Issues with my pedal setup...
Moderator: Shoshanah Marohn
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Issues with my pedal setup...
I posted about this a few days ago when I got the thing, but the more I look at this thing, I have zero idea what's going on....
So I bought my first pedal steel off a guy in San Antonio. It's a Fessenden and works like a charm, but his pedal setup is totally weird. At first I thought it was the Jimmy Day setup, but after looking at the knee levers I'm all confused. Does anyone know if this is a standard setup? Regardless, I don't think I should learn on something this weird. So does anyone know someone who does repair work on pedal steels in Houston?
Here's how it's setup currently:
LKL: Lowers the G# (on 6th string) to G & Raises the F# (on 1st string) to G#
LKV: Lowers both Bs to Bb
LKR: Raises both Es to F
RKL: Lowers both Es to Eb
RKR: Lowers both D#s to D then to C#
P1: Raises both Bs to C#
P2: Lowers both G#s to A
P3: Raises the E to F# and the B to C#
Basically, I'd like it setup in the Buddy Emmons E9th style...
So I bought my first pedal steel off a guy in San Antonio. It's a Fessenden and works like a charm, but his pedal setup is totally weird. At first I thought it was the Jimmy Day setup, but after looking at the knee levers I'm all confused. Does anyone know if this is a standard setup? Regardless, I don't think I should learn on something this weird. So does anyone know someone who does repair work on pedal steels in Houston?
Here's how it's setup currently:
LKL: Lowers the G# (on 6th string) to G & Raises the F# (on 1st string) to G#
LKV: Lowers both Bs to Bb
LKR: Raises both Es to F
RKL: Lowers both Es to Eb
RKR: Lowers both D#s to D then to C#
P1: Raises both Bs to C#
P2: Lowers both G#s to A
P3: Raises the E to F# and the B to C#
Basically, I'd like it setup in the Buddy Emmons E9th style...
- Don Poland
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Well... the knees are fine for Day setup, but the pedals are Emmons. It would be awkward to hit the A+F combination (A-pedal plus E-raise) on this guitar: Pedal 1 plus LKR.Looks good to me. LKR is where you want the E>F lever on a Day setup. The E>D# lower can either be on LKL or RKL like you have it. The rest is fine.
So, yes, I think something needs to change -- either pedals or knees -- so they are set to the same system.
- Dave Grafe
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Your pedals are already the Emmons setup
P1: Raises both Bs to C#
P2: Raises both G#s to A
P3: Raises the E to F# and the B to C#
Your levers are the odd bit, and this gets personal, and no doubt will start an argument, but as close to "standard" as exists right now would put...
LKL: Raises both Es to F
LKV: Lowers both Bs to Bb
LKR: Lowers both Es to Eb
RKL: Raises String 1 F# to G# AND Lowers String 6 G# to F#
RKR: Lowers String 2 D# to D with a feel stop, AND THEN Lowers String 2 and String 9 D to C#
There are many variations but this is one of the most common manufacturers 3+5 default copedants.
Buddy Emmons' own setup changed regularly, and a number of them can be found here on the forum via search engine. Here is one version...
P1: Raises both Bs to C#
P2: Raises both G#s to A
P3: Raises the E to F# and the B to C#
Your levers are the odd bit, and this gets personal, and no doubt will start an argument, but as close to "standard" as exists right now would put...
LKL: Raises both Es to F
LKV: Lowers both Bs to Bb
LKR: Lowers both Es to Eb
RKL: Raises String 1 F# to G# AND Lowers String 6 G# to F#
RKR: Lowers String 2 D# to D with a feel stop, AND THEN Lowers String 2 and String 9 D to C#
There are many variations but this is one of the most common manufacturers 3+5 default copedants.
Buddy Emmons' own setup changed regularly, and a number of them can be found here on the forum via search engine. Here is one version...
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psg
Same set up I put on my Excel. Except for, my LKR lowers E's and RKL raises E's. The G# to G on the LKL is used mostly with the 1st pedal. I got that from some of John Hughey's work he did on records years ago. RKR just lowers 2 & 9 a half step each. I wanted the D# to D lower to get some the Hal Rugg licks and speed pickin'. I play a simple set up with just 3 & 4 Emmons pedals. Yep, simple mind here!
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psg
1st & 3rd floor pedals are reversed to either have Emmons set up where 1st pedal raises 5 & 10 to a C# note or if the 1st is raising 4 & 5 and the 3rd pedal is raising 5 & 10 for the Day set up. 2nd pedal stays the same, raising G#'s to A. I played Day for my first 10 years or so and then switched over to Emmons in about 1981. I can play either but I rather play the Emmons set up. I separate Emmons/Day set ups by seeing which pedal is raising 5 & 10.
David, if you have no transcription errors in your post, I'd agree you have an odd duck. I concur with the Bobby Bowman recommendation, and I'd recommend taking Dave Grafe's suggestion.
I have a firm belief that the 2nd and 4th string drops should happen on different knees, see this video for why https://www.youtube.com/watch?v=EdfmMfzvcI4
I have a firm belief that the 2nd and 4th string drops should happen on different knees, see this video for why https://www.youtube.com/watch?v=EdfmMfzvcI4
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects