Formica Sho-Bud?
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Formica Sho-Bud?
From a YouTube of Buddy Charleton in 1966 playing what looks like a black formica Sho-Bud. You can see the ShoBud changer - end plates screwed into front of the cabinet - aluminum trim - and a handle on the left side of the end plate:
http://www.youtube.com/watch?feature=fv ... oPr0U&NR=1
http://www.youtube.com/watch?feature=fv ... oPr0U&NR=1
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Thanks HB. For a minute I thought Sho-Bud had built a one-off Emmons type guitar.
Last edited by robert kramer on 17 Dec 2011 7:18 pm, edited 1 time in total.
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Cabinet drop
Boys, with Buddy Charlton at the Helm of ANY! Guitar. Cabinet drop means Notta !! Coffee tables with strings on it included . I'm just Sayin!!
AL (BOO) Miller
Mullen D10
76 Emmons P/P
2022 65 Emmons Resound P/P D10
Mullen D10
76 Emmons P/P
2022 65 Emmons Resound P/P D10
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Yes and No.Herb Steiner wrote:Looks like a combination of Sho~Bud and "Brand X," as Shot would have called it.
Hi Herb,
Actually I think Shot might have approved. The guitar, aside from the cabinet and keyhead wich were made by Duane Marrs, is 100% Sho~Bud. The original Pro-I cabinet was ruined beyond repair in a car wreck.
The guitar was a project of mine and Duanes, a long time friend and employee of Shot.
It is really a cool guitar! The length of a Super Pro and depth of a Pro-I. The neck was a rope inlay Professinal given to me by Bobbe Seymour. I painted it black. I made the pad for the short step and the pedal rack is off of a Super Pro.
The pedal setup was copied from Duanes single neck Marrs. It is 5 X 5. The pickup is a Lawrence, tuners are Sperzel. It has a fitted case made by Woodell. It was a breeze to carry.
Sure wish I had it back, if anyone knows the whereabouts of this axe please e-mail me.
Last edited by John Drury on 18 Dec 2011 11:25 am, edited 1 time in total.
John Drury
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"Practice cures most tone issues" ~ John Suhr
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"Practice cures most tone issues" ~ John Suhr
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The guitar referred to that Bobbe had in his store was a black mica D10 Pro III Custom. I saw it earlier this year and it was a real beauty. With the alloy necks and black mica finish it was a definite mixture of 'Bud & 'X'.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Infinity SD10 (4+5) Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
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Mike, That is the best thing that ever happenned to that guitar!Mike Cass wrote:Several months ago Bobbe had me restore and re-mica that ProIII 'Bud of Hal's from the original "cammo/birdseye" look to new black mica w/metal inlay.
No disrespect to Hal or Shot but when I worked at SGN that axe was parked there for a while and it liked to gag me every time I walked by it!
Decent guitar otherwise, but it was painful for me to look at!
Knowing your work the guitar is more than likely a knockout now! Good call Bobbe!
John Drury
NTSGA #3
"Practice cures most tone issues" ~ John Suhr
NTSGA #3
"Practice cures most tone issues" ~ John Suhr
That is the guitar that I saw in Bobbe's show room. It looked absolutely stunning, and was a definite cross between Sho~Bud and Emmons. Any photo's remaining of that guitar?Mike Cass wrote:Several months ago Bobbe had me restore and re-mica that ProIII 'Bud of Hal's from the original "cammo/birdseye" look to new black mica w/metal inlay.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Infinity SD10 (4+5) Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
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