How to get that triplet (rake) sound?
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- Tim Russell
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- Location: Pennsylvania, USA
How to get that triplet (rake) sound?
I've always referred to this lick as a "triplet", however I'm not sure if that is the correct term for it or not.
I was watching a Gene O'Neil clip and he throws a couple of them in this song, one at 1:22, and one at 1:49. Listen closely, he does them quick.
https://www.youtube.com/watch?v=vroXlv9gXTI
I've heard many players do them over the years, Lloyd, Buddy, Weldon, and others.
First of all, what is the correct term for the lick?
Second, how do you do it?!?
Other than rolling the thumb & fingers in a quick movement, I don't know how they get that unique sound with this lick.
Despite many years of playing, I've never been able to duplicate the lick - and back in the day, I had pretty fast fingers, lol.
Any tips?
I was watching a Gene O'Neil clip and he throws a couple of them in this song, one at 1:22, and one at 1:49. Listen closely, he does them quick.
https://www.youtube.com/watch?v=vroXlv9gXTI
I've heard many players do them over the years, Lloyd, Buddy, Weldon, and others.
First of all, what is the correct term for the lick?
Second, how do you do it?!?
Other than rolling the thumb & fingers in a quick movement, I don't know how they get that unique sound with this lick.
Despite many years of playing, I've never been able to duplicate the lick - and back in the day, I had pretty fast fingers, lol.
Any tips?
Last edited by Tim Russell on 20 May 2015 4:44 pm, edited 1 time in total.
Sierra Crown D-10
- Dick Sexton
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Commonly called...
I know that technique as a rake. The first two at about 1:22 are forward rakes using the thumb, two notes, two strings. The one at about 1:49, is a reverse rake using the back of the thumb pick, pulling it back across the strings. Gene O'Neal was a killer player...
I believe these are triplets...
[tab]
4__________________________________________________
5__3___3__3A____3A__5A____5A__8___8__10____10--10A_
6____3_______3B________5B_______8_______10-----10B_
7__________________________________________________
[/tab]
I believe these are triplets...
[tab]
4__________________________________________________
5__3___3__3A____3A__5A____5A__8___8__10____10--10A_
6____3_______3B________5B_______8_______10-----10B_
7__________________________________________________
[/tab]
- Larry Bressington
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Another way to to do those rakes is, to use the thumb forward and drag fingers one and two towards you. Thumb then middle finger then index finger. 'Most' rakes are done with string's grouped, such as 7,6,5 or 4,5,6 etc, etc.
It looks like Gene is keeping his index finger out of the mix for most of that, so he maybe doing thumb and middle finger only and doing drags, who knows. It can be done many ways depending on your dexterity.
It looks like Gene is keeping his index finger out of the mix for most of that, so he maybe doing thumb and middle finger only and doing drags, who knows. It can be done many ways depending on your dexterity.
A.K.A Chappy.
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Cage uses one as the intro here:
https://www.youtube.com/watch?v=tVrkBB6kj_0
https://www.youtube.com/watch?v=tVrkBB6kj_0
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- Henry Matthews
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Gene O'Neal was a true master. I was a t St. Louis that year and everyone was trying to figure out how he does that Funky Monkey thing. Jimmy Crawford got close but have never heard anyone else play til yet.
I use that type rake quite often but I do it like Dick says, start with thumb on one string and rake backwards with finger. It's a technique that just came natural and I've never tried to learn it.
I use it a bunch in this tune, not near as good as Gene though,
https://www.youtube.com/watch?v=1Uc7_wd9Fjc
I use that type rake quite often but I do it like Dick says, start with thumb on one string and rake backwards with finger. It's a technique that just came natural and I've never tried to learn it.
I use it a bunch in this tune, not near as good as Gene though,
https://www.youtube.com/watch?v=1Uc7_wd9Fjc
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
- Tim Russell
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Thanks guys!
After I thought about it and with your descriptions, it makes sense now. It is very similar to "sweep picking" that rockers use on electric guitars.
I guess I've attempted that rake over the years, but since it didn't come easy for me, I moved on to other things. I'll have to work on that one, as it is a very cool lick and I've always liked the sound of it.
It's what separates the men from the boys, I guess...
After I thought about it and with your descriptions, it makes sense now. It is very similar to "sweep picking" that rockers use on electric guitars.
I guess I've attempted that rake over the years, but since it didn't come easy for me, I moved on to other things. I'll have to work on that one, as it is a very cool lick and I've always liked the sound of it.
It's what separates the men from the boys, I guess...
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That is some great playing Henry, and I would say you got that raking move down.Henry Matthews wrote:Gene O'Neal was a true master. I was a t St. Louis that year and everyone was trying to figure out how he does that Funky Monkey thing. Jimmy Crawford got close but have never heard anyone else play til yet.
I use that type rake quite often but I do it like Dick says, start with thumb on one string and rake backwards with finger. It's a technique that just came natural and I've never tried to learn it.
I use it a bunch in this tune, not near as good as Gene though,
https://www.youtube.com/watch?v=1Uc7_wd9Fjc
- Steve Schmidt
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- Tim Russell
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Henry,
You're raking that with the index finger aren't you? You do make it look easy...
You're raking that with the index finger aren't you? You do make it look easy...
Last edited by Tim Russell on 19 May 2015 7:07 pm, edited 1 time in total.
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- Richard Sinkler
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- Henry Matthews
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Thanks guys and yes, I use my index finger and then usually pick melody line with thumb right after rake.
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
- Tim Russell
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Just wanted to weigh in on this after I had a chance to put these tips to the test this morning. As with any new lick, I need a bit of practice to make it "perfect", but I can nail it pretty good 3.5 out of 5 times without it being too sloppy.
Richard, (others, but I mention Richard since he brought this up;
I'm finding that I can really get a pronounced, clean "staccato" attack sound by using my thumb & raking back sort of forcefully over the strings.
I tend to curl my index finger and place it against the flat of my thumb pick to assist in not pulling the thumb pick off, then sort of tilting my thumb back at a slight angle and raking 3 or 4 strings. I'm getting the best sound from that, moreso than from using my fingers, at this point anyway.
Just thought I would mention that technique I am using in case anyone else might want to try it.
Again, thanks to all for the pointers.
Richard, (others, but I mention Richard since he brought this up;
I'm finding that I can really get a pronounced, clean "staccato" attack sound by using my thumb & raking back sort of forcefully over the strings.
I tend to curl my index finger and place it against the flat of my thumb pick to assist in not pulling the thumb pick off, then sort of tilting my thumb back at a slight angle and raking 3 or 4 strings. I'm getting the best sound from that, moreso than from using my fingers, at this point anyway.
Just thought I would mention that technique I am using in case anyone else might want to try it.
Again, thanks to all for the pointers.
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- Richard Sinkler
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- Henry Matthews
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Thanks guys, here's a couple more. I think sometimes I over do the triplet thing.
https://www.youtube.com/watch?v=bpdxzFXFLHY
https://www.youtube.com/watch?v=7Anp0wD1iEM
Richard K., I sent you an Email
https://www.youtube.com/watch?v=bpdxzFXFLHY
https://www.youtube.com/watch?v=7Anp0wD1iEM
Richard K., I sent you an Email
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.