Release Me... Loessberg shows how
Moderator: Shoshanah Marohn
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Release Me... Loessberg shows how
Here's a video of Jim Loessberg with Ray Price from 2009 that shows a melody played simply and with expression is not technically challenging, but infrequent and always eloquent.
CAVEAT: Jim is among my dear pals and one of my musical heroes.
Release Me
CAVEAT: Jim is among my dear pals and one of my musical heroes.
Release Me
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
- Bill Ferguson
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You are right Herb. Jim is one of the most tasteful players I know.
He can sound like Buddy Emmoms or more important, he can sound like Jim Loessberg.
He is also my pal and is one of the greats that sadly, not many people know.
He can sound like Buddy Emmoms or more important, he can sound like Jim Loessberg.
He is also my pal and is one of the greats that sadly, not many people know.
AUTHORIZED George L's, Goodrich, Telonics and Peavey Dealer: I have 2 steels and several amps. My current rig of choice is 1993 Emmons LeGrande w/ 108 pups (Jack Strayhorn built for me), Goodrich OMNI Volume Pedal, George L's cables, Goodrich Baby Bloomer and Peavey Nashville 112. Can't get much sweeter.
- Lee Gillespie
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Loessberg
What cought my ear was the voice of Ray at eighty something years old. Sound almost as good as his younger days.. AND 4 Fiddles.....WOW... Lee
- Tony Prior
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Nice Herb thx for posting. I am able to catch Jim on the TV show TRU Country weekly. Release me with Ray is really nice.
Emmons L-II , Fender Telecasters, B-Benders
Pro Tools 8 and Pro Tools 12
jobless- but not homeless- now retired 8 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
Pro Tools 8 and Pro Tools 12
jobless- but not homeless- now retired 8 years
CURRENT MUSIC TRACKS AT > https://tprior2241.wixsite.com/website
- Larry Lenhart
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Very tasteful indeed ! Wonderful touch to produce great tone.
Zum Encore, Pedalmaster D10, Remington D8 non pedal, Hallmark Mosrite clone, Gretsch 6120 DSW, 1976 Ibanez, Eastman archtop, Taylor Dreadnaught, Telonics pedal, Squire Tele, Squire Strat, Fender Tonemaster, Gold Tone 5 string banjo, Little Wonder tenor banjo, Boss Kamatra 100, 3 Roland cubes 30s and 80, Carvin combo bass amp
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from start to finishing
Thanks Herb..for all of it. I needed that.
- Lee Baucum
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I think Jim uses a Nashville a lot, but on this show it was a Standel custom xv. I heard this show on the radio when it happened and asked Jim about what he was using because it sounded so good. He said it was one solid state Custom XV along with an earlier hybrid tube/solid state, Imperial combo I think.
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Jim's playing certainly tugs at my heart-strings. I refuse to leave the TSGA Jamboree until Jim's final set is over. With me, he rings the same bells as did Buddy Emmons. Thanks Herb for posting. I had to replay it several times before I could return to the forum even though I had played it before dozens of time.
D10 Emmons LeGrande SKH (rebuilt by Billy Knowles), D10 Emmons Push/Pull (setup by Billy Knowles) , SD10 Rittenberry
- Bill Cunningham
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In the comments on YouTube some guy said, "Great steel player. He could pass as a professor or perhaps a GM vice president."
YES, Professor Loessberg.
Great player, nicer guy. Amazing to me how he goes from this to some of the cleanest melodic single string jazz licks played. Right up there with Buddy I'd say.
I have been honored to play bass with him on some of the shows. AND, He knows the best Mexican restaurants in his town too. Wish I could get there more often.
YES, Professor Loessberg.
Great player, nicer guy. Amazing to me how he goes from this to some of the cleanest melodic single string jazz licks played. Right up there with Buddy I'd say.
I have been honored to play bass with him on some of the shows. AND, He knows the best Mexican restaurants in his town too. Wish I could get there more often.
Bill Cunningham
Atlanta, GA
Atlanta, GA
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Thank you, my good friend Herb, for posting the clip and thanks to everyone for the nice words. The amp is a Standel Custom, which is a hybrid of tube power and solid-state EQ, without reverb, that preceded the Super Custom XV. I think the amplifier is a 1963 model.
It is a very low-power amp and except for the recording studio, Ray's gig was the only one I could use it on for a live performance since Ray played very quiet. (Inside band joke: "Ray says he knows you're too loud because he can hear you!")
For all other live gigs I use a stock Nashville 400. I also own a Super Custom XV, but I prefer the sound of the hybrid. The Super Custom XV doesn't have enough power for most live situations either.
Best wishes,
Jim
It is a very low-power amp and except for the recording studio, Ray's gig was the only one I could use it on for a live performance since Ray played very quiet. (Inside band joke: "Ray says he knows you're too loud because he can hear you!")
For all other live gigs I use a stock Nashville 400. I also own a Super Custom XV, but I prefer the sound of the hybrid. The Super Custom XV doesn't have enough power for most live situations either.
Best wishes,
Jim
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