Lacquer Emmons Project #3 (Brownie) Phase 2 - Assembly

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Mike Scaggs
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Lacquer Emmons Project #3 (Brownie) Phase 2 - Assembly

Post by Mike Scaggs »

Guys,

Here is a preview of my upcoming early 70s Lacquer, metal neck resto.

This guitar belonged to Hubert Brown better known as Brownie. He is the original owner and bought it from the Music Box in Sacramento, CA many years ago. Brownie was not only a great player but he was the closest thing to Ralph Mooney you ever heard. He was humble and the nicest guy you can ever come to know.

When I was a young gun learning steel guitar in the Sacramento Brownie was considered one of the best in the area. He along with Jim Gray, Kenny Yates, Jimmy Fox, Jay Riley, a Young Chris Ivy, and many others were among my first strong influences and are in many ways responsible for my interest in the pedal steel guitar.

I am honored to have the opportunity to revive this old guitar and make her sing once again. This one will be a keeper for me guys so she will not be for sale.


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Last edited by Mike Scaggs on 14 Oct 2017 9:18 am, edited 2 times in total.
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Stan Schober
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Post by Stan Schober »

SHe's a beauty !

E9 on the back neck with 6-7-8- set up as your ABCs ?
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Post by Mike Scaggs »

Stan Schober wrote:SHe's a beauty !

E9 on the back neck with 6-7-8- set up as your ABCs ?
Nope, it will be setup standard with the E9th upfront
I can explain it to you but I can't understand it for you

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Tony Glassman
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Post by Tony Glassman »

Are you going to keep it blonde?
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Post by Mike Scaggs »

Tony Glassman wrote:Are you going to keep it blonde?
Don't think so...
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Post by Don Mogle »

Mike,

I'd like to see this in a nice sunburst. I'm sure there are some nice examples here on the Forum. If I can find any I like, I will post them for sampling purposes. OK...I found a previous post. I really like the Zum on this post.

http://bb.steelguitarforum.com/viewtopi ... st+guitars



Please forgive my recommendations on YOUR guitar, but thought I'd weigh-in on it. Regardless, I'm sure it will be another spectacular restoration. Looking forward to seeing the progression. Keep us posted on the progress.

Don
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Post by Stan Schober »

Mike Scaggs wrote:
Stan Schober wrote:SHe's a beauty !

E9 on the back neck with 6-7-8- set up as your ABCs ?
Nope, it will be setup standard with the E9th upfront
I was asking if that's what it is currently.
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Post by Mike Scaggs »

Stan Schober wrote:
Mike Scaggs wrote:
Stan Schober wrote:SHe's a beauty !

E9 on the back neck with 6-7-8- set up as your ABCs ?
Nope, it will be setup standard with the E9th upfront
I was asking if that's what it is currently.
It's a faded 44 years of some color LOL... It may have been red at one time. Soon as I get the necks off we will all know
I can explain it to you but I can't understand it for you

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Post by Mike Scaggs »

Don Mogle wrote:Mike,

I'd like to see this in a nice sunburst. I'm sure there are some nice examples here on the Forum. If I can find any I like, I will post them for sampling purposes. OK...I found a previous post. I really like the Zum on this post.

http://bb.steelguitarforum.com/viewtopi ... st+guitars



Please forgive my recommendations on YOUR guitar, but thought I'd weigh-in on it. Regardless, I'm sure it will be another spectacular restoration. Looking forward to seeing the progression. Keep us posted on the progress.

Don
I'm seriously looking at this color


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Post by J R Rose »

GOOD ON YOU MIKE. KEEP US POSTED ON PROGRESS. J.R.
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Brownie

Post by Don Mogle »

The coloring scheme on the Show Pro looks great Mike! Love that one too!

Don
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Post by Will Houston »

The Sho Pro is amazing, you wouldn't go wrong with that color scheme.
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Post by Mike Scaggs »

Ok, it's now started


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Post by Henry Matthews »

Mike, do you go back with the same screw holes on everything? Does the flocking cover them up or do you mark them some way like with a peg or something when you put on flocking. Just curious, you really do a great job.
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Post by Mike Scaggs »

Henry Matthews wrote:Mike, do you go back with the same screw holes on everything? Does the flocking cover them up or do you mark them some way like with a peg or something when you put on flocking. Just curious, you really do a great job.
I like plugging the holes with maple dowels. That way I have fresh tight wood for the new screws. I never use the old screws and exact replacements are very easy to find. Same with the springs. I am after consistency with what I am doing.
I can explain it to you but I can't understand it for you

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Post by Mike Scaggs »

Getting things ready for Bud's polishing and the long hours of cleaning and polishing each bell crank and cross shaft.


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Post by Henry Matthews »

Mike Scaggs wrote:
Henry Matthews wrote:Mike, do you go back with the same screw holes on everything? Does the flocking cover them up or do you mark them some way like with a peg or something when you put on flocking. Just curious, you really do a great job.
I like plugging the holes with maple dowels. That way I have fresh tight wood for the new screws. I never use the old screws and exact replacements are very easy to find. Same with the springs. I am after consistency with what I am doing.
Good idea Mike and I noticed you going back with Phillips screws instead of those awful slotted screws. Hate those things. Your work is awesome.
Henry Matthews

D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Post by Mike Scaggs »

Henry Matthews wrote:
Mike Scaggs wrote:
Henry Matthews wrote:Mike, do you go back with the same screw holes on everything? Does the flocking cover them up or do you mark them some way like with a peg or something when you put on flocking. Just curious, you really do a great job.
I like plugging the holes with maple dowels. That way I have fresh tight wood for the new screws. I never use the old screws and exact replacements are very easy to find. Same with the springs. I am after consistency with what I am doing.
Good idea Mike and I noticed you going back with Phillips screws instead of those awful slotted screws. Hate those things. Your work is awesome.
Well actually I use slot head like the orig screws. What ever the original was is what I replace with and I really don't have a bit of trouble with slot heads. Neck screws and keyhead screws are phillips and I normally end up re-using those. All the tuning cap screws, pedal stop cap screws are replaced.
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Post by Dale Rottacker »

I’ve enjoyed watching how you do this from start to finish on the other two... would really be fun to watch a video of the whole process... Incredible work Mike
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Post by Mike Scaggs »

Dale Rottacker wrote:I’ve enjoyed watching how you do this from start to finish on the other two... would really be fun to watch a video of the whole process... Incredible work Mike
Ok, so here is a short 3 minute video clip of what I have so far.

https://www.youtube.com/watch?v=eJEfZPx ... e=youtu.be
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Post by Ken Byng »

Good luck with your special keeper Mike. It's going to look a real stunner in sunburst. I had my old brown Sho~Bud Pro 111 restored to a sunburst finish, and she looked a real treat afterwards.


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Post by Mike Scaggs »

Ken Byng wrote:Good luck with your special keeper Mike. It's going to look a real stunner in sunburst. I had my old brown Sho~Bud Pro 111 restored to a sunburst finish, and she looked a real treat afterwards.
Love it Ken
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Post by Mike Scaggs »

So even if you don't have a crack (which they usually do on lacquers) I do this as a safety.... Beechwood biscuits slotted in the end. Makes em stronger.


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Post by Ken Byng »

I only ever had one guitar that had the dreaded crack behind the changer, and that was a Sho~Bud LDG. That is a great idea Mike.
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Post by Mike Scaggs »

Here is a quick video showing the way I do it.

https://www.youtube.com/watch?v=MKCu4dG ... e=youtu.be
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