Eminence EPS 15 C vs JBL K130 in my Webb amplifier
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- Andy Schick
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- Location: Kingston, Ontario, Canada
Eminence EPS 15 C vs JBL K130 in my Webb amplifier
Thoughts!!!
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- Ronald Sikes
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- Jack Stoner
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I had a Twin Reverb with a JBL K-130 speaker. When I first tried the EPS-15C my first impression was "this sounds like the JBL K-130 I had". That's no coincidence since the EPS-15C was designed to be a replacement for the Peavey 1501-4 BW speaker which according to Mike Brown at Peavey the 1501-4 was designed to be a high power clone of the JBL that was originally used in the Session 400.
Nick Reed blew the JBL in his Webb amp while here in Florida. He ordered an Eminence EPS-15C and I installed it for him. He is happy with the EPS-15C (and the lighter weight).
One note, the EPS-15C does require a "break in" period.
Nick Reed blew the JBL in his Webb amp while here in Florida. He ordered an Eminence EPS-15C and I installed it for him. He is happy with the EPS-15C (and the lighter weight).
One note, the EPS-15C does require a "break in" period.
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- Olli Haavisto
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- Dennis Detweiler
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I'm playing through rack gear, a Rev and Carvin HT400 power head(dual outputs)and into two EPS-15C speakers in separate cabinets. Best sound I ever had. As Jack said, requires "break in". This is my studio and live play gear.
You can play through a bass speaker, but the high end efficiency will usually drop off around 2000hz which sounds a little sterile in higher frequency output. IMHO, I would rather cut back on the treble and presence controls rather than increase. The 130 JBL and EPS-15C allows the total sound of the strings, guitar body and pickups to breath.
You can play through a bass speaker, but the high end efficiency will usually drop off around 2000hz which sounds a little sterile in higher frequency output. IMHO, I would rather cut back on the treble and presence controls rather than increase. The 130 JBL and EPS-15C allows the total sound of the strings, guitar body and pickups to breath.
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Jeff Porter
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I had the chance to try a broken in Telonics back to back with a K130 when I had my Webb. The JBL was a little sweeter, but it was close enough that I figured with the band playing no one could tell the difference. With a little tweeking on the eq it was really close. I left the Telonics in the amp and sold the JBL. The weight savings was worth it to me (YMMV).
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- Norm Fletcher
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Weber California 15†with their 150 watt bass speaker coil. A dead ringer for the JBL 130 series. Talk to the guys at Weber and they’ll help. Works well with my Webb 6-14.
Williams 700 E9th/B6. 1978 Webb 6-14. Taylor Acoustic, 1973 Ramirez Segovia 1a, Brian Moore iGuitar with synth driver and, my standby for acoustic gigs, a little Roland Acoustic amp.
- Norm Fletcher
- Posts: 39
- Joined: 29 May 2010 1:38 pm
- Location: Ashland, OR
Weber California 15†with their 150 watt bass speaker coil. A dead ringer for the JBL 130 series. Talk to the guys at Weber and they’ll help. Works well with my Webb 6-14.
Williams 700 E9th/B6. 1978 Webb 6-14. Taylor Acoustic, 1973 Ramirez Segovia 1a, Brian Moore iGuitar with synth driver and, my standby for acoustic gigs, a little Roland Acoustic amp.
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- Jack Stoner
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The EPS-15C requires a break in period. It will sound bright initially but after a little use it sweetens up. You can't compare a new EPS-15C to an old well used JBL.
GFI Ultra Keyless S-10 with pad (Black of course) TB202 amp, Hilton VP, Steelers Choice sidekick seat, SIT Strings (all for sale as package)
Cakewalk by Bandlab and Studio One V4.6 pro DAWs, MOTU Ultralite MK5 recording interface unit
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