A true icon of American music. When Earl burst on the scene, his style was already fully developed, his flawless driving three finger roll, his back up techniques, all the things that are standard fare for players today. I was fotunate to see him play many times and get to talk with him. A completely unassuming person. He got to do what most of would desire, that is play right up to the end. Rest in peace. Thanks for the great music.
Thank you, Earl Scruggs, for inspiring each and every 5-string banjo player out there, including little ol' me. There is no way I can possibly express my gratitude for the countless hours of pickin' and grinnin' that you, your banjo, your guitar, and your artistry have brought to my musical life. Rest in peace, and pick a few in G# for all of us.
LC
Last edited by Larry Chung on 28 Mar 2012 9:26 pm, edited 2 times in total.
I was driving by the Palimino one night in the mid 70's when Earls name was on the Marquee. I stopped in to see him and the band. They were very good of course.
It was a double treat because Bob Dylan was sitting across the bar from me, although he didn't play. At break time he went in the back room with them, and I left.
There is no way to overestimate his impact, he will always stand out as one of the true great originators in American music. I still remember the first time, as a kid, I heard Earl playing - late 50s, WGBH in Boston, on a Sunday afternoon 'folk music' show - it just floored me. Often imitated, never duplicated. RIP, Earl.
I have always had the greatest respect and admired Earl. I, like many banjo players, learned from the great book "5 String Banjo = by Earl Scruggs" and I have many trophies and plaques from banjo contest to prove that the book works. I got to meet Earl many times at bluegrass festivals and just a couple of years ago at Merlefest in Wilksboro NC. He was always such a gentleman and never met a stranger. He didn't treat you like a "fan" but treated you like a "friend" no matter if he knew you or not. A true example of how this music business should be done. Thank you Earl...
St. Blues 1984 "Holy Grail"
Take the time to introduce someone young to music... and play a few songs with someone old.
We have lost another of the Great Masters and in doing so we are reminded that this is the fate of all men.
I'm primarily a pedal-steel player, and I have yet to come to terms with losing the greats who pioneered that instrument and gave it its modern sound, feel and emotion. So it is with an equal amount of sadness, respect and a profound sense of loss that I learned of the passing of one of the banjo's greatest exponents.
Before Earl Scruggs the banjo was just another instrument in hillbilly bands. After Earl it was the instrument which made Bluegrass special if not downright unique. In Earl's hands the banjo growled, crackled, clattered, clanged, twanged, popped and rang with a cascade of perfectly-picked and placed notes. Monroe may have defined the genre, but Earl Scruggs gave Bluegrass the sound that made it stand out like a lighthouse in the vast ocean of country music. What would 5-string banjo have been if there was no Earl Scruggs?
Thank you, Earl, for being such a talent, such an example of what humility and skill and dedication can achieve. Thank you for giving us a style that was so unique and distinctive it was named after you. Thank you for being amongst us, inspiring us and entertaining us. By your works will we remember you and we have been blessed by your presence. RIP.
The steel guitar is a hard mistress. She will obsess you, bemuse and bewitch you. She will dash your hopes on what seems to be whim, only to tease you into renewing the relationship once more so she can do it to you all over again...and yet, if you somehow manage to touch her in that certain magic way, she will yield up a sound which has so much soul, raw emotion and heartfelt depth to it that she will pierce you to the very core of your being.
What a great man and he left a great legacy. I would guess that The Earl Scruggs and Lester Flatt Bluegrass Band is still considered the best Bluegrass band ever.
I was heavily involved in Bluegrass mucic back in the 70's and often got to see Lester and Earl perform before their breakup. They always "Stold the show" or so to speak.
One thing that remains true to this day about Earl's legacy; In the past 60 yeras or so, virtually every single person who has taken up the five string banjo has tried to play the Scruggs three finger style of picking.The notable exception being Bella Fleck.
At an 80th birthday party for Mr. Scruggs in 2004, the country singer Porter Wagoner said, “Earl was to the five-string banjo what Babe Ruth was to baseball.”
“He is the best there ever was,” Mr. Wagoner said, “and the best there ever will be.”
Flatt and Scruggs' songs were arguably the first traditional American music I ever listened to, after I found out they performed the Beverly Hillbillies theme when I was a kid. I went right out to the record store and bought 'Foggy Mountain Jamboree.' Earl Scruggs was a titan. His banjo is unforgettable, and so I'll always remember Earl as the very tip of the impression made on me by the wonderful bluegrass music heritage of our U.S. of A.
Zach W.
One thing that remains true to this day about Earl's legacy; In the past 60 yeras or so, virtually every single person who has taken up the five string banjo has tried to play the Scruggs three finger style of picking.The notable exception being Bella Fleck.
Actually Bela Fleck's first influence was indeed Earl Scruggs. He has said the it was The Beverly Hillbillies show that got him interested in the first place. Bela has taken banjo to a new dimension but every time I've seen him he always plays some "Earl" in there somewhere.
I don't know of any one else who has impacted one instrument more than Earl Scruggs has on the banjo. An amazing legacy.
RIP Earl