Ear, TAB, or sheet music?

Lap steels, resonators, multi-neck consoles and acoustic steel guitars

Moderator: Brad Bechtel

Ear, TAB, or sheet music?

ear
19
37%
TAB
6
12%
sheet music
1
2%
combination
25
49%
 
Total votes: 51

User avatar
David M Brown
Posts: 902
Joined: 15 Nov 2016 7:47 am
Location: California, USA
Contact:

Ear, TAB, or sheet music?

Post by David M Brown »

Hi fellow steel players,

I have a question for you guys, When learning new tunes, do you typically learn them by ear, use a pre-existing TAB,or get the sheet music and play from staff notation?

Typically I do all three in no particularly logical way, whatever is easiest at the time.
User avatar
Mike Neer
Posts: 10990
Joined: 9 Dec 2002 1:01 am
Location: NJ
Contact:

Post by Mike Neer »

David, I usually go by ear, but I’ll use a chart, too. Never tab, though. I’ve owned some tab, like the Jerry Byrd arrangements, but I never used them.

I like to get the tune in my head asap, so I can hear it in other ways and play around with it.
User avatar
Stefan Robertson
Posts: 1846
Joined: 24 Nov 2013 9:34 am
Location: Hertfordshire, UK
Contact:

Post by Stefan Robertson »

I'd say they are all different but necessary skills on my journey.

Ear - most important to listen to the way the masters did it.

Sheet music - great for ideas and voice leading - I used to use a lot of guitar notation over the last few months - but it lacked the connection that steels are so famous for glissando from one chord to another.

Tab - hate it but have to use it as pedal steel is written in this form and if you ever wondered how Buddy or Jernigan did it not much other choice but to use them and then try and transcribe the Lap Steel Guitar equivalent.

So I'd say a combination of all of the above methods are necessary on my journey. Maybe not for others but that's why its my journey.
Stefan
Bill Hatcher custom 12 string Lap Steel Guitar
E13#9/F secrets: https://thelapsteelguitarist.wordpress.com

"Give it up for The Lap Steel Guitarist"
User avatar
Nic Neufeld
Posts: 1319
Joined: 25 Sep 2017 8:10 am
Location: Kansas City, Missouri

Post by Nic Neufeld »

From a beginners perspective, for general learning of new songs...I start out going by ear. Sometimes it helps to know if a song is more suited for a different tuning so a chart or tab can help determine that. There are some songs I'm pretty sure I never would have figured out without a tab (Sand springs to mind). Sometimes I use tabbing to document for my own memory how I worked out a song by ear...at that point it only exists to jar my memory if I forgot how I play it.

Also, door number 4: watching Youtube videos and figuring out what people are doing via observation of left hand...has come in handy a few times!
User avatar
David M Brown
Posts: 902
Joined: 15 Nov 2016 7:47 am
Location: California, USA
Contact:

Post by David M Brown »

Nic Neufeld wrote: Also, door number 4: watching Youtube videos and figuring out what people are doing via observation of left hand...has come in handy a few times!
I consider that to be learning by ear - your teacher is just not sitting next to you!

Thank guys!
Bill McCloskey
Posts: 6877
Joined: 5 Jan 2005 1:01 am
Location: Nanuet, NY
Contact:

Post by Bill McCloskey »

Ear. I use tools like Transcribe to slow things down and I take section by section to learn the licks, trying to figure out what they are doing. This weekend I was working on Jerry Douglas's tune Fluxology. I made the assumption that he capoed on the second fret and had figured out the tune until I hit the next to last chord, when I realized it was impossible to play like Jerry was doing. I then realized he was not capoing at all and I had to go back and figure it all out all over again, this time without the capo. But I learned a ton in the process.
User avatar
Jack Stoner
Posts: 22087
Joined: 3 Dec 1999 1:01 am
Location: Kansas City, MO

Post by Jack Stoner »

I'm mostly an ear player but I have learned some songs from Newman tab.
GFI Ultra Keyless S-10 with pad (Black of course) TB202 amp, Hilton VP, Steelers Choice sidekick seat, SIT Strings (all for sale as package)
Cakewalk by Bandlab and Studio One V4.6 pro DAWs, MOTU Ultralite MK5 recording interface unit
James Hartman
Posts: 413
Joined: 2 Jan 2007 10:43 am
Location: Pennsylvania, USA
Contact:

Post by James Hartman »

Ear. When learning a new tune I typically write out a tentative arrangement. More accurately - a compilation of sketches and performance ideas for the tune than a complete arrangement. It often incorporates choice bits from other's recorded versions. Sometimes I'll transcribe a whole recorded performance, if it's one I want to study. Writing it down, for me, expedites the learning process. Ultimately it needs to be in your head, not on the page.
User avatar
Terry VunCannon
Posts: 1238
Joined: 20 Nov 2003 1:01 am
Location: Greensboro, North Carolina, USA
Contact:

Post by Terry VunCannon »

Ear...always.
User avatar
Michael James
Posts: 278
Joined: 4 May 2013 6:24 pm
Location: La Crosse, Wisconsin, USA
Contact:

Post by Michael James »

There is one option missing. I call it "By Rote". This is where a musician memorizes a song's chord progression, leads ect... and doesn't have the ability to truly play by ear and respond to music by listening in new and unfamiliar situations.
A rote musician can't quickly find a key center, hear the chords and solve simple chord patterns quickly.
We often confuse playing "By Rote" with playing "By Ear".
Ear training takes years to get really good at. Playing by rote is an exercise in memory. I have memorized hundreds of songs so I am essentially playing those songs by rote. But I have worked hard for many years to develop my ear. I do a lot of writing, transcribing and arranging. I love going to jam sessions. All I bring is my axe and my ear and I hope for the best! :)

mj
Robert Allen
Posts: 569
Joined: 16 Oct 2008 9:03 am
Location: Tennessee, USA
Contact:

Post by Robert Allen »

Mostly by ear but tab and sheet music are useful at times. As I get older my high frequency hearing has diminished somewhat (minus 40dB @ 8000HZ.) I rely more now on printed matter to figure out some things I easily recognized by ear in my younger days.
Last edited by Robert Allen on 4 Dec 2017 1:08 pm, edited 1 time in total.
User avatar
Bill Groner
Posts: 1234
Joined: 30 Dec 2016 8:42 am
Location: QUAKERTOWN, PA

Post by Bill Groner »

I play totally by ear. At this point I cannot read music...have no idea what you guys are talking about with a lot of this stuff, but even though I am a novice, I really enjoy this learning process. I am very glad I found this forum. I have met a lot of helpful people in my journey thus far.
Currently own, 6 Groner-tone lap steels, one 1953 Alamo Lap steel, Roland Cube, Fender Champion 40
User avatar
Richard Sinkler
Posts: 17067
Joined: 15 Aug 1998 12:01 am
Location: aka: Rusty Strings -- Missoula, Montana

Post by Richard Sinkler »

Mostly by ear. Will use tab though.
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
User avatar
Doug Beaumier
Posts: 15642
Joined: 4 Aug 1998 11:00 pm
Location: Northampton, MA
Contact:

Post by Doug Beaumier »

I learn new songs mostly by ear and occasionally from sheet music. I very seldom use tablature to learn songs, but I do write a lot of tab for students.
Paul DiMaggio
Posts: 318
Joined: 5 Dec 2008 9:03 am
Location: Fort Nelson, British Columbia, Canada

Post by Paul DiMaggio »

By ear and sheet music in equal proportions. For some reason Tab doesn't work very well for me.
User avatar
Larry Lenhart
Posts: 2923
Joined: 12 May 2000 12:01 am
Location: Ponca City, Oklahoma

Post by Larry Lenhart »

Depends on the song...I find it fun to play drop the needle (I am showing my age) and learn the song lick by lick that way. I also enjoy taking sheet music to the song and working it up from that...I probably get the most pleasure from that. But I also use tab to find out how others have interpreted the same song. Many times I will use several tab versions of the same tune and combine them into one the way I like it...either because one is easier than the other or because I like the way someone harmonized it more interestingly.

So, bottom line, combination...all 3.
Zum Encore, Pedalmaster D10, Remington D8 non pedal, Hallmark Mosrite clone, Gretsch 6120 DSW, 1976 Ibanez, Eastman archtop, Taylor Dreadnaught, Telonics pedal, Squire Tele, Squire Strat, Fender Tonemaster, Gold Tone 5 string banjo, Little Wonder tenor banjo, Boss Kamatra 100, 3 Roland cubes 30s and 80, Carvin combo bass amp
User avatar
David M Brown
Posts: 902
Joined: 15 Nov 2016 7:47 am
Location: California, USA
Contact:

Post by David M Brown »

Michael James wrote:There is one option missing. I call it "By Rote". This is where a musician memorizes a song's chord progression, leads ect... and doesn't have the ability to truly play by ear and respond to music by listening in new and unfamiliar situations.
A rote musician can't quickly find a key center, hear the chords and solve simple chord patterns quickly.
We often confuse playing "By Rote" with playing "By Ear".
You are correct and I am sorry to have overlooked that possibility in the poll.
User avatar
Michael James
Posts: 278
Joined: 4 May 2013 6:24 pm
Location: La Crosse, Wisconsin, USA
Contact:

Post by Michael James »

Hi David, No need for an apology. I think most of the players here on the forums have great ears. Having a good ear is a must if a person is going be proficient at steel guitar. It was probably better that you didn't include it.
mj
James Hartman
Posts: 413
Joined: 2 Jan 2007 10:43 am
Location: Pennsylvania, USA
Contact:

Post by James Hartman »

Michael James wrote: We often confuse playing "By Rote" with playing "By Ear".

mj
This is a distinction worth examining. I'll wager most steel players (recreational players, at least) do in fact mostly play "by rote". Which is to say they learn a tune, by whatever means, memorize it in a fixed arrangement, and play it the same way (with perhaps a modicum of varied embellishment) every time. What Michael is pointing to in contrast, and calling "by ear" is really the ability to improvise within the context of a song. That requires a whole different level of mastery of the instrument.

But the topic here was how do you learn a new tune?. And yes, most of us learn from recordings "by ear".
User avatar
Andy DePaule
Posts: 2576
Joined: 20 Jun 1999 12:01 am
Location: Saigon, Viet Nam & Springfield, Oregon
Contact:

By ear but...

Post by Andy DePaule »

By ear but my ear ain't nowhere near as good as I wish it was. In our family my little brother got the perfect pitch and I was left with the little talent that remained.
Also being dyslexic, (No joke there) when I use tab I tend to drift off when a run or chord combination reminds me of something unrelated to the tune I was intending to learn. Strange as that may seem, it sometimes gets me into something nice.
Once in a while I'll learn a whole tune from tab. I can't really sight read music at all.
Sometimes I'll learn by someone showing me something cool or watching another player for some ideas.
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
User avatar
Steffen Gunter
Posts: 158
Joined: 17 Dec 2013 10:22 am
Location: Munich, Germany
Contact:

Post by Steffen Gunter »

By ear (on sessions), by rote, by chord sheets and by tab only when studying how the masters did it (e.g. JB's instruction course).
But by rote with some slight improvised variations is how I play my repertoire.
User avatar
Andrea Tazzini
Posts: 184
Joined: 13 Dec 2006 1:01 am
Location: Massa, Italy

Post by Andrea Tazzini »

By ear and sometimes I use tabs.
User avatar
Steve Marinak
Posts: 207
Joined: 14 Jan 2012 9:28 am
Location: Man O War Cay, Abaco, Bahamas

Post by Steve Marinak »

Interesting thread.
As a newbie, I have been learning songs with Tab.
At first I was memorizing the entire melody without being able to look up at the sheet.
Being new to this I did not know my positions on the fretboard very well so I concentrated on my intonation and could not look up at the Tab as I was watching my hand placement. This was deadly if I forgot my place.

As I am getting more familiar with the fretboard I am able to "sight read" the Tab without looking at my hands constantly; (I look up and down quickly). This allows me to know what chord is coming too. I hope this will lead me to playing by Rote as mentioned above.

The more I get to know the fretboard the better I am at quickly composing a melody without any Tab or sheet music (i.e. a quick Christmas song). I've been able to do this by knowing my first, fifth and seventh position and the major scale and my 3rd and sixth intervals.

I am looking forward to progressing to anywhere near the level some of you are.

What would some of you recommend to practice in order to "hear" those notes in your head and "see" them on the fretboard, in order to play a song by ear or by Rote?

Once you memorize the melody, do most of you hear the changes in your head and do you think, "here comes the I, VI, II, V", etc.

Thanks
Steve
Steve Marinak
Tod Johnson
Posts: 68
Joined: 11 Mar 2017 8:42 pm
Location: Hawaii, USA

Post by Tod Johnson »

I prefer to learn by watching video of the song being performed.
If the tab is available to correspond with the performance that's the best.
1939 Oahu Tonemaster, 1957 Rickenbacker, Melbert 8, and a cheap Rogue.
Tod Johnson
Posts: 68
Joined: 11 Mar 2017 8:42 pm
Location: Hawaii, USA

Post by Tod Johnson »

I prefer to learn by watching videos.
If the tab is available to correspond with the performance that's the best.
1939 Oahu Tonemaster, 1957 Rickenbacker, Melbert 8, and a cheap Rogue.
Post Reply