Franklin .011 String - 128 Days Old
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Franklin .011 String - 128 Days Old
On November 23,2001 I replaced a George L .011/G# string on my D-10 ZUM with a .011 FRANKLIN string, to date after 128 days, the Franklin string is still hanging in there. The tone sounds good and it remains in tune. Total amount of hours of useage would be in the area of 225+ hours.
This is the first time a .011 string has lasted so long in my 27 years of playing pedal steel.
I have tried every string on the market that I can get my hands on (except Cobra's) and most brands last me 12-15 days average.
My ZUM is my practice steel,(get's the most usage) the Franklin I use it to play out and my EMCI, it's too beautiful to play so I look at it for hours and even sometime try to teach it to talk Hungarian. I hoping one day when I pass on me & the EMCI will be sent to outer space like Timothy Leary & Dr. Carl Sagan did.
Steeling the galaxy away, cool, STELLA STEELER BY NIGHT!!!!!
KEN
This is the first time a .011 string has lasted so long in my 27 years of playing pedal steel.
I have tried every string on the market that I can get my hands on (except Cobra's) and most brands last me 12-15 days average.
My ZUM is my practice steel,(get's the most usage) the Franklin I use it to play out and my EMCI, it's too beautiful to play so I look at it for hours and even sometime try to teach it to talk Hungarian. I hoping one day when I pass on me & the EMCI will be sent to outer space like Timothy Leary & Dr. Carl Sagan did.
Steeling the galaxy away, cool, STELLA STEELER BY NIGHT!!!!!
KEN
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- Bob Hoffnar
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Here is a link for Frankiln:
www.paul-franklin.com/franklingtrs.htm
I use Franklin strings andI have found that they break the same as others for the most part.
Bob
www.paul-franklin.com/franklingtrs.htm
I use Franklin strings andI have found that they break the same as others for the most part.
Bob
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I play two to three shows a week..along with with extended practices, I change the 3rd and 5th after each show...If I don't, better have my glasses ready to do some changing in the dark of the bandstand...I played a Marlen for years and now a Emmons, same deal with the strings.....I even blow out a 10th on occasion...maybe I need to light'n up a little....tom
I buy singles by the dozen. I have had the occasional .012 3rd string that just refused to break, until I just changed it because I was playing a gig (still few and far between for me) and couldn't take the chance. I am convinced that random elements such as how the end-windings lie on the changer, how the string is twisted during the stringing-up, and I guess other subtle elements that don't even come to mind, are factors in the longevity. For one string in a pack to pop after 10 hours' use and the next to exceed 40 hours seems to point this way.
(That's why I am a proud endorser of Zebco. )
Most certainly though, if you feel that you get best results with a particular string, go for it.
(That's why I am a proud endorser of Zebco. )
Most certainly though, if you feel that you get best results with a particular string, go for it.
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My understanding of the guitar string industry, is that there are only a few manufacturers in the world, and that they simply liscence and package them differently for different companies to seel to the public. I would guess that none of the string companies that market "PSG Sets" actually make the products that they sell. I know Martin Guitars recently bought a string mfg. company a few years ago.Someone in the know needs to let me know if I am wrong, and I very well may be!
My point, is that there is not too much new technology(cryogenicly frozen strings? Come on!) out there, so the difference between string A and string B should be minimal.
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Mattman in "The Big Sleazy"-:
S-10 Dekley, Suitcase Fender Rhodes, B-bender Les Paul
My point, is that there is not too much new technology(cryogenicly frozen strings? Come on!) out there, so the difference between string A and string B should be minimal.
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Mattman in "The Big Sleazy"-:
S-10 Dekley, Suitcase Fender Rhodes, B-bender Les Paul
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My new Derby came with Jagwires and I didn't break a string for four months. But I went back to Ernie Balls because I get a good deal on them and they are easy to get. The G#'s started breaking about every ten hours playing time. So about three months ago (150 hrs playing time) I put a set of Jagwire's on --None have broken yet.
sgm
sgm
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- Michael T. Hermsmeyer
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I have been using Ernie Balls reinforced 11's and 18's on both my Emmons guitars. I have had very good luck with them, although I did finally break one last week during rehearsal. But I have been rehearsing every day for hours and two shows on Sunday. I think I put that set on in January. The 18 is still there. Guess I better change this week, though. I'm way over due, LOL. I love Franklin strings. They are the best strings I have used. They are just not readily available here in Branson, and I have a deal with EB, so pricing and availability are factors. I play a lot of instruments and I go through a lot of strings. My favorite strings were a set of Franklins that I cleaned with their Blitz Cloth before I put them on. They stayed bright and clean for months. It takes a little extra time, but it's worth it. Kinda hard to do during a gig though.
Michael T.
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UTILITY MAN PRODUCTIONS
'73 EMMONS D10 FATBACK, '92EMMONS D10 LEGRANDE,
'7? Sho-Bud Pro 1 S-10, '85 60DS DOBRO,
'95 MELOBAR CUSTOM, 1955 Fender Triple Neck Stringmaster. Evans, Fender,
and Mesa Boogie Amps.
Michael T.
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UTILITY MAN PRODUCTIONS
'73 EMMONS D10 FATBACK, '92EMMONS D10 LEGRANDE,
'7? Sho-Bud Pro 1 S-10, '85 60DS DOBRO,
'95 MELOBAR CUSTOM, 1955 Fender Triple Neck Stringmaster. Evans, Fender,
and Mesa Boogie Amps.
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Ken, Has it broken yet???
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UTILITY MAN PRODUCTIONS
'73 EMMONS D10 FATBACK, '92 EMMONS D10 LASHLEY LEGRANDE,
'7? SHO-BUD PRO I S-10, '85 60DS DOBRO,
'95 MELOBAR CUSTOM, 1955 FENDER TRIPLE NECK STRINGMASTER. JOHNSON SQUARENECK RESONATOR GUITAR,
EVANS, FENDER, PEAVEY,
and MESA BOOGIE Amps.
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UTILITY MAN PRODUCTIONS
'73 EMMONS D10 FATBACK, '92 EMMONS D10 LASHLEY LEGRANDE,
'7? SHO-BUD PRO I S-10, '85 60DS DOBRO,
'95 MELOBAR CUSTOM, 1955 FENDER TRIPLE NECK STRINGMASTER. JOHNSON SQUARENECK RESONATOR GUITAR,
EVANS, FENDER, PEAVEY,
and MESA BOOGIE Amps.
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MICHAEL T.,, still counting,(145 day as of 4/15/02) sure wish it would pop. I'm waiting for this string to pop so I can go ahead and change the other 9 strings in one clip.
Crazy, when you don't want a string to pop, it does. When you wish it would, it refuses.
The tone (as if it was a new string)is no longer there but for practicing it's suits me.
Maybe, if I took out my Homelite 16" chainsaw and threaten the Franklin .011 string, just maybe it will decide to pop.
Hello Freddy are you out there............
KEN
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Kenneth Kotsay on 15 April 2002 at 05:00 PM.]</p></FONT>
Crazy, when you don't want a string to pop, it does. When you wish it would, it refuses.
The tone (as if it was a new string)is no longer there but for practicing it's suits me.
Maybe, if I took out my Homelite 16" chainsaw and threaten the Franklin .011 string, just maybe it will decide to pop.
Hello Freddy are you out there............
KEN
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Kenneth Kotsay on 15 April 2002 at 05:00 PM.]</p></FONT>
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- Danny Hullihen
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Steve. Leave that .011 on there. It will probably last for another 120 days yet.
http://www.jagwirestrings.com
http://www.jagwirestrings.com