The Steel Guitar Forum Store 

Post new topic Comparison - Lace Alumitone and George L pickup
Goto page 1, 2  Next
Reply to topic
Author Topic:  Comparison - Lace Alumitone and George L pickup
Nick Waugh


From:
United Kingdom
Post  Posted 2 Jun 2013 6:27 am    
Reply with quote

Hi All

This is my first post since joining the forum. I have been reading about the Lace tone bar pickup for pedal steel and I need some advice. I have a carter DB10 that I purchased about 5 years ago. The pick up is a Greorge L and I don't have any major complaints about it. However, the Lace pickup sounds like it might improve the tone of my steel. The testimonials say that there is a superior separation of each note when you play a chord and the cleanest, truest sound of any pickup.

My question is, is this pick up superior to a Greorge L? Or is it just different. If it is just different, what is the difference. I want to improve my sound.

I welcome your advice

Warm regards


Nick
View user's profile Send private message Send e-mail

Jon Light (deceased)


From:
Saugerties, NY
Post  Posted 2 Jun 2013 6:48 am    
Reply with quote

In a playing field of professional quality pickups which both of these are, there is no better of worse. Only different. A good player will make any of these pickups work for them. The choice of pickups at that level is just a matter of sonic preference.
A player still trying to develop touch and tone will not benefit much by changing pickups (assuming the pickup is in proper working condition).
View user's profile Send private message Visit poster's website

chris ivey


From:
california (deceased)
Post  Posted 2 Jun 2013 6:53 am    
Reply with quote

this ongoing question can best be answered by the question, 'what did paul f. or buddy e. or john h. use'?
answer: talent! practice! once you reach their class of expertise you may want to experiment some if you're still not satisfied.
View user's profile Send private message

Howard Parker


From:
Maryland
Post  Posted 2 Jun 2013 7:26 am    
Reply with quote

From the duplicated thread:

Howard Parker wrote:
My BCT era Carter D-10. My right hand.

The Lace gave the E9 neck more "bite", especially above the 15th fret. More of an Emmons single coil quality.

That was the effect I was desiring.

That may/may not be better for you.


-and-

Howard Parker wrote:
What does "improve" mean to you?


Just for the sake of completeness. Very Happy
View user's profile Send private message Send e-mail Visit poster's website

Jack Stoner


From:
Kansas City, MO
Post  Posted 2 Jun 2013 7:32 am    
Reply with quote

I have a friend that had a Weenik steel custom built. He intended to use a Lace pickup on it but after trying the Lace it was rejected and he wound up with a George L's E-66 and very happy.
View user's profile Send private message Send e-mail

Howard Parker


From:
Maryland
Post  Posted 2 Jun 2013 7:37 am    
Reply with quote

Jack Stoner wrote:
I have a friend that had a Weenik steel custom built. He intended to use a Lace pickup on it but after trying the Lace it was rejected and he wound up with a George L's E-66 and very happy.


Jack,

Any idea how he based the decision?
View user's profile Send private message Send e-mail Visit poster's website

Richard Sinkler


From:
aka: Rusty Strings -- Missoula, Montana
Post  Posted 2 Jun 2013 8:06 am    
Reply with quote

Howard Parker wrote:
Jack Stoner wrote:
I have a friend that had a Weenik steel custom built. He intended to use a Lace pickup on it but after trying the Lace it was rejected and he wound up with a George L's E-66 and very happy.


Jack,

Any idea how he based the decision?


My guess would be that he used his ears. The George L was probably closer to the sound he had in his head that he was trying to find.
_________________
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 55 years and still counting.
View user's profile Send private message Send e-mail

Howard Parker


From:
Maryland
Post  Posted 2 Jun 2013 8:08 am    
Reply with quote

Quote:
My guess would be that he used his ears.


I'm glad he didn't use some other organ... Laughing

h
View user's profile Send private message Send e-mail Visit poster's website

Lane Gray


From:
Topeka, KS
Post  Posted 2 Jun 2013 8:54 am    
Reply with quote

I'd second what Jon said, without reservation.
George L doesn't make a bad pickup, even though you didn't specify which one you have.


As you're still in the early stages, any pickup will do splendidly, and you wouldn't hear a noticeable improvement if you spent all afternoon in Dave Hartley's basement.

And you have a good one there. Get started making noise with your right hand, it'll find your tone after awhile.
I know if I'd thrown money at pickups in my first couple years, I'd have just had poor tone with better string separation.
_________________
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects


Last edited by Lane Gray on 2 Jun 2013 9:02 am; edited 1 time in total
View user's profile Send private message Send e-mail Yahoo Messenger

Jack Stoner


From:
Kansas City, MO
Post  Posted 2 Jun 2013 9:01 am    
Reply with quote

I don't remember exactly what the reason was, maybe Don Sulesky can respond since it was his guitar. But, they tried various spacing between the pickup and the strings and could not come up with what was considered a "good sound". Don has two other guitars, a Sho-Bud with stock pickups and an Emmons Legrande II with Lawrence 710 pickups, for comparison.
View user's profile Send private message Send e-mail

David Nugent

 

From:
Gum Spring, Va.
Post  Posted 2 Jun 2013 12:07 pm    
Reply with quote

The Carter website featured a pickup comparison to enable you to physically hear Carter guitars with most of the major pickup brands and models installed. I believe the Alumitone was included in that comparison. You might try contacting Al Brisco at 'Steel Guitar Canada' (he purchased the remaining Carter inventory when production of Carter guitars ceased) to determine if this may still be available.
View user's profile Send private message

mike nolan


From:
Forest Hills, NY USA
Post  Posted 2 Jun 2013 3:14 pm    
Reply with quote

Which GeorgeL? I like some of them, but never did like the E 66. I like the Alumitone in 12 string guitars, but not so much in 10 stringers. I have put the same pickup in identical S-10 Sho~Bud S 10s that I had at one time, liked the pickup in one guitar, didn't like it in the other.... it is a complex and slippery slope.

If you are not super unhappy with the sound of your guitar right now, just play it, and leave the pickup swapping for later.
View user's profile Send private message Send e-mail Visit poster's website

Len Amaral

 

From:
Rehoboth,MA 02769
Post  Posted 2 Jun 2013 9:23 pm    
Reply with quote

I'll second or third what Mr. Light said. In fact, I'll attempt to go a bit further and ask you to find a topic or post called "Buddy Emmons on Tone" It's basically a 4 headed monster and I'll paraphrase:

The signature tone starts with your hands. Then the voicing of the guitar itself, then the pickup then the off board gear, amps, speakers and effects.

So if you are just starting out, a pickup is a bit down on the list. I agree, the pickup won't matter until you are a bit seasoned in the basics.

Now I will contradict myself! If you want to try a different pickup just to see what it sounds like and you can afford to take a chance then go ahead. I have changed a lot of pickups over the past and the same pickup did not sound the same in a different guitar. Go figure? However, on the Telonics website I believe there is a nifty way of changing a pickup without removing the strings. Pretty cool.

I have a D-12 MSA Super Slide with a G13 neck and the Alumatone (brite with a bite) and the C6 neck I have a George L EON (fuller and a jazz vibe) Now the MSA has a volume and Tone control so throw that into the mix for more tonal shaping.

Sorry for the rant but waiting for the meds to kick in...*L*
View user's profile Send private message Send e-mail

Don Sulesky


From:
Citrus County, FL, Orig. from MA & NH
Post  Posted 3 Jun 2013 6:48 am    
Reply with quote

To answer your question on the choice of pickup.
After trying a "True Tone" which had too many mid, muddy overtones, we tried the "Lace" which didn't work.
I was looking for a tone somewhere between my ShoBud SuperPro and my Emmons LeGrande II because we designed the Weenick around those two steels with several modifications.
The body of the steel was made out of a special order Tiger Maple 3/4" thick. So there is plenty of mass to the body of the steel.
The Geo L, E-66 seemed to be the best choice as it worked out.
Yes, I did use my ears. Very Happy Laughing
Don
_________________
Private one on one lessons available
Member: FSGC, PSGA, TSGA
Co-founder: Florida Steel Guitar Club

"Steel guitar is like playing chess in the dark with three players". Jeff Newman quote from 1997 seminar
View user's profile Send private message Send e-mail

Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 3 Jun 2013 7:45 am     Re: Comparison - Lace Alumitone and George L pickup
Reply with quote

Nick Waugh wrote:
Hi All

...the Lace pickup sounds like it might improve the tone of my steel. The testimonials say that there is a superior separation of each note when you play a chord and the cleanest, truest sound of any pickup.


Those who use and like this pickup will, of course, say that. Those who don't will not. Whenever you look at "testimonials", it's important to look not only at the comments of those in favor, but also at the comments of those who do not favor a certain piece of equipment.

And this goes for anything. Winking
View user's profile Send private message Send e-mail

Bill Moore


From:
Manchester, Michigan
Post  Posted 3 Jun 2013 7:47 am    
Reply with quote

I haven't tried the Alumitone in a Carter, but I did put one on a Rittenberry. I felt that it had a kind of "sterile" sound to it. Now I'm using a George L PF-1 on that guitar and I'm happy with it. On Carter guitars, I've tried several pickups, I have a Carter S-10 right now, with a George L 10-1 on it. I'm very happy with that. Just what works for me.
View user's profile Send private message Send e-mail

Nick Waugh


From:
United Kingdom
Post  Posted 9 Jun 2013 1:16 am     Thanks for all your responses
Reply with quote

Thank you for all your replies. It has been really helpful. After having read all of your advice, I have decided to stay with the pickup I have.

I do struggle to get tone. I find that when I'm using the lower strings, or playing the 5 and 8 strings together, I get great tone. However, if I'm playing the 4 and 5 strings together or playing single notes on the top strings, it does sound thin. I originally used an Ernie Ball volume pedal - when I changed this for a Hilton, the tone improved hugely. However, I am not satisfied with the thin sound I get from the top strings. Is this caused by my right hand technique?
View user's profile Send private message Send e-mail

Craig Baker


From:
Eatonton, Georgia, USA - R.I.P.
Post  Posted 9 Jun 2013 1:54 am     Thin Sound
Reply with quote

Hi Nick,
Wonder what string guages you're using. Sid Hudson over at Live Steel Strings suggested an 011 or even an 012 for the third string, and try larger guages for the remaining un-wound strings. The result was a noticeably more powerful sound in the top strings. Hope this suggestion helps.

Best regards,
Craig Baker

706-485-8792
cmbakerelectronics@gmail.com

C.M. Baker Electronics
P.O. Box 3965
Eatonton, GA 31024
View user's profile Send private message Send e-mail

Nick Waugh


From:
United Kingdom
Post  Posted 9 Jun 2013 3:07 am    
Reply with quote

What about using Nickel wound strings - I understand these are not so bright and perhaps warmer in tone?
View user's profile Send private message Send e-mail

Jerry Overstreet


From:
Louisville Ky
Post  Posted 9 Jun 2013 3:46 am    
Reply with quote

Unless you are using a wound string on position #6, only strings 7-10 of the E9th tuning are wound, so the plain strings you're referencing would not be affected by changing alloys. The lower wound strings would probably be a bit mellower with nickel v. stainless, yes.

As to pickups designs, as you can see, almost everyone has a different opinion. The only way for you to tell what will work on your guitar is to try it yourself.

That's what the rest of us have to do. Winking

In my experience, the Lace pickup has a more evenly balanced tone and volume across the strings compared to 3 different models of GL's I've tried. Only my opinion, and as they say, YMMV.

And FWIW, if you're considering other options, the Telonics company builds pickups that have adjustable pole pieces etc. to completely tailor your sound, I hear.
View user's profile Send private message Send e-mail

David Nugent

 

From:
Gum Spring, Va.
Post  Posted 9 Jun 2013 4:07 am    
Reply with quote

You might try a set of the brass Dunlop finger picks. While they may not make a huge difference, I find the brass picks to give a slightly warmer tone than the steel units...FYI: You may also want to check your right hand position. The closer to the bridge that you pick, the brighter your tone will be.
View user's profile Send private message

Darrell Birtcher

 

Post  Posted 9 Jun 2013 4:34 am    
Reply with quote

Nick,
While I strongly agree that tone is in the hands, I encourage you to try different equipment in your quest for better tone. Equipment, ESPECIALLY pickups, does make a huge difference, and getting new and/or better tones from it will help you find YOUR tone. When you find a sound that suits you it will make you want to practice more, and that is a good thing.

It's never too early to experiment with technique and tone. Think of tone experiments as a form of practice too. Just like technique, you will find things that work and things that don't. Just about all of us are on a never ending quest for better tone, so don't fight it. We want that magical inspiration that is somehow released by the perfect tone.

Nick Waugh


From:
United Kingdom
Post  Posted 9 Jun 2013 12:06 pm    
Reply with quote

Really helpful responses once again. I really appreciate your time and energy.
View user's profile Send private message Send e-mail

Peter den Hartogh


From:
Cape Town, South Africa
Post  Posted 9 Jun 2013 1:37 pm    
Reply with quote

I used .018 finger picks. When I changed to .025 it made a huge difference.
View user's profile Send private message Send e-mail Visit poster's website

Nick Waugh


From:
United Kingdom
Post  Posted 10 Jun 2013 4:43 am    
Reply with quote

I have been using Jeff Newman picks but I don't know what gauge they are as it is not stated on the pick. However, I find the dunlop picks flimsy compared to JF or National picks. I will now get hold of some .025 picks to see if that thicken the tone. Please keep the advice coming
View user's profile Send private message Send e-mail


All times are GMT - 8 Hours
Jump to:  

Our Online Catalog
Strings, CDs, instruction,
steel guitars & accessories

www.SteelGuitarShopper.com

Please review our Forum Rules and Policies

Steel Guitar Forum LLC
PO Box 237
Mount Horeb, WI 53572 USA


Click Here to Send a Donation

Email admin@steelguitarforum.com for technical support.


BIAB Styles
Ray Price Shuffles for
Band-in-a-Box

by Jim Baron
HTTP