Jerry Byrd live ... "come a little closer"
Moderator: Brad Bechtel
Jerry Byrd live ... "come a little closer"
https://www.youtube.com/watch?v=A1j1v-T36LQ
E13th tuning? Surprising to hear a spacey tremolo FX kick in briefly at 1:50. The only FX use I've heard from Byrd before was an eBow. Nice tune.
E13th tuning? Surprising to hear a spacey tremolo FX kick in briefly at 1:50. The only FX use I've heard from Byrd before was an eBow. Nice tune.
Steel Guitar Books! Website: www.volkmediabooks.com
- Erv Niehaus
- Posts: 26797
- Joined: 10 Aug 2001 12:01 am
- Location: Litchfield, MN, USA
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact:
-
- Posts: 695
- Joined: 25 Apr 2008 12:59 pm
- Location: Various places
- Contact:
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact:
- Erv Niehaus
- Posts: 26797
- Joined: 10 Aug 2001 12:01 am
- Location: Litchfield, MN, USA
Are you sure he didn't do that effect with with his volume pedal? It's so perfectly timed to the tempo of the song!
-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video
b0b, that doesn't sound like a volume pedal effect to me but perhaps I'm wrong!
and Doug, I was originally gonna peg that as C diatonic but the arpeggio at the end fooled my ear. On closer listening you are of course, right.
and Doug, I was originally gonna peg that as C diatonic but the arpeggio at the end fooled my ear. On closer listening you are of course, right.
Steel Guitar Books! Website: www.volkmediabooks.com
- David Famularo
- Posts: 31
- Joined: 13 Mar 2017 9:43 pm
- Location: New Zealand
1950s version
What album is the original from and is it available to listen to online?Doug Beaumier wrote:Jerry played that song on his C diatonic tuning. I like his 1950's recording of the song. It's faster than this live one, more energy, and has a nice bakelite tone.
- David Famularo
- Posts: 31
- Joined: 13 Mar 2017 9:43 pm
- Location: New Zealand
Beautiful
I've got to say, that is an absolutely beautiful piece of playing. Is it a non-pedal steel he is using?
Early on when I started learning the lap steel I realised you can't "fake" playing well on that instrument. You don't sound good until you are actually that good to sound good, if that makes any sense. I think it is because it is an instrument that is extremely sensitive to way the musician plays it, with a subtle richness of sounds available.
Early on when I started learning the lap steel I realised you can't "fake" playing well on that instrument. You don't sound good until you are actually that good to sound good, if that makes any sense. I think it is because it is an instrument that is extremely sensitive to way the musician plays it, with a subtle richness of sounds available.
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact:
- David M Brown
- Posts: 902
- Joined: 15 Nov 2016 7:47 am
- Location: California, USA
- Contact:
Diatonic tunings are a kettle of worms! It helps a bit when you realize that the C6th tuning is imbedded in there on strings 1,2,4,5 and 7 (I don't have a 7 or 8 stringer right now so I end with the string #6 F note). You can get some very rich, close voicings and harp-like effects but there are some complex tuning issues that are over my math-challenged head.
I worked out "My Funny Valentine" in C Diatonic about 15 years ago and then never touched the tuning again till this weekend. I just arranged this version of One Note Samba in C Diatonic ... it was tricky ... you gotta keep that F (and then Bb) note on top for all the voicings in that tune.
PDF:
https://www.dropbox.com/s/lhmwu6p4ral7q ... a.pdf?dl=0
One Note Samba MIDI audio: http://picosong.com/p84i/
I'm working on trying to transcribe "Come a Little Closer" .... more on that later.
Here's JB's version from Hi-Fi Guitar: http://picosong.com/p84w/
I worked out "My Funny Valentine" in C Diatonic about 15 years ago and then never touched the tuning again till this weekend. I just arranged this version of One Note Samba in C Diatonic ... it was tricky ... you gotta keep that F (and then Bb) note on top for all the voicings in that tune.
PDF:
https://www.dropbox.com/s/lhmwu6p4ral7q ... a.pdf?dl=0
One Note Samba MIDI audio: http://picosong.com/p84i/
I'm working on trying to transcribe "Come a Little Closer" .... more on that later.
Here's JB's version from Hi-Fi Guitar: http://picosong.com/p84w/
Last edited by Andy Volk on 27 Mar 2017 4:38 am, edited 1 time in total.
Steel Guitar Books! Website: www.volkmediabooks.com
Here's Jerry Byrd's arrangement of Cold Cold Heart in C Diatonic. About ten years ago, JB's brother Jack shared this with the forum. Thankfully, the links are still good:
http://picturehost.net/av/003.jpg
http://picturehost.net/av/004.jpg
http://picturehost.net/av/005.jpg
http://picturehost.net/av/003.jpg
http://picturehost.net/av/004.jpg
http://picturehost.net/av/005.jpg
Steel Guitar Books! Website: www.volkmediabooks.com
- Doug Beaumier
- Posts: 15642
- Joined: 4 Aug 1998 11:00 pm
- Location: Northampton, MA
- Contact:
David Stewart has some good C diatonic information on his web site, including a bit of tab for "Come a Little Closer" --> http://www.steelc6th.com/tunings/diatonic.htm
Jerry's C diatonic tuning has no D in it, so it's not a full C major scale. He said the tuning requires 7 strings, but he opted for two E strings (high and low). He said he tried a D but it just seemed to get in the way.
The tuning features some nice chromatic style patterns and half steps over minor chords that are not usually heard on non-pedal steel. More pedal steel-like in sound.
I played diatonic tuning on my recording of "A Very Good Year"... several years ago. It wasn't Jerry's tuning though. It was John Ely's A diatonic tuning, I believe, transposed down because I had thicker strings on my guitar at the time. Can't remember which diatonic tuning, but it's definitely based on the major scale ---> https://soundcloud.com/doug-beaumier/a- ... eel-guitar
Jerry's C diatonic tuning has no D in it, so it's not a full C major scale. He said the tuning requires 7 strings, but he opted for two E strings (high and low). He said he tried a D but it just seemed to get in the way.
The tuning features some nice chromatic style patterns and half steps over minor chords that are not usually heard on non-pedal steel. More pedal steel-like in sound.
I played diatonic tuning on my recording of "A Very Good Year"... several years ago. It wasn't Jerry's tuning though. It was John Ely's A diatonic tuning, I believe, transposed down because I had thicker strings on my guitar at the time. Can't remember which diatonic tuning, but it's definitely based on the major scale ---> https://soundcloud.com/doug-beaumier/a- ... eel-guitar
- David M Brown
- Posts: 902
- Joined: 15 Nov 2016 7:47 am
- Location: California, USA
- Contact: