sounds good and has tap tempo, but it won't do the swing thing.
I use the Line 6 POD XT sometimes. It sounds good and has tap tempo, but it won't do the swing thing.
-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video
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- Mitchell Smithey
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I also use (and really like) the Source Audio Nemesis delay, especially the Diffusion mode. But during rehearsals I use a Strymon El Capistan that has a very nice, organic feeling emulation of a multi-head tape unit in the manner of the venerable Maestro Echoplex. Both units have a tap tempo switch.
- Erv Niehaus
- Posts: 26797
- Joined: 10 Aug 2001 12:01 am
- Location: Litchfield, MN, USA