Hawaiian uploads now on Mediafire!
Moderator: Brad Bechtel
- Mike Anderson
- Posts: 731
- Joined: 26 Apr 2011 6:08 pm
- Location: British Columbia, Canada
Hawaiian uploads now on Mediafire!
Barney Isaacs Hawaii Calls solos
Dick McIntire Harmony Isle shows 1
Dick McIntire Harmony Isle shows 2
Dick McIntire Harmony Isle shows 3
Dick McIntire Harmony Isle shows 4
Dick McIntire Harmony Isle shows 15-17
Dick McIntire Harmony Isle shows 9 & 10
First Steel Guitar Ho'olaule'a 1982
Hawaii Calls 12-29-1949
Hawaii Calls show ca 1959
Pua Almeida Hawaii Calls shows
Tapa Room Tapes
six 1947 Hawaii Calls shows featuring David Keli'i
Dick McIntire Harmony Isle shows 1
Dick McIntire Harmony Isle shows 2
Dick McIntire Harmony Isle shows 3
Dick McIntire Harmony Isle shows 4
Dick McIntire Harmony Isle shows 15-17
Dick McIntire Harmony Isle shows 9 & 10
First Steel Guitar Ho'olaule'a 1982
Hawaii Calls 12-29-1949
Hawaii Calls show ca 1959
Pua Almeida Hawaii Calls shows
Tapa Room Tapes
six 1947 Hawaii Calls shows featuring David Keli'i
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- Mike Anderson
- Posts: 731
- Joined: 26 Apr 2011 6:08 pm
- Location: British Columbia, Canada
- Jeff Strouse
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- Location: Jacksonville, Florida, USA
- Don Kona Woods
- Posts: 2726
- Joined: 11 Dec 2004 1:01 am
- Location: Hawaiian Kama'aina
Mike,
You have contributed immensely to our education in Hawaiian Steel Guitar and Hawaiian music.
Thanks for your time and effort!
I want to put about a 1000 Long Play Albums on C.D.'s as back ups or into the hard drive of the computer. Do you have any suggestions on the best way to do this?
Aloha,
Don
You have contributed immensely to our education in Hawaiian Steel Guitar and Hawaiian music.
Thanks for your time and effort!
I want to put about a 1000 Long Play Albums on C.D.'s as back ups or into the hard drive of the computer. Do you have any suggestions on the best way to do this?
Aloha,
Don
- Ray Montee
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- Joined: 7 Jul 1999 12:01 am
- Location: Portland, Oregon (deceased)
- Contact:
About transferring music to computer
There are several items on today's market wherein doing what you suggest......becomes an easy to do task.
I purchased a 'Nostalgic' radio, 3=speed record player, cassette tape and CD player for under $300 and all you do is plug it into the computer with an RCA plug and away you go.
I've done a lot of stuff that way.
I purchased a 'Nostalgic' radio, 3=speed record player, cassette tape and CD player for under $300 and all you do is plug it into the computer with an RCA plug and away you go.
I've done a lot of stuff that way.
- Mike Anderson
- Posts: 731
- Joined: 26 Apr 2011 6:08 pm
- Location: British Columbia, Canada
You're all entirely welcome, honestly it's a pleasure and I was honored to be trusted with this material and very happy to have been given permission to share it.
For cassettes, I have gone straight from the headphone jack on my cassette deck into the mic jack on my computer. For LPs I have used both a USB turntable and more frequently, a really nice vintage Dual direct drive using an adapter cord from Rat Shack that is stereo RCA from the turntable to stereo mini-plug, again into the mic jack. You need to watch those levels! I always record some of the input first and have a listen (and eyeball the waveform for clipping) before committing anything permanently. You should never let your input peaks stray much above -12dB when recording; when rendering out to WAV or MP3 it can go to -6dB. I always render to WAV, then convert to MP3, since I want to burn audio CDs before I back stuff up to long-term storage as 320 Kbps MP3s.
All digitization has been done using REAPER, which is completely free to try indefinitely (amazing in this day and age), and $60 for a single-user license. It has excellent EQ if needed, and to slice up a waveform into individual tracks you just position the cursor and hit the "S" key. I then export the slices to individual files. This is a lot of work when there are no obvious cutpoints in the waveform - you just have to go by ear.
Liner notes have been either photos of the original cassette notes as you've seen, or in a lot of cases I have just had to listen and give titles to the songs I know - which is why as a newbie there are quite a few blanks, e.g. in the Steel Guitar Ho'olaule'a tape! If anyone feels inspired to fill in those "?" titles, please feel free!
For cassettes, I have gone straight from the headphone jack on my cassette deck into the mic jack on my computer. For LPs I have used both a USB turntable and more frequently, a really nice vintage Dual direct drive using an adapter cord from Rat Shack that is stereo RCA from the turntable to stereo mini-plug, again into the mic jack. You need to watch those levels! I always record some of the input first and have a listen (and eyeball the waveform for clipping) before committing anything permanently. You should never let your input peaks stray much above -12dB when recording; when rendering out to WAV or MP3 it can go to -6dB. I always render to WAV, then convert to MP3, since I want to burn audio CDs before I back stuff up to long-term storage as 320 Kbps MP3s.
All digitization has been done using REAPER, which is completely free to try indefinitely (amazing in this day and age), and $60 for a single-user license. It has excellent EQ if needed, and to slice up a waveform into individual tracks you just position the cursor and hit the "S" key. I then export the slices to individual files. This is a lot of work when there are no obvious cutpoints in the waveform - you just have to go by ear.
Liner notes have been either photos of the original cassette notes as you've seen, or in a lot of cases I have just had to listen and give titles to the songs I know - which is why as a newbie there are quite a few blanks, e.g. in the Steel Guitar Ho'olaule'a tape! If anyone feels inspired to fill in those "?" titles, please feel free!
- Don Kona Woods
- Posts: 2726
- Joined: 11 Dec 2004 1:01 am
- Location: Hawaiian Kama'aina
- Jerome Hawkes
- Posts: 1385
- Joined: 8 May 2009 7:16 am
- Location: Fayetteville, North Carolina, USA
- Mike Anderson
- Posts: 731
- Joined: 26 Apr 2011 6:08 pm
- Location: British Columbia, Canada
You mean like this?
Andy Iona collection
These were found on a blog, and the blogger gave assurances the tracks were from ripped 78s and LPs, not current material like Cumquat. Please, if anyone knows otherwise, let me know and I'll take the file offline.
Enjoy!
Andy Iona collection
These were found on a blog, and the blogger gave assurances the tracks were from ripped 78s and LPs, not current material like Cumquat. Please, if anyone knows otherwise, let me know and I'll take the file offline.
Enjoy!
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- Posts: 252
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- Location: Ringwood, New Jersey
Mike - Thank you for making this Andy Iona material available. As with Dick McIntire, there's very little of his music to be found anywhere. These recordings are 60-70 years old and I doubt there are actionable copyrights to be concerned with. After all, when Bruce Clarke created Cumquat Records and issued CD's by Sol Ho'opi'i, McIntire, Iona and others, what right did he have to do that? And he was making money from the use of those orginal recordings. Don't get me wrong: I happily purchased some CD's from Cumquat, but I'm sure that, at this point, nobody has exclusive rights to what you've posted.
- Mike Anderson
- Posts: 731
- Joined: 26 Apr 2011 6:08 pm
- Location: British Columbia, Canada
- Jerome Hawkes
- Posts: 1385
- Joined: 8 May 2009 7:16 am
- Location: Fayetteville, North Carolina, USA
oh man, that is christmas in jan!
the way i see it, is archival / historical, whatever term - but who is going to save these recordings, this lost style of steel guitar? i often hear its up to the next generation to carry on a tradition, but look what happens when a generation or two is skipped along the way - the chain is broken and there is nobody left to "go to".
IMO, thats what happened with the hawaiian steel guitar. i am just glad to see it appreciated and hopefully revived. its so impressive to have many on the forum who were there and knew the players - i hope they realize how important it is to "tell the stories" - its gonna be sad when this stuff is lost forever in time.
the way i see it, is archival / historical, whatever term - but who is going to save these recordings, this lost style of steel guitar? i often hear its up to the next generation to carry on a tradition, but look what happens when a generation or two is skipped along the way - the chain is broken and there is nobody left to "go to".
IMO, thats what happened with the hawaiian steel guitar. i am just glad to see it appreciated and hopefully revived. its so impressive to have many on the forum who were there and knew the players - i hope they realize how important it is to "tell the stories" - its gonna be sad when this stuff is lost forever in time.
'65 Sho-Bud D-10 Permanent • '54 Fender Dual-8 • Clinesmith T-8 • '38 Ric Bakelite • '92 Emmons D-10 Legrande II
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- Contact:
- Mike Anderson
- Posts: 731
- Joined: 26 Apr 2011 6:08 pm
- Location: British Columbia, Canada
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I hate to be the boy running around and asking big favours on the Forum today, but can anyone send me any of these taped sets, or reupload them for the public to share? I'm ecstatic at the thought of catching the live Dick McIntire and David Keli'i!!!
Commodore S-8
John Allison S-8
JB Frypan S-8
Sho~Bud LDG SD-10
1966 Fender Super Reverb
John Allison S-8
JB Frypan S-8
Sho~Bud LDG SD-10
1966 Fender Super Reverb
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- Location: Ringwood, New Jersey
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