just my 2 cents:Johan Jansen wrote: I also hear a lot of players looking for holes in the lead-singertracks to fill it up, in a kind of question-answer approach.
Is this the common role we think is propiate for pedal-steel, filling gaps?
Just a question....
Johan
I'm certainly not alone to think that the steel player should try to enhance the song and of course it begins by not drown the singer under a continuous flow of notes. Fill gaps ? In fact there is what we like to hear and what remains after the editing. A lot of these pieces are a bit over-busy and loud, that's what we like to hear, but considering the kind of modern music proposed in this case , I don't think very much steel would remain after the final mix, if it were for real.
Of course this will be very different if the song proposed was a Buck Owens or a NRPS' one.
And by the way, where are the others Europeans ?