Emmons or Zum ?
Moderator: Shoshanah Marohn
Emmons or Zum ?
I play an Emmons 1980 D 10 P/P at present,& i'm looking to buy a new steel & sell my push pull, for tuning purpose only .
So i am looking to buy a D 10 Lashley II.
But i have heard so many good reports about
Zum steel i dont know what to do.
I got a price off the Emmons web site for a Black mica D 10 Lashley II 7/8.
Does any one know the price on a Zum with the same properties?
So what i need to know is,Keep the push pull
or buy a Lashley II or A Zum?
So i am looking to buy a D 10 Lashley II.
But i have heard so many good reports about
Zum steel i dont know what to do.
I got a price off the Emmons web site for a Black mica D 10 Lashley II 7/8.
Does any one know the price on a Zum with the same properties?
So what i need to know is,Keep the push pull
or buy a Lashley II or A Zum?
- Gary Lee Gimble
- Posts: 2006
- Joined: 19 Jul 1999 12:01 am
- Location: Fredericksburg, VA.
- Contact:
There have been more threads on the Emmons requesting adjustment suggestions and tweaking issues than the Zum. There is not a huge pricing variance between the two but there is about a one year wait for a new Zum. Buddy Charleton is in receipt of a new Zum which caused my hair line to recede another 2 inches from jealously. I played his new guitar and ordered a Zum the following week.
Gary Lee
Gary Lee
-
- Posts: 1752
- Joined: 29 Nov 1998 1:01 am
- Location: San Antonio,Texas
-
- Posts: 2257
- Joined: 17 Dec 2001 1:01 am
- Location: Mississippi
- Damir Besic
- Posts: 12261
- Joined: 30 Oct 2000 1:01 am
- Location: Nashville,TN.
- Contact:
I would say,keep what you got.I`v heard from pro`s that even if you get the new Emmons you may get a $hit,some are good but some are not.And I also know people who waited for months on the new Zum and sold it quickly (with losing their money)because they didn`t like it.Your p/p is the best guitar money can buy,don`t do something you`ll be sorry for latter.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Damir Besic on 13 April 2003 at 07:06 AM.]</p></FONT>
- Erv Niehaus
- Posts: 26797
- Joined: 10 Aug 2001 12:01 am
- Location: Litchfield, MN, USA
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
-
- Posts: 12505
- Joined: 4 Aug 1998 11:00 pm
- Location: Spicewood TX 78669
- Contact:
If you're set on your tuning, the PP would be a safe choice and the least expensive option, but if you want to experiment with copedent changes, you need a modern-type guitar.
Having said that, I've been noticing fewer Emmons LeGrandes on steel shows lately, and more Zumsteels. But I would have no problems owning either brand, except for the fact that I'm quite happy with my Fessenden guitars.
------------------
Herb's Steel Guitar Pages
Texas Steel Guitar Association
Having said that, I've been noticing fewer Emmons LeGrandes on steel shows lately, and more Zumsteels. But I would have no problems owning either brand, except for the fact that I'm quite happy with my Fessenden guitars.
------------------
Herb's Steel Guitar Pages
Texas Steel Guitar Association
-
- Posts: 378
- Joined: 7 Apr 2003 12:01 am
- Location: Nashville, Tennessee, USA
Paul
If you are set on buying a new guitar "Emmons" is it. Little Ron is building better guitars than his father ever did. I played what he had in St.Louis last year and in Chattanooga just a couple of weeks ago and they were all excellent guitars
in workmanship and the most important "tone"
"tone""tone""tone""tone""tone", and thats what we are all after.
Those other guitar manufactures won't admit it but, they are all still trying to copy the Emmons guitar TONE but they can't because there is only one.
------------------
Emmons Legrande
Evans Fet 500 LV (early 90's)
Hilton Volume Pedal
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Graham Bland on 13 April 2003 at 07:59 AM.]</p></FONT>
If you are set on buying a new guitar "Emmons" is it. Little Ron is building better guitars than his father ever did. I played what he had in St.Louis last year and in Chattanooga just a couple of weeks ago and they were all excellent guitars
in workmanship and the most important "tone"
"tone""tone""tone""tone""tone", and thats what we are all after.
Those other guitar manufactures won't admit it but, they are all still trying to copy the Emmons guitar TONE but they can't because there is only one.
------------------
Emmons Legrande
Evans Fet 500 LV (early 90's)
Hilton Volume Pedal
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Graham Bland on 13 April 2003 at 07:59 AM.]</p></FONT>
-
- Posts: 568
- Joined: 27 Sep 2002 12:01 am
- Location: Pittsburgh, Pennsylvania, USA
- Contact:
When you say 'tuning purposes' do you mean you are having trouble keeping the P/P in tune? or you want to be able to experiment with different tunings? If it's the first, I don't think you'll find a guitar that stays in tune as well as a good p/p. It may just need a good cleanign and adjustment. If it's the latter, keep the push pull, and pick up a decent used all pull, experiment away, and when you settle in on one you like, get the push pull set up that way.
I have nothing against a Lashley, or a Zum, they are both great steels in their right, I just would hate to see someone put all that money out, and still not be happy.
I have nothing against a Lashley, or a Zum, they are both great steels in their right, I just would hate to see someone put all that money out, and still not be happy.
- Earnest Bovine
- Posts: 8318
- Joined: 4 Aug 1998 11:00 pm
- Location: Los Angeles CA USA
- Damir Besic
- Posts: 12261
- Joined: 30 Oct 2000 1:01 am
- Location: Nashville,TN.
- Contact:
The best thing is to visit SGN and Bobbe and try every single one of those 20-30 guitars he has on the floor.I`m sure you`ll find one you like.BUT AGAIN,keep the p/p dude
o, sorry,I didn`t see you`re from Australia.If I was you,I would try that Australian pedal steel,whats the name,Ampeg or something.
I think may be Anapeg but not sure.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Damir Besic on 13 April 2003 at 09:02 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Damir Besic on 13 April 2003 at 09:03 AM.]</p></FONT>
o, sorry,I didn`t see you`re from Australia.If I was you,I would try that Australian pedal steel,whats the name,Ampeg or something.
I think may be Anapeg but not sure.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Damir Besic on 13 April 2003 at 09:02 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Damir Besic on 13 April 2003 at 09:03 AM.]</p></FONT>
- Roger Crawford
- Posts: 5264
- Joined: 10 Sep 1999 12:01 am
- Location: Griffin, GA USA
I would buy the Emmons' LeGrande III, IF I was buying a new D-10. I am not, nor am I buying any guitar. In fact I would never buy another D-10 ever again. It is just totally inadaquate for my needs since acquiring a U-12.
If Emmons were to build a single U12 LeGrande III on a double 12 body; with a changer that had a 5 raise AND 5 lower capability; AND Ron would guarantee me IN writing that the tops of the strings were dead level flat at the nut rollers, I would order one yesterday.
They don't. They won't; and I don't believe they ever will, so it is a moot scenario.
I believe the Zum IS one of the most gorgeious guitars I have seen. Bruce Zumsteg is a wonderful man. I admire and love him like a brother. I can not say enough good things about him.
As I have found on ALL PSG's I have found pros AND cons on the Zum.
However, I must agree that the Emmons' is the guitar that I perceive most buiders copied to come up with their's. So to me, it makes sense then, to go back to the source.
But that is me. You are another thing. Do what YOU feel will make YOU happy,
And may Jesus richly bless you in your quests,
carl
If Emmons were to build a single U12 LeGrande III on a double 12 body; with a changer that had a 5 raise AND 5 lower capability; AND Ron would guarantee me IN writing that the tops of the strings were dead level flat at the nut rollers, I would order one yesterday.
They don't. They won't; and I don't believe they ever will, so it is a moot scenario.
I believe the Zum IS one of the most gorgeious guitars I have seen. Bruce Zumsteg is a wonderful man. I admire and love him like a brother. I can not say enough good things about him.
As I have found on ALL PSG's I have found pros AND cons on the Zum.
However, I must agree that the Emmons' is the guitar that I perceive most buiders copied to come up with their's. So to me, it makes sense then, to go back to the source.
But that is me. You are another thing. Do what YOU feel will make YOU happy,
And may Jesus richly bless you in your quests,
carl
-
- Posts: 3062
- Joined: 15 Sep 1999 12:01 am
- Location: Nashville,Tn. USA
Coming from a p/p Emmons is like no other comparison I can think of. At best you know immediately the loss of highs and tone in general. Not to say the Emmons Legrandes don't have good tone but if you've played the p/p enough to know what it is supposed to sound like when you sit down, the Legrande will seem flat at best. This is coming from a former Legrande II owner. I think they are good guitars and have good tone but the P/P guitars set up right will out perform the all pull Legrandes of any vintage. Get that p/p set-up by someone who knows how if it doesn't suit you but don't sell it. You'll be sorry.
-
- Posts: 301
- Joined: 4 Apr 2000 12:01 am
- Location: ELIZABETHTOWN; KY. USA
-
- Posts: 1107
- Joined: 4 Aug 1998 11:00 pm
- Location: Gillette, WY
- Tommy Detamore
- Posts: 1535
- Joined: 17 Dec 1999 1:01 am
- Location: Floresville, Texas
- Contact:
I can't say too much about the new Emmons guitars as I have not played one, but the new Zumsteels are fantastic. I got a new one in July and it sounds great, plays like a dream, and stays in tune incredibly well. And I agree that Bruce Z. is a wonderful man that treats everyone, novice or seasoned pro, with the same respect and fairness. He has always been very reluctant to turn over much of the work on his guitars to others for fear of losing control of the quality. He does have some very good assistance these days but the guitars are still built essentially by the man himself. This is one reason for the wait, which in my opinion you will find it to be well worth it. And the Zum is trouble free and easy to work on yourself, and living in Australia this may be a concern for you. The guitar will arrive ready to play, and will stay that way. And Bruce is always accessible by phone to answer questions and guide you through any changes you would want to make. And BTW, he ships parts very quickly too....
- JERRY THURMOND
- Posts: 1007
- Joined: 4 Aug 1998 11:00 pm
- Location: sullivan mo u.s.a.
-
- Posts: 136
- Joined: 13 Aug 2001 12:01 am
- Location: Hydro, Oklahoma
Not meaning to open a can of worms here, but since the thread IS on "Emmons or Zum," I have a question, albeit possibly a elementary one at best in the eyes of many. But, realizing there are an enormous amount of variables involved, (hands, individual style, amp, etc.), even so---can a person get the 1968 to 1980's Emmons P/P("Nashville" Blade) sound in a Zum? If anyone has significantly accomplished this, how did you do it and what commercially avaliable pickups did you use, E-66's, 910's, 710's, "True Tone," Bruce's factory single coil pickups, or other? I think I've heard some that are very close (at least to my ear), BUT, it seemed something was minutely lacking to be the sound I chase after. I've shown my hearing and incomptence enough here, but just thought I'd see if anyone had done this and felt they had fully accomplished doing so. Best regards.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Harlan on 14 April 2003 at 06:29 PM.]</p></FONT>
I do not know if one can get the P/P sound out of a Zum.
But my question is, why would you want to? An Emmons' P/P is unique. If you are seeking THAT sound, the P/P is the way to go I would think?
I personally do not care for them; because to me the sound advantage is far outweighed by the mechanical dissadvantages. But that is me of course. For P/P's lovers, there is NO other guitar. And I am happy for them.
For me it is all pull all the way
carl
But my question is, why would you want to? An Emmons' P/P is unique. If you are seeking THAT sound, the P/P is the way to go I would think?
I personally do not care for them; because to me the sound advantage is far outweighed by the mechanical dissadvantages. But that is me of course. For P/P's lovers, there is NO other guitar. And I am happy for them.
For me it is all pull all the way
carl
- Gary Preston
- Posts: 3995
- Joined: 8 Apr 2003 12:01 am
- Location: Columbus, Ohio, USA
- Johnny Cox
- Posts: 2985
- Joined: 4 Aug 1998 11:00 pm
- Location: Williamsom WVA, raised in Nashville TN, Lives in Hallettsville Texas
- Contact:
First of all, nobody can get the 68 blade sound except Buddy Emmons when he plays the blade. Contrary to popular beleif, all P/Ps don't sound great. I had one P/P and did not like it. Alan Love has it now and does. Between Emmons LG and Zum, hands down ZUM.
------------------
The Steel Dr.
Johnny Cox P.S.D.
MSA Customer Service
www.msapedalsteels.com
www.thetimejumpers.com
------------------
The Steel Dr.
Johnny Cox P.S.D.
MSA Customer Service
www.msapedalsteels.com
www.thetimejumpers.com
- Roger Crawford
- Posts: 5264
- Joined: 10 Sep 1999 12:01 am
- Location: Griffin, GA USA
Larry...I'm not after the P/P sound with my Zum either. As Carl says, that tone just isn't everyone's cup of tea. The L910's that I ordered on the Zum were a little too dark in the mids for my taste. I put TrueTone's in it and it gives me exactly what I'm looking for. I'm sure it wouldn't be a diehard P/P's favorite tone, but it cranks my tractor! <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Roger Crawford on 14 April 2003 at 07:19 PM.]</p></FONT>