Who invented the Emmons volume pedal?

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Jack Hanson
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Who invented the Emmons volume pedal?

Post by Jack Hanson »

No doubt this has been covered here previously, however a quick search did not reveal the answer. Was it Buddy? Ron? or somebody else? Was it ever patented? Just curious…

Cass probably knows. And Ernie in Brainerd.
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chris ivey
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Post by chris ivey »

buddy has said that one of his original concepts with the emmons steel was to have a volume pedal that attached to the pedal rack so you could move them across the room together.
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Post by Herb Steiner »

The concept certainly belongs to Buddy, if not the specific design.
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Post by Jack Strayhorn »

A difference between concept and working design.
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Post by Jack Strayhorn »

In any concept or design, does concept mean mere mention of an idea or any working drawings or models?
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chris ivey
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Post by chris ivey »

we get that, jack. so who made the first aluminum framed pedal for the emmons?.... you?... ron, sr?
i would guess ron.

then they changed from the drop pin model to the fixed pin model. ron again, with buddy's idea?

what was the original 'string' made out of?

was buddy smart enough to wind the string in the correct direction the first time he had to change one?

did buddy ever have a steel guitar tech on the road? or did he just take care of his own business as most people have to?
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chris ivey
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Post by chris ivey »

supposedly, buddy had working drawings of the first emmons', but things may have changed some in ron's fabrication.
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Post by Herb Steiner »

Jack Strayhorn wrote:In any concept or design, does concept mean mere mention of an idea or any working drawings or models?
Good question, Jack. To me "concept" would refer to identification of a problem and offering a solution; in this case, dealing with an outboard volume pedal is a PITA, and attaching it to the pedal board is the solution.

The "design" is how to achieve the solution by a creating something that works. I think Big Ron came up with some great and historic designs, fer sure, and that could easily be one of his.
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Post by Donny Hinson »

Herb Steiner wrote:The concept certainly belongs to Buddy, if not the specific design.
I concur. I also believe that Buddy once mentioned the "tilt legs" were his idea, too.

As to what was used as the first "string" on the volume pedal, I'm going to take a wild guess...and say that it was very likely... a piece of string! :lol:

I own one, of course, but I'm not a fan of the design as everything is far too "exposed" to dirt, damage, and the elements.
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Gary Lee Gimble
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Post by Gary Lee Gimble »

a piece of string!
same piece Dave Easley used....
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chris ivey
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Post by chris ivey »

he had to use it easily so it wouldn't break.
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Lynn Stafford
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Dave Easley...

Post by Lynn Stafford »

Gary Lee Gimble wrote:
a piece of string!
same piece Dave Easley used....

Image

Jack, I'm sorry about hijacking your post, but I couldn't resist sharing this photo I took of Dave in '08 in St. Louis in the Jazz Room.
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Gary Lee Gimble
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Post by Gary Lee Gimble »

2008 indeed, I was front and center to witness said string. And guess what Chris, he wasn't playN any L R diity either... :lol: :lol: I couldn't resist...oh, i'd like to extend one hijacked thread apology as well...but, strings are strings as you can clearly see
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chris ivey
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Post by chris ivey »

that picture illustrates some fine uglification of a nice emmons.
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Gary Lee Gimble
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Post by Gary Lee Gimble »

"fine" as it may be....for sure thou, not a hindrance to his picN expertise
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Post by Jim Pitman »

I never new "tilt legs" were Emmons Idea, Donny. I learned something new today. I always thought those Bigsby straight legs were ugly as sin. Tilt legs also spread the load out I suppose.
Interesting concerning the attached Emmons pedal - Budy in his early days used to place the pedal outside the legs ironically I notice in a few photos from the fifties.
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Post by MIchael Bean »

What's the story behind Dave Easley's string?
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Gary Lee Gimble
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Post by Gary Lee Gimble »

Michael, innovative technology, cutting edge
Chris Lucker
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Post by Chris Lucker »

Jim Pitman wrote:I never new "tilt legs" were Emmons Idea, Donny. I learned something new today. I always thought those Bigsby straight legs were ugly as sin. .
Bigsbys had angled or tilted legs on the cabinets that were narrow. But on a wider cabinet, such as a triple or quad, angling the front legs would place the pedals farther away from the player -- especially one standing or sitting on a high bar stool. Also, angling the legs of a triple or a quad just makes the footprint unnecessarily broad.

Bigsby had tilted" legs before Buddy Emmons (Buddie, actually) worked with Shot Jackson to make the first Sho-Buds, and DALAND had some angled legs in August 1954 -- those were made by Don Davis, Sugarfoot Garland and Shot Jackson. I have a photo somewhere of Buddie Emmons sitting behind his Bigsby and next to him is a DALAND with its spread legs.
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Post by Mitch Ellis »

chris ivey wrote:that picture illustrates some fine uglification of a nice emmons.
I certainly agree.

Mitch
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Mule Ferguson
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Post by Mule Ferguson »

Legs?, What Legs? :mrgreen:


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Post by Jim Pitman »

Ay yes, the console.
If that steel were to be played on that show Mad Men it would have a drink bar setup underneath. Plumb it up and plug it in.
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Post by Herb Steiner »

Pete Martinez told me he had a D-8, one that PAB built soon after Joaquin's console, that the case became the support system, like Travis' guitar.

Sadly, that guitar was stolen about 20 years ago and Pete lost all interest in playing steel, even though he had Fenders to use if he wanted to.
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Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Post by Chris Lucker »

Here is the photo of Buddie Emmons sitting behind his Bigsby and next to the 1954 DALAND with tilted or splayed legs.

Do you think Emmons had the same reaction to what was sitting next to him as Sophia Loren had sitting next to Jane Mansfield?

Image

Image
Chris Lucker
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Stuart Legg
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Post by Stuart Legg »

How lucky was Buddy to have a dad that had the same last name as a famous Pedal Steel Guitar.
If it had not been for that none of us would even know who Buddy was.
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