Lap Steel Bow in Body
Moderator: Brad Bechtel
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Lap Steel Bow in Body
I have a Rickenbacker S100 lap steel the fake granite look model. I noticed it has a bow in the body, something that a neck truss rod would correct on a guitar. Are there any issues this might cause? I'm thinking scale length/intonation. jc
- Brad Bechtel
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Without photos to show how bad the bowing is, I'd say there's little likelihood that it would affect the guitar's playability.
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A web site devoted to acoustic & electric lap steel guitars
A web site devoted to acoustic & electric lap steel guitars
- Alan Brookes
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They don't put truss rods in lap steels for the simple reason that distortion of the body over time makes no difference whatsoever to the sound or playability. Truss rods in fretted string instruments are to compensate for the strings becoming too high above the fretboard, but in an instrument played with a tone bar you want the strings to be high above the fretboard.
It has been suggested that the origin of Hawaiian guitar playing was badly-warped guitars which you couldn't play with your fingers against the frets, so someone improvised with a knife handle. Indeed, I remember someone turning up at a jam session with a mandolin in that condition and I played it with a tone bar.
http://picosong.com/9ynZ
Check out the recording above from 1965. Not my greatest playing, but it was nearly 50 years ago.
It has been suggested that the origin of Hawaiian guitar playing was badly-warped guitars which you couldn't play with your fingers against the frets, so someone improvised with a knife handle. Indeed, I remember someone turning up at a jam session with a mandolin in that condition and I played it with a tone bar.
http://picosong.com/9ynZ
Check out the recording above from 1965. Not my greatest playing, but it was nearly 50 years ago.
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Re: Lap Steel Bow in Body
Perfect for playing 'slide'.Jon Coleman wrote:I noticed it has a bow in the body, something that a neck truss rod would correct on a guitar.
- Dennis Detweiler
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Someone needs to make a double neck lap steel, but put the other neck on the other side of the guitar!
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
- Alan Brookes
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