Which Mic For Recording

Studio and home recording topics

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Ken Morgan
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Joined: 17 Jan 2012 8:04 am
Location: Midland, Texas, USA
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Post by Ken Morgan »

Another good choice is the Shure SM7B. Think of it as a HUGE 57 (which it kinda is). Its been used for everything from steels to gtrs to broadcast of thousands of TV and radio shows to Michael Jackson's Thriller album...

Just have a good stand.
67 Shobud Blue Darling III, scads of pedals and such, more 6 strings than I got room for

Ken Morgan
Midland, TX
Rockne Dick
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Joined: 19 Dec 2011 8:25 pm
Location: Bremerton, WA, USA

Post by Rockne Dick »

.....Another poster mentioned this microphone - A Sennheiser silver E609. I bought one last fall to mic my mid 90's Peavey Audition 110 (pretty good, durable cheap amp) into the PA for country pop/rock gigs. Recommended by our old school (35 years exp. both feed truck and studio) Recording/Musician Engineer at Arcade Records in Olympia WA. Flat panel super cardiod with roughly the same specs as the 421 model but doesn't have the 5 position roll off bass switch for proximitry effect. A good price at $110- $130 new and I'll be testing it with my Melbert 8LS when it arrives next week.
.....Rocky
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Jerry Kippola
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Joined: 11 Jun 2011 8:12 am
Location: UP Michigan, USA

Post by Jerry Kippola »

I use a tube direct box, usually after a slight delay effect, thru an 1176 just hitting the peaks. Any other efx always at mixdown. Here's a song i recorded for a friend of mine w/ my '68 Emmons
http://www.myspace.com/music/player?sid=87756868&ac=now
Last edited by Jerry Kippola on 16 May 2012 7:27 pm, edited 1 time in total.
David Zornes
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Location: Ohio, USA

Post by David Zornes »

Whatever mike that Jimmy Day used on "Steel and Strings" is the final answer; of course, playing like Day did doesn't hurt!
Jeremiah Wade
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Joined: 7 Jan 2010 11:52 am
Location: Bladenboro, NC

Post by Jeremiah Wade »

The Fathead II is an excellent mic for guitar and pedal steel. The SM57 is also wonderful but rolls off the low end under 250HZ (It naturally counters the proximity effect of close micing). The 57 should work great on E9 but loses low end clarity in the bottom end of the c6 tuning.
I'd rather be pickin'
Jonathan Cullifer
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Joined: 30 Sep 1998 12:01 am
Location: Gallatin, TN

Post by Jonathan Cullifer »

I've done a few dozen sessions, and every engineer has a preference. Here are mine (ranked):

Neumann U87
Sennheiser 421
Fatheads
Sennheiser E609
SM57/SM58

There have been many others, but those are the most common I have seen in the sessions I do in Nashville.

For my own material, I use a Sennheiser 421, as a U87 is out of the budget.
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Leigh Howell
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Joined: 17 Apr 2001 12:01 am
Location: Edinburgh, Scotland * R.I.P.

Shure SM 58

Post by Leigh Howell »

I'm wondering if this model Shure is as reliable as the 57? It sounds good with what I've done with it so far, but always looking to improve. I use if mostly for vocals on the multitrack. Leigh
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