I'm going purely on visual the style of it. It seems at once modernistic yet traditionally Japanese. If that is possible.Brad Bechtel wrote:David, if you've never seen one of these Teisco steels before, why would you consider it your favorite?
Your Favorite Lap Steel Is..................
Moderator: Brad Bechtel
- David Matzenik
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- Location: Cairns, on the Coral Sea
Don't go in the water after lunch. You'll get a cramp and drown. - Mother.
- George Keoki Lake
- Posts: 3665
- Joined: 23 Nov 1999 1:01 am
- Location: Edmonton, AB., Canada
DENNIS...Jeff Ah Hoy has mentioned many who play the CANOPUS in Hawai'i....and there are many ! It has a very strong solid tone, expensive....yes, but you only get what you pay for....right ? As for the tuning pan fitting into an old Fender, it would be worth a try to contact Yasu. He might be willing to supply one for you. Nothing ventured, nothing gained.
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This one is my favorite, for two reasons. First I wanted one that sounds good, which this one does, with the ZumSteel pickup Bruce made to accomodate a 9 string guitar. Secondly, I wanted an instrument with the same string spacing as the standard pedal steel guitar. I got both things I wanted and therefore my favorite.
My 6 string frypan. Why? Just has such a rich tone.
Chris Kennison
Rhythm Cats - steel, guitar, banjo, dobro
Gold Canyon, AZ
www.rhythmcatsshow.com
www.seldomfed.com
Rhythm Cats - steel, guitar, banjo, dobro
Gold Canyon, AZ
www.rhythmcatsshow.com
www.seldomfed.com
- Rockne Riddlebarger
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- C. E. Jackson
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My Favorite Vintage Lap Steel
My favorite for regular playing and recording is a Gibson EH 185 (v.1a) 7 string C.C. PU c. 1939 tuned to A6. It has excellent tone, palm and finger harmonics, and sustain.
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- Stefan Robertson
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If you don't already know my absolute favourite is the MSA Superslide 12 string. I just wish I could convince wife to let me make that purchase but every tin I save the money something always comes up.
Maybe one day.
Hopefully soon.
I would gladly be a walking endorsement for them just for one. The sound and playability and materials used and shape. Man Reece got it so right. RIP the legend in my opinion. [/img]
Maybe one day.
Hopefully soon.
I would gladly be a walking endorsement for them just for one. The sound and playability and materials used and shape. Man Reece got it so right. RIP the legend in my opinion. [/img]
Stefan
Bill Hatcher custom 12 string Lap Steel Guitar
E13#9/F secrets: https://thelapsteelguitarist.wordpress.com
"Give it up for The Lap Steel Guitarist"
Bill Hatcher custom 12 string Lap Steel Guitar
E13#9/F secrets: https://thelapsteelguitarist.wordpress.com
"Give it up for The Lap Steel Guitarist"
- Terry VunCannon
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- Roger Palmer
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- Larry Lenhart
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It says "lap steel" and for this I would go with my Melbert 8 string..great sound and looks. If you mean "non-pedal", then my Fender T8 stringmaster...it is the best sounding non-pedal I have owned and it looks so cool...has lots of character !
Zum Encore, Pedalmaster D10, Remington D8 non pedal, Hallmark Mosrite clone, Gretsch 6120 DSW, 1976 Ibanez, Eastman archtop, Taylor Dreadnaught, Telonics pedal, Squire Tele, Squire Strat, Fender Tonemaster, Gold Tone 5 string banjo, Little Wonder tenor banjo, Boss Kamatra 100, 3 Roland cubes 30s and 80, Carvin combo bass amp
- John Booth
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- Johnie King
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Favorite build built with two an three quater inch round stick of hard rock maple .Wings milled into round maple stock, three color wood fret markers milled in to neck . Zkinglapsteel@gmail.com
- Barbara Berg
- Posts: 111
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- Location: Washington, USA
Fun question
Well, first I was in love with my 1956 Fender, that lasted a year until I saved up enough money to buy my 1946 B6, The tone is like a bell inside a metal room. How's that for a description Jack?
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My recent favorite is my Bill Asher Alan Akaka Special 8. It has tone and sustain to die for! Other than that, it's my Canopus D8 I got from Greg Sardinha. The Asher travels a lot easier than a D8, and, because I use a high G C13 (from top G E C A G E Bb G), I can do a lot of B11 tunes (in C rather than A), especially if I tune the middle G to F#.
Jack Aldrich
Carter & ShoBud D10's
D8 & T8 Stringmaster
Rickenbacher B6
3 Resonator guitars
Asher Alan Akaka Special SN 6
Canopus D8
Carter & ShoBud D10's
D8 & T8 Stringmaster
Rickenbacher B6
3 Resonator guitars
Asher Alan Akaka Special SN 6
Canopus D8
- Tom Pettingill
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- Deirdre Higgins
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Re: Fun question
Correct! My 1946 B6 has great tone. Keep plying, Barb!Barbara Berg wrote:Well, first I was in love with my 1956 Fender, that lasted a year until I saved up enough money to buy my 1946 B6, The tone is like a bell inside a metal room. How's that for a description Jack?
Jack Aldrich
Carter & ShoBud D10's
D8 & T8 Stringmaster
Rickenbacher B6
3 Resonator guitars
Asher Alan Akaka Special SN 6
Canopus D8
Carter & ShoBud D10's
D8 & T8 Stringmaster
Rickenbacher B6
3 Resonator guitars
Asher Alan Akaka Special SN 6
Canopus D8
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- Location: Austin, Texas
- Contact:
Any of these.
Thanks!
Alan
Thanks!
Alan
www.alanbarley.com
Weissenborn Style 1, Asher Royal Hawaiian, Ben Harper, Ben Harper Series 2, & Dual Sonic prototype, Paddy Burgin Weissenborn & Baritone Weiss., Weissenborn Teardrop copy, '46 Bakelite, '42 Bakelite, '35 Frypan, '53 National Dynamic, Clinesmith Dobro.
Weissenborn Style 1, Asher Royal Hawaiian, Ben Harper, Ben Harper Series 2, & Dual Sonic prototype, Paddy Burgin Weissenborn & Baritone Weiss., Weissenborn Teardrop copy, '46 Bakelite, '42 Bakelite, '35 Frypan, '53 National Dynamic, Clinesmith Dobro.