LKV=sixth full tone drop(E9)?
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- richard burton
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LKV=sixth full tone drop(E9)?
I am contemplating moving my sixth string full tone drop from my RKL to LKV. I use the DAY set up. At the moment my LKV drops my 5th and 10th a half tone. I find that I don't use this move much. Has anyone got any comments and ideas so that I can see if the proposed change is worthwhile.
Thanks, Richard.
Thanks, Richard.
- Joerg Hennig
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I think LKV is a good position for the 6th string full tone drop, especially if you don´t use it a whole lot. On my last steel (Dekley S-12) I had that change sometimes (I used to change copedents around often) and always found it very comfortable on the vertical (I didn´t use it a whole lot, either).
Regards, Joe H.
Regards, Joe H.
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I don't have this change, but I know many players do. I need someone to explain how it is used...since there is already an F# string just below it. This isn't a sarcastic comment, I really want to know as I might change the lower F# to G# change to do just the opposite. Of course, the F# to G# gives a M7 with A and B, but doesn't fit too well in "Crazy Arms."
- Joerg Hennig
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Sure the F# is already on string 7, but in some cases it´s not the notes but the pedal movement that makes the sound.
Play this:
<font face="monospace" size="3"><pre>
1___________________________
2___________________________
3______10B__________________
4_________ 10_______________
5______________10A~10_______
6_____________________10B___
7___________________________
</pre></font>
Now try the same thing ONE OCTAVE BELOW, on the 3rd fret starting with string 4, then 5...
See what I mean?
Play this:
<font face="monospace" size="3"><pre>
1___________________________
2___________________________
3______10B__________________
4_________ 10_______________
5______________10A~10_______
6_____________________10B___
7___________________________
</pre></font>
Now try the same thing ONE OCTAVE BELOW, on the 3rd fret starting with string 4, then 5...
See what I mean?
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Using the G# - F# on 6th string together with both E's - Eb gives a nice V-chord with a 6th/13th note on top (3rd string) in open position. Almost the same as A+F 2 frets lower.
Playing strings 9 6 4 with 9string D-C# & 6string G#-F# work as a V7, releasing both changes gives a IV7, slide up 1 fret and raise E-F you have I7.
Lots and lots and lots of nice things to do with that change in combination with other pedals/levers.
Playing strings 9 6 4 with 9string D-C# & 6string G#-F# work as a V7, releasing both changes gives a IV7, slide up 1 fret and raise E-F you have I7.
Lots and lots and lots of nice things to do with that change in combination with other pedals/levers.
- Bobby Lee
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LKV is easiest to engage with pedals down. If you mainly use that drop to get the split "G" note, then LKV is a good place for it. But if you use it a lot without the pedals, you might find that long vertical travel uncomfortable.
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (F Diatonic) Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (F Diatonic) Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
- Richard Sinkler
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- Joerg Hennig
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- Location: Bavaria, Germany
I´d like to add, the guitar on which I had it on LKV was a good deal lower that standard height, my legs would fit just under it even though I extended the guitar´s back legs, so hitting the vertical even without A and B pedals was no problem at all. On a standard height PSG I might find it awkward, too.
- richard burton
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I just added the 6th string 1/2 tone lower to my LKV today. To get the combination I am looking for, you let off the B and hold the A, so reaching the lever is a cinch. I moved my 7th string raise rod to the second string, so lowering 6th string 1/2 tone should compensate for what I lost.
Emmons Push Pull.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Reggie Duncan on 26 March 2002 at 02:24 PM.]</p></FONT>
Emmons Push Pull.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Reggie Duncan on 26 March 2002 at 02:24 PM.]</p></FONT>
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I have that change (drop 6 0ne full step) on my lkv and find that it works great for me, even though the travel is a little long. I have to let off my floors to get it, but normally it's not used with A B, or C pedals engaged anyway. So it works for me!
Hal Higgins
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Be Blessed........HAL
Hal Higgins
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Be Blessed........HAL
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Thanks Hal, what your doing with the 2 LKLs is exactly what I had in mind, the problem I have with the full drop on the LKV is, that, I find having to have my foot on the floor behind the pedals to activate the full drop is a little unorthodox, but it works great when tuned to the 1/2 drop that I use in the pedals down position! au
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Al...that's why I just lift my foot totaly off the floor when using that change, because usually, when using that particular drop it's used mainly with strings 4,5 & 6. Right? Therefore , there's no need for your left foot to be on the pedals, so make it easy on yourself and just lift the leg to help engage the LKV. Just a suggestion.....HAL