Equipment rundown Texas Steel Jamboree
Moderator: Dave Mudgett
- Tony Palmer
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- Location: St Augustine,FL
Equipment rundown Texas Steel Jamboree
No question the amp all over the place was Telonics....wow everywhere...and for good reason, they sounded sooo rich. Having said that, I swear I was really unable to hear virtually ANY difference amongst the various brands of steels on stage. Due of course to all using same brand amps and I assume the sound system EQ.
Sound was awesome all around...nice and loud the way I like it.
Smattering of vintage Emmons of course, a few Zums, and MSA and Mullen’s.
Didn’t see much in way of effects or rack mounts being used. The Telonics have built in delay and reverb...that’s about all I heard or saw.
Other than the famous LDG Shobud I don’t think I saw anyone playing Shobud.
Steve Palousek had a Rittenberry.
Please feel free to add or correct info if you were there.
Sound was awesome all around...nice and loud the way I like it.
Smattering of vintage Emmons of course, a few Zums, and MSA and Mullen’s.
Didn’t see much in way of effects or rack mounts being used. The Telonics have built in delay and reverb...that’s about all I heard or saw.
Other than the famous LDG Shobud I don’t think I saw anyone playing Shobud.
Steve Palousek had a Rittenberry.
Please feel free to add or correct info if you were there.
Sierra S10 (three!), Peavey 112 and 115, Benoit dobro, Beard Model E dobro, Beard Roadophonic, MSA Superslide, Dean Nickless custom dobro
- Glenn Demichele
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Did anybody see my Excel there?
Mitsuo just finished building me a blue (keyless) Superb D10. He said he was bringing it to the show with him and will ship it to me (in Chicago) tomorrow. I was just curious if he set it up and was showing it, and if anybody played it. (That's totally OK with me - anything I can do to help Mitsuo sell guitars.)
Franklin D10 8&5, Excel D10 8&5, homemade buffer/overdrive, Moyo pedal, GT-001 effects, 2x BAM200 for stereo. 2x GW8003 8" driver in homemade closed-box. Also NV400 etc. etc...
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- Bill L. Wilson
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I Was in the Excel Room.
Saw Steve Palousec playing a blue D-10 that sounded fantastic. He had to raise the back legs up quite a bit, because he’s so big and it was so compact. But being the player that he is, in a very few minutes he had that thing mastered. If that in fact was your steel Glen, you have a good one. He played along with several tracks on both necks and it was a really good sounding guitar, thru I believe a Peavey 112.
- Glenn Demichele
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- Glenn Demichele
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Buck Reid
I noticed Buck Reid used a Nashville 112, miked. Could not have sounded better.
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Tommy Dodd, thanks for clarifying on your Infinity...the front apron has a very nice design and I couldn’t make out the label, from where I sat. My wife and I really enjoyed your performance!
Skip, you and the band...Brilliant!
Billy, I so regret missing your set and Larry’s...no doubt, I probably ran into someone who’d listen to me flap my gums!?
Skip, you and the band...Brilliant!
Billy, I so regret missing your set and Larry’s...no doubt, I probably ran into someone who’d listen to me flap my gums!?
“TONESNOBâ€
- Glenn Demichele
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I got my new Excel yesterday. It went from Japan to Dallas to Mississippi to Chicago, and was still in tune out of the box.
Franklin D10 8&5, Excel D10 8&5, homemade buffer/overdrive, Moyo pedal, GT-001 effects, 2x BAM200 for stereo. 2x GW8003 8" driver in homemade closed-box. Also NV400 etc. etc...
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- Glenn Demichele
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Greg, I'm still jealous of your uber-sophisticated S12, but I CAN actually play this one. If God intended us to play an S12, he would have given us 12 fingers and one hand.
We went back and forth sending color samples with me saying "too bright...too blue...too dark.. more like this" etc., and I laughed when he finally cut me off saying "Ok Glenn, I know what you want". The color is more-or-less a "midnight blue". In room light it looks black, but sometimes you see it as blue. It's perfect and very mysterious.
Mitsuo got the coped "wrong" (or forgot to change it back after the show), but I actually like it better - on E9 RKL was supposed to raise string one 1/2, but it raises it a whole and gives a cool unison with string three. I can half-lever it really easily, so I'm leaving it! A bonus
We went back and forth sending color samples with me saying "too bright...too blue...too dark.. more like this" etc., and I laughed when he finally cut me off saying "Ok Glenn, I know what you want". The color is more-or-less a "midnight blue". In room light it looks black, but sometimes you see it as blue. It's perfect and very mysterious.
Mitsuo got the coped "wrong" (or forgot to change it back after the show), but I actually like it better - on E9 RKL was supposed to raise string one 1/2, but it raises it a whole and gives a cool unison with string three. I can half-lever it really easily, so I'm leaving it! A bonus
Franklin D10 8&5, Excel D10 8&5, homemade buffer/overdrive, Moyo pedal, GT-001 effects, 2x BAM200 for stereo. 2x GW8003 8" driver in homemade closed-box. Also NV400 etc. etc...
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That color is beautiful. Is it Formica, or the Aluminum panels?
Mitsuo had some fits with my color choice. It seems he had to re-oeder the aluminum panels 3 times, I assume because the color flaked off when he cut it. Steve Sanford mentioned Mitsuo said as much about my guitar when he was with him. Mitsuo said I better never sell it, because there won't be any more Turquoise ones!
Killer guitar.
Mitsuo had some fits with my color choice. It seems he had to re-oeder the aluminum panels 3 times, I assume because the color flaked off when he cut it. Steve Sanford mentioned Mitsuo said as much about my guitar when he was with him. Mitsuo said I better never sell it, because there won't be any more Turquoise ones!
Killer guitar.
- Glenn Demichele
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