Early Hank Williams lap steel or pedal?

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Niels Andrews
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Early Hank Williams lap steel or pedal?

Post by Niels Andrews »

I have been trying to sort through the archives here to answer my questions. what instruments were used in those first recordings and who was playing them? Can anyone guide me to this information? :?
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Dave Zirbel
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Post by Dave Zirbel »

A lot was done on a Gibson D-8 non pedal console by Don Helms. Jerry Byrd played some as well as other. All no pedals.
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Post by Ben Godard »

Even though I think Jerry Byrd did some work for Hank, Don Helms was Hank main steel player. From what little I know, Don Helms started on a Doubleneck Fender in the early days and then he later traded it for his signature Gibson console grande which he played until his dying day. Of course he also played the psg too and had a few of those. He was pretty good on the pedal steel too but ironically most people wanted to just hear him play the Gibson console Grand since his "Hank" sound on the E6/E13 tuning is what he was known for.

If you want the inside scoop on Don Helms, he had a book written called Settin the Woods on fire. Also, an interview done by Joe Turner which is priceless to me. Plus it has some great music with Joe Turner and Don Helms playing at their best. All of this is on 1 cd.

Just my little 2 cents
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Lane Gray
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Post by Lane Gray »

It was [Mostly] Byrd through 1949. His last was "I just don't like this kind of living"
Last edited by Lane Gray on 14 May 2012 7:26 pm, edited 1 time in total.
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Post by Ray McCarthy »

Don Helms can be seen playing his Gibson D-8 on "Legends of Steel Guitar" on YouTube.
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Post by Ron Whitfield »

Jerry's on a dozen or so, Don Davis a few, Helms on the lion's share with minor odd contributors prior to his hiring.
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Niels Andrews
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Post by Niels Andrews »

I found the book, but a little pricey. it will have to go on my wish list, but I find this all very interesting and again thanks for the information.
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Brett Day
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Post by Brett Day »

I saw Don's Gibson Console Grande up close and it is one awesome steel guitar. I was playin' a show in Nashville in October of '06, and before I went onstage, Don showed the guitar to me. It was great to be standin' near a steel guitar that had been played on so many Hank Williams records!

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Niels Andrews
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Post by Niels Andrews »

I wonder how many of those they even built. I think I will try to look that up.
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Norman Evans
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Post by Norman Evans »

Here's a good early video of Don and the Gibson at work.

http://www.youtube.com/watch?v=I1TJmh1Pd6I
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Lane Gray
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Post by Lane Gray »

Here's a timeline of the life of Hiram King, complete with session logs. Interestingly, my favorite cuts are ALL Byrd. We use pedals because we lack Jerry's imagination.
http://leeharrisonline.tripod.com/hankwilliams/
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Alan Brookes
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Post by Alan Brookes »

I'm pretty sure no pedal steel was ever used on any of Hank's recordings. Here is Don Helms' tuning, in his own hand...
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Post by Matthew Dawson »

I believe forumite Don Davis also played on quite a few of Hank's recordings. "I'm So Lonesome I Could Cry" and others.
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Ray Montee
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Hey there Matt!

Post by Ray Montee »

Are you sure about your statement that Don Davis recorded "I'm So Lonesome I Could Cry" with Hank Williams?

I always tho't that it was JERRY BYRD on that old MGM record.
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Lane Gray
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Post by Lane Gray »

According to the session notes, you're right, Ray. Recorded in the last Jerry Byrd session.
The one with "I Just Don't Like This Kind of Living."
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Post by Ben Rubright »

Hank's recording of 'We Live in Two Different Worlds' back in the 50's sounds like the instrumental backing was added after Hank's vocal was recorded. It sounds neither like Jerry nor Don. It has been decades since I've heard that recording but my recollection is that I thought that it was a pedal steel. Anyone?
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Lane Gray
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Post by Lane Gray »

Possible. The label re-produced some of his stuff later. I don't recall hearing pedals in the steel, I was too busy gagging on the Anita Kerr Singers. :cry: :x :whoa:
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Ray Montee
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For what it's worth..................

Post by Ray Montee »

I just visited YOU TUBE and a video of the Grand Old Opry-1949 featuring Hank Williams.

JERRY BYRD is the steel player for Red Foley's opener, Hank Williams' "You're Gonna Change"; Foleys'hymn "Clense Me"; and Jimmy Dickens "Country Boy"......

How wonderful it is to have the opportunity to glimpse back in time and to be able to participate in a live show, one that I grew up listening to as a youngster, a show that set my on my way to playing steel guitar.
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Hi

Post by Ernest Cawby »

I HAVE A DVD OF WHAT I BELIEVE TO DONS LAST SHOW IN AL. PUT ON BY BARNEY MILLER.
DON TOLD THE STORY ABOUT HOW HE GOT THE GIBSON. HE WAS PLAYING THE FENDER AT A SHOW AND A NMAN WANTED TO TRADE. HE TOLD HOW HANK GOT HIS RECORDING CONTRAT, AND HIS LAST RECORDING WITH HANK.

ERNIE
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Post by Billy Tonnesen »

Are there any recordings by Don Helms where he used the B13th tuning as piosted by Alan Brooks ? The E6th tuning is what my Ear always picked up on the HW recordings. It was easy to play Don's style but not that easy sometimes to duplicate his great tone.
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Post by Ben Rubright »

Lane:
Boy do I relate to your comment concerning the Anita Kerr Singers. They replaced fiddles and steel on most all of the 'so-called country recordings' following Gone and 4-Walls in the late 50's and 60's. I am happy to say that I never bought any of them. I still haven't forgiven Chet, Owen, and the rest of the producers for what they did to country music.
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Post by Ernest Cawby »

I HAVE PLAYED WITH DON ON SEVERAL SHOWS, AND SET AT HIS FEET WHILE PLAYING. i HAVE HIS BOOK, IT IS
E13TH TUNNING. BUT HE DID NOT PLAY TH 7 OR 8TH STRINGS, ACCORDING TO HIS TAB.
LITLE ROY ALSO USED THIS TUNNING WITH EDDIE ARNOLD, BUT HE USED THE A MAJOR SIDE OF THE TUNING. ANOTHER MAJOR PLAYER YEARS AGO ALSO USED E 13TH, BUT HE USED THE C6 PART OF THE TUNING.
TJIS TUNING HAS 4 TUNINGS INSIDE OF IT.
YOU CAN PLAY SONG OF THE ISLAND IA
STEEL GUITAR RAG IN E
LITTLE COQUET UN C6TH.

ERNE
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Post by Joseph Kincher »

Agreed on those late overdub recordings. You can see from the session logs that a lot of studio time was booked for overdubs after Hank's death, presumably to adapt some of the recordings to the Nashville sound. So they added background singers, echo on Hank's vocals (the dead giveaway), and a lot of unnecessary instrumentation (If it ain't broke...). I had occasion to hear some of this recently, as a friend of mine had only one Hank Williams record in his collection and it was one of these non-MGM things. I imagine if you were previously unfamiliar with the original recordings, these would come off as generic at best, and they do a pretty good job squeezing the life out of the originals. To me, they're atrocious. If you DO hear honest-to-God pedal steel on a Hank song, it's on one of these.

A European record label called DOXY has re-issued all of the original recordings chronologically over several vinyl releases, some of which have the session/personnel details on the sleeve. From the records I own, I can tell you that Jerry Byrd played on sessions in 1947 & '48 (including the songs MANSION ON THE HILL, THERE'LL BE NO TEARDROPS TONIGHT, & LOVESICK BLUES), then Don Davis in March of 1949 (incl. LOST HIGHWAY, MAY YOU NEVER BE ALONE, MIND YOUR OWN BUSINESS, WEDDING BELLS)...then Byrd comes back for a session in Aug. 1949 (incl. I'M SO LONESOME I COULD CRY). Then from the beginning of 1950 on, it's all Don Helms. In 1950, he played on some of the "Luke the Drifter" tracks, and songs including WHY DON'T YOU LOVE ME, NOBODY'S LONESOME FOR ME, & COLD, COLD HEART. And not a pedal steel in the bunch.
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Post by Jonathan Slyker »

Not to beat a dead horse, but here's a chronology/discography I found on line. This on has all the overdub stuff. Some of it is real good and doesn't exist on sessions HW did while alive. Angel of Death and Rockin' Chair Money are rockin'.

http://www.hankwilliamsdiscography.com/p/HWSession.html
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Post by Lavon Chappell »

Don Helms also played on the recording of Patsy Cline's walking after midnight.
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