Weissenborn players

Lap steels, resonators, multi-neck consoles and acoustic steel guitars

Moderator: Brad Bechtel

What style tone bar do you use on your Weissenborn?

Stevens-style
10
33%
Bullet bar
15
50%
Other
5
17%
 
Total votes: 30

Rick Abbott
Posts: 2175
Joined: 20 Feb 2007 4:10 pm
Location: Indiana, USA

Post by Rick Abbott »

Erv Niehaus wrote:Gee, somebody should have advised Jerry Byrd, he was doing it wrong for, oh, so many years. :roll:
No one plays just like anyone else, especially JB. Nobody said he was doing it wrong. It ain't black and white, far as I can see.

Take it easy, we're all in this together. :)
RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Wakarusa 5e3 clone
1953 Stromberg-Carlson AU-35
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Erv Niehaus
Posts: 26797
Joined: 10 Aug 2001 12:01 am
Location: Litchfield, MN, USA

Post by Erv Niehaus »

Jerry Byrd set the standard for touch and tone. :D
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Jack Hanson
Posts: 5024
Joined: 19 Jun 2012 3:42 pm
Location: San Luis Valley, USA

Post by Jack Hanson »

Erv Niehaus wrote:Jerry Byrd set the standard for touch and tone. :D
No argument here.

Did Jerry ever play a Weissenborn? If so, presumably he used a bullet bar.
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Erv Niehaus
Posts: 26797
Joined: 10 Aug 2001 12:01 am
Location: Litchfield, MN, USA

Post by Erv Niehaus »

Jack,
I'm sure you are correct. :D
Rance White
Posts: 74
Joined: 21 Aug 2010 7:48 am
Location: North Carolina, USA

Post by Rance White »

I like the post, I'm sure theres a lot of info on the forum about it, but it would be nice to have a bunch of posts in thread about it.

Just thought I'd chime in and say that I've settled into a spark plug socket for the past month. Pull offs and hammer ons are a little challenging but you can't beat the price. Plus I like the large cylinder feel. That being said I'm not playing for people and I'm not recording, but the one I have is super super smooth and heavily chromed and heavy. Plus it usually gest a chuckle out of someone that stops by and sees me using a socket.

I've gone thru so many bars over the years. Sometimes I accidentally leave them in cases of weiss's that ship out. Sometimes I give them to customers that stop by and are new to the instrument or slide play. Most of the time I'll get the shubb because its price. That asher looks nice though. May have to check the price on it and figure out how to drill a hole in it so I can permanently string it to the work bench. kind of like a bank does with their pens.

When I do shop around for bars and I have extra cash (which is usually never) I look for the heaviest thing I can find. I think weight is important on the weiss because usually the tensions are lower and it seems to help with barnoise.
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