Who knows Bruce Boutons copedent?
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- Leo Grassl
- Posts: 853
- Joined: 5 Oct 2011 6:40 pm
- Location: Madison TN
Who knows Bruce Boutons copedent?
Just curious as to what Bruce Boutons copedent is. Havnt found it
on my own research. Can anyone help?
Thanks
Leo
on my own research. Can anyone help?
Thanks
Leo
- Ricky Davis
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Ok this was false Info I found; so I deleted it.
So
Maybe Bruce can chime in and relay his Set up to us??
Ricky
So
Maybe Bruce can chime in and relay his Set up to us??
Ricky
Last edited by Ricky Davis on 31 Mar 2016 9:26 am, edited 1 time in total.
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
- Leo Grassl
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- John Swain
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- Location: Newberry,SC
Ricky, I bought that guitar a few years ago from someone in Arkansas! The E9 was set up(poorly) like those charts( which are shots from the back cover of Emmon's "Going Out Swinging" tab book). I don't know if Bruce ever owned it! the C6 neck was a mess and knee levers were different than that chart, with LKL lowering the 2nd string a half-step!
- John Swain
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Ricky, I bought that guitar a few years ago from someone in Arkansas! The E9 was set up(poorly) like those charts( which are shots from the back cover of Emmon's "Going Out Swinging" tab book). I don't know if Bruce ever owned it! the C6 neck was a mess and knee levers were different than that chart, with LKL lowering the 2nd string a half-step!
- Leo Grassl
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- Location: Madison TN
Thanks anyway Ricky. I've done as much web research as
I could trying to find it. Maybe someone who knows will fill us in.
I'm most interested in knowing how Bruce
lowers His sixth string and how he raises his seventh string. ( if he raises his seventh)
Also if he lowers his fifth and tenth with the Vertical? A shot of his
copedant would answer all this though lol
I could trying to find it. Maybe someone who knows will fill us in.
I'm most interested in knowing how Bruce
lowers His sixth string and how he raises his seventh string. ( if he raises his seventh)
Also if he lowers his fifth and tenth with the Vertical? A shot of his
copedant would answer all this though lol
- Ricky Davis
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Leo; I talked to Bruce as he was on a plane earlier..ha...he's giggin...and I was giggin...he will send me something and I'll put it up; or he will..very soon.
Ricky
Ricky
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
- Dustin Rigsby
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- Ricky Davis
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No Dustin; I haven't drank a drop of alcohol in over 25 years and I'm pretty sure Bruce wouldn't be as successful as he is; by doing that either.
Ricky
Ricky
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
- Dustin Rigsby
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- Leo Grassl
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- Ricky Davis
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Ok Bruce yelled back and here it is.
The copedent he uses on the road is the 3 pedal 4 knee of this chart.
The "4th p" is used in the Studio.
I forgot to ask him his string gauges; so I assumed the regularly used Emmons Pedal steel gauges.
BOTH B's to A on 4th pedal corrected.
Thanks Bruce for your kindness as we all have been huge fans of yours; even before you started playing....ah..ha.
Ricky
The copedent he uses on the road is the 3 pedal 4 knee of this chart.
The "4th p" is used in the Studio.
I forgot to ask him his string gauges; so I assumed the regularly used Emmons Pedal steel gauges.
BOTH B's to A on 4th pedal corrected.
Thanks Bruce for your kindness as we all have been huge fans of yours; even before you started playing....ah..ha.
Ricky
Last edited by Ricky Davis on 2 Apr 2016 2:24 pm, edited 1 time in total.
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
- Leo Grassl
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- Location: Madison TN
- Ricky Davis
- Posts: 10964
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- Location: Bertram, Texas USA
- Contact:
Hey Leo, you are very welcome as I will always help when I can. Bruce is right in the middle of being very busy(which is good); but he too would get on here and help when time allows; so I went for it.
Ricky
Ricky
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
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I'm a HUGE fan of Bruce's playing. He has an amazing ability to go from being Mr. Subtle, playing some beautifully placed, shimmering background lines like on Kathy Mattea's "A Few Good Things Remain", to ripping off these fast, perfectly-executed solos like on Brooks & Dunn's "White Line Casanova". I've learned so much by listening to him ...and he makes it sound so easy! Crazy talented musician that I admire immensely! Hope to get the opportunity to meet him someday!
I'm in the process of planning some copedent changes on my Sho~Bud LDG. I have no idea why I never thought of the half-stops on 1 & 7, but I LOVE that idea. My LKR originally pulled my 1 & 7 F#'s to G. I have since changed that pedal to pull 1 to G# and it also lowers my 6 string G# to F#. When I'm done, my RKR will work like Bruce's with that half-stop and bring back one of the original changes my guitar had on it! So glad I didn't order parts or begin the work yet! Thanks for the research Ricky!!! I've been wondering about his copedent ever since I started playing.
Brian
I'm in the process of planning some copedent changes on my Sho~Bud LDG. I have no idea why I never thought of the half-stops on 1 & 7, but I LOVE that idea. My LKR originally pulled my 1 & 7 F#'s to G. I have since changed that pedal to pull 1 to G# and it also lowers my 6 string G# to F#. When I'm done, my RKR will work like Bruce's with that half-stop and bring back one of the original changes my guitar had on it! So glad I didn't order parts or begin the work yet! Thanks for the research Ricky!!! I've been wondering about his copedent ever since I started playing.
Brian
Husband & daddy of 2 little girls, Pipe organ tech, church organist/choir director
'78 Sho~Bud LDG - Session 500 (BW), Supro & Silvertone lap steels,
Yamaha 5-string Bass, GK MBE-150
Bach Trumpet, piano, Hammond A-100
'78 Sho~Bud LDG - Session 500 (BW), Supro & Silvertone lap steels,
Yamaha 5-string Bass, GK MBE-150
Bach Trumpet, piano, Hammond A-100
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I was wondering how Bruce gets a feel stop at the half, while raising 1 and 7. Does he engage the 2nd string at that point or does he, like I do, have a dedicated feel stop device. I feel the separate device is much more adjustable; and easier to adjust. Ron
Emmons SKH Le Grande, '73 P/J bass, Tick tack bass, Regal high strung, and a Coral Sitar, USA Nashville 112.
Another is Lloyd Green. Lloyd's setup is quite basic compared to most, and well, we all know what an absolute monster player he is.Ian Rae wrote:Bruce's setup is about as basic as it gets, and the message is loud and clear that you don't need bells and whistles to be a fine player.
I could have a steel with 10 pedals and 10 knee levers and still not be in their league!