ZB Pedal Steel Guitars - Please help!
Moderator: Shoshanah Marohn
-
- Posts: 8173
- Joined: 3 Jan 2002 1:01 am
- Location: Buffalo, N.Y.
- Contact:
-
- Posts: 8173
- Joined: 3 Jan 2002 1:01 am
- Location: Buffalo, N.Y.
- Contact:
Well ... # 1035 ... could use a bit more work. But it does have 6 KLS and is just a tad overpriced.
http://atlanta.craigslist.org/eat/msg/4100420379.html
http://atlanta.craigslist.org/eat/msg/4100420379.html
-
- Posts: 8173
- Joined: 3 Jan 2002 1:01 am
- Location: Buffalo, N.Y.
- Contact:
"hand made by the man who invented the pedal steel". Someones smoking their socks. This guitar was originally issued to Don Edwards in June 66. Because of the mutilation of the guitar (block in front) and the condition of the finish this guitar is in the $500 price range. A looooong way from the $3900 being asked. ZB's are THE most abused guitar that I've ever seen. It's really a shame what happens to them. Thank goodness a number of them have been restored.
-
- Posts: 591
- Joined: 1 Mar 2000 1:01 am
-
- Posts: 8173
- Joined: 3 Jan 2002 1:01 am
- Location: Buffalo, N.Y.
- Contact:
- Henry Matthews
- Posts: 3974
- Joined: 7 Mar 2002 1:01 am
- Location: Texarkana, Ark USA
It never ceases to amaze me at the things that people can do to steel guitars and other instruments also. Wander what the block on front is for. Looks like a music holder.
We had a guy here in town paint a 66 Emmons D-10 mica guitar with a paint brush and painted it bright purple.
We had a guy here in town paint a 66 Emmons D-10 mica guitar with a paint brush and painted it bright purple.
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
-
- Posts: 34
- Joined: 4 Oct 2010 8:28 am
- Location: New York, USA
Hi All,
I've been going through this thread and learning a great deal, all while playing #1008 daily and loving it.
I feel I've got a pretty good handle on the mechanics now, but I wanted to make sure I understood a couple things before I start bringing it up to spec. I've been studying the photo's of of everybody's changers and it looks like mine is significantly different:
It's way shorter than others posted here, and there's no means to adjust the spring tension. Then there's this:
This is what I've got instead of the spoke-ended rods. As pictured, the left side connects to the pull rod, the hook engages the changer, and the right side extends to the end-plate and the tuner.
Another possible difference is the thread size: mine seem to be at 6-32, while others here have written about 5-40 or 6-40.
Also, none of the turnbuckles (old or new) are actually turnbuckles.
So, I guess my question is whether this steel is just a much different design, and to work on it I'm going to have to figure out what Mr. Beck intended; or if this steel's just been lead astray, so to speak, in set-up and maintenance.
All ideas welcomed. It's an incredible instrument already, I just want to bring it closer to what it can be at its best.
Thanks,
Matt
I've been going through this thread and learning a great deal, all while playing #1008 daily and loving it.
I feel I've got a pretty good handle on the mechanics now, but I wanted to make sure I understood a couple things before I start bringing it up to spec. I've been studying the photo's of of everybody's changers and it looks like mine is significantly different:
It's way shorter than others posted here, and there's no means to adjust the spring tension. Then there's this:
This is what I've got instead of the spoke-ended rods. As pictured, the left side connects to the pull rod, the hook engages the changer, and the right side extends to the end-plate and the tuner.
Another possible difference is the thread size: mine seem to be at 6-32, while others here have written about 5-40 or 6-40.
Also, none of the turnbuckles (old or new) are actually turnbuckles.
So, I guess my question is whether this steel is just a much different design, and to work on it I'm going to have to figure out what Mr. Beck intended; or if this steel's just been lead astray, so to speak, in set-up and maintenance.
All ideas welcomed. It's an incredible instrument already, I just want to bring it closer to what it can be at its best.
Thanks,
Matt
-
- Posts: 8173
- Joined: 3 Jan 2002 1:01 am
- Location: Buffalo, N.Y.
- Contact:
-
- Posts: 34
- Joined: 4 Oct 2010 8:28 am
- Location: New York, USA
Thanks Kevin. That what I was thinking, too. Little piece of history, with a lot of music to offer.
I've got a line on a local shop that should be able to fabricate some of those changer hooks ( there's a bunch of C6 pulls missing), and think I've found some hex material I can tap for turnbuckles. Lots to learn.
Does that 6-32 thread sound right to you?
Feel free to ask for photos, measurements, or anything else in the name of ZB scholarship.
Thanks,
Matt
I've got a line on a local shop that should be able to fabricate some of those changer hooks ( there's a bunch of C6 pulls missing), and think I've found some hex material I can tap for turnbuckles. Lots to learn.
Does that 6-32 thread sound right to you?
Feel free to ask for photos, measurements, or anything else in the name of ZB scholarship.
Thanks,
Matt
-
- Posts: 8173
- Joined: 3 Jan 2002 1:01 am
- Location: Buffalo, N.Y.
- Contact:
- Dave Zirbel
- Posts: 4170
- Joined: 4 Aug 1998 11:00 pm
- Location: Sebastopol, CA USA
Picked up a cute single 1969 blonde ZB today (thanks for dumping her b0b). She sounds a little different - a little better -than my redhead(early 70's). What were the design differnces that would cause this. The pickup on the red one has phillips head screws and the blonde has hex. Also maybe the blonde has stainless fingers and maybe the red has aluminum? Just curious!
Dave Zirbel-
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
- John Sassano
- Posts: 46
- Joined: 17 Jun 2013 9:13 pm
- Location: Danville, California, USA
-
- Posts: 591
- Joined: 1 Mar 2000 1:01 am
-
- Posts: 411
- Joined: 25 Nov 2002 1:01 am
- Location: California Central Coast
Tuners
#1060 and 1062 are Klusons.
-
- Posts: 810
- Joined: 16 Aug 2000 12:01 am
- Location: Middleport, Ohio USA
D-10 8+2, NE Oklahoma
No personal interest in this, just throwing it out there for ZB fans and aspiring owners:
http://tulsa.craigslist.org/msg/4576185911.html
(And to reactivate the giant ZB thread.)
http://tulsa.craigslist.org/msg/4576185911.html
(And to reactivate the giant ZB thread.)
"Gopher, Everett?"
Zb custom
Ben, I have a bid on that very same guitar. But I am having reservations as some players are warning me they are a bugger to set up correctly. Got 8 days to go and not sure if I should go for it or let it go. Any opines appreciated before the the final bid.
Carter SD10
Steel Guitar Black Box
Heritage h535
Epiphone viola bass
Steel Guitar Black Box
Heritage h535
Epiphone viola bass
- Dave Zirbel
- Posts: 4170
- Joined: 4 Aug 1998 11:00 pm
- Location: Sebastopol, CA USA
- Dave Zirbel
- Posts: 4170
- Joined: 4 Aug 1998 11:00 pm
- Location: Sebastopol, CA USA
Hi folks. I posted this in another thread but thought i would try here as well.
Has anyone tried or use a .021 plain for G# on their ZB guitar?
Curious how it compares to the .020 and .022 plain regarding the tone. I will most likely try it but welcome any comments and feedback.
My reason for wanting to try it is that I like the bigger sound of a .022 but since I play a ZB, it makes the pulls for the B pedal even trickier to balance than it already is with the .020. I don't want to use a wound 6th string because I prefer the shorter pedal throw with a plain (that would solve the balancing issue).
Thanks
Dave
Has anyone tried or use a .021 plain for G# on their ZB guitar?
Curious how it compares to the .020 and .022 plain regarding the tone. I will most likely try it but welcome any comments and feedback.
My reason for wanting to try it is that I like the bigger sound of a .022 but since I play a ZB, it makes the pulls for the B pedal even trickier to balance than it already is with the .020. I don't want to use a wound 6th string because I prefer the shorter pedal throw with a plain (that would solve the balancing issue).
Thanks
Dave
Dave Zirbel-
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
Scranton D-10 8/4 on eBay. No involvement on my part, but perhaps of interest to someone within driving distance of (or with relatives who owe them a favor in) Florida.
http://www.ebay.com/itm/VINTAGE-ZB-DOUB ... 23411638e3
http://www.ebay.com/itm/VINTAGE-ZB-DOUB ... 23411638e3
"Gopher, Everett?"
- Mike DiAlesandro
- Posts: 1503
- Joined: 8 May 2010 7:36 am
- Location: Kent, Ohio
- Contact:
Got back the one that got away!
My good friend kindly sold this ZB back to me, 5-6 years after he had bought it from me. I am quite happy.
What year do you think it is?
Mike
What year do you think it is?
Mike
LBJ-era ZB
Between '65 and '68. Greg Jones and/or Kevin Hatton will be able to tell you its age to the day.
"Gopher, Everett?"