How many Emmons Players do we have?
Moderator: Shoshanah Marohn
How many Emmons Players do we have?
Just wanted to take a quick poll to see how many of you on the Forum play the best Steel Guitars in the world. Of course I'm talking about Emmons Guitars. Whether you play a new Lashley LeGrande III with everything on it or an old P/P with black wood necks & no knee levers. . . .tell us whatcha got and how sweet it is. I'll post & boast about my (4) Emmonses a little later as the thread develops.
Nick
Nick
Lashley LeGrande D-10 with 9 and 9. It was one of the first Lashley LeGrandes before the terms II and III were coined. It came with all 4 hole bellcranks. I soon replaced them all with 14 hole bellcranks.
And of course it is black mica
But I have not played it in over 3 yrs since I got my Excel SuperB U-12. I would say it is one of the newest unused old Emmons LeGrande's around.
carl
And of course it is black mica
But I have not played it in over 3 yrs since I got my Excel SuperB U-12. I would say it is one of the newest unused old Emmons LeGrande's around.
carl
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Nick, I can't resist this one. Here goes.
1. 2000 LeGrande III, black mica 8+7 plays as soft as any guitar I ever played and sounds great.
2. 1996 Blue Lacquer Birdseye Maple LeGrande II D10, 8+9. Beautiful in every way including tone.
3. 1995 LeGrande II (w/LeGrande decal)D10,8+8 Mauve (plum burgandy) Love this one.
4. 1981 black mica push pull D10, 8+5 built for me by Bryan Adams new. Out of this world tone.
5. 1977 Red lacquer D10 8+5. Wood necks. A rare beauty. Recently sold to TS McDonald, he is letting me have it back.
6. 1967 black mica D10 8+7. Very near mint and one of my favorites to play. Sounds good, good, good!
7. 1966 D10 black mica bolt-on. 8+4 I am presently rebuilding it.
8. 1966 D10 black mica bolt-on, 8+1 I am presently rebuilding it also.
Jerry<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jerry Roller on 20 October 2003 at 07:28 AM.]</p></FONT>
1. 2000 LeGrande III, black mica 8+7 plays as soft as any guitar I ever played and sounds great.
2. 1996 Blue Lacquer Birdseye Maple LeGrande II D10, 8+9. Beautiful in every way including tone.
3. 1995 LeGrande II (w/LeGrande decal)D10,8+8 Mauve (plum burgandy) Love this one.
4. 1981 black mica push pull D10, 8+5 built for me by Bryan Adams new. Out of this world tone.
5. 1977 Red lacquer D10 8+5. Wood necks. A rare beauty. Recently sold to TS McDonald, he is letting me have it back.
6. 1967 black mica D10 8+7. Very near mint and one of my favorites to play. Sounds good, good, good!
7. 1966 D10 black mica bolt-on. 8+4 I am presently rebuilding it.
8. 1966 D10 black mica bolt-on, 8+1 I am presently rebuilding it also.
Jerry<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jerry Roller on 20 October 2003 at 07:28 AM.]</p></FONT>
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I have an '80s red S12 p/p that I am converting from E9 extended to universal. I'm hoping to make it my main instrument for playing live country and alt country. With a good single coil pickup, these things honk like nothing else ever made. And when they are adjusted right they have easy action with a very solid feel. Mine has a vintage '60s-'70s look and sound that I love. As soon as I figure out exactly what copedent I want, I'm going to send it to someone to complete the conversion.
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Right now I have 12/66 Bolt-on 1090D with black mica. I also have a parts-o-Emmons I made for my eight year old that is a black D10 with everything from Wraparound parts to those for the last PPs -- sort of like Johnny Cash's "One Piece At a Time." Right now it has a red belly (not original) and a wood neck on the C6 and aluminum on the E9. When i get a chance I will put an aluminum neck back on the C.
I used to own 1969 1280D and also Tommy White's Opry Stage D10 which was a late black mica with the 1970s-style pedals that I think were made for single necks because they were shorter than normal.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Chris Lucker on 19 October 2003 at 11:35 PM.]</p></FONT>
I used to own 1969 1280D and also Tommy White's Opry Stage D10 which was a late black mica with the 1970s-style pedals that I think were made for single necks because they were shorter than normal.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Chris Lucker on 19 October 2003 at 11:35 PM.]</p></FONT>
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1966 S-10 Push/Pull w/3&4.
1969 D-10 Rosewood "Tank" w/9&7.
1969 Fender Twin w/BW
1975, 1976, 1978 Session 400
1980 Gretsch Nashville Pro Amp w/Altec
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Brad Sarno
Blue Jade Audio Mastering
St. Louis
http://home.earthlink.net/~bradsarno/
1969 D-10 Rosewood "Tank" w/9&7.
1969 Fender Twin w/BW
1975, 1976, 1978 Session 400
1980 Gretsch Nashville Pro Amp w/Altec
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Brad Sarno
Blue Jade Audio Mastering
St. Louis
http://home.earthlink.net/~bradsarno/
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