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Post new topic Gilmour Jam 166 on an A22
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Author Topic:  Gilmour Jam 166 on an A22
AJ Azure

 

From:
Massachusetts, USA * R.I.P.
Post  Posted 5 Apr 2011 11:02 pm    
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Juicy tone Smile

http://www.youtube.com/watch?v=WERBggDc9jE
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Chris Walke

 

From:
St Charles, IL
Post  Posted 6 Apr 2011 6:09 am    
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Love it! Thanks for the link.
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Mark Mansueto


From:
Michigan, USA
Post  Posted 6 Apr 2011 9:23 am    
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Man, that video is very, very cool.

Thanks for sharing
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Bill Creller

 

From:
Saginaw, Michigan, USA (deceased)
Post  Posted 6 Apr 2011 2:35 pm    
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OK if ya like lots of effects in the mix........
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Bill Leff


From:
Santa Cruz, CA, USA
Post  Posted 6 Apr 2011 3:02 pm    
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This definitely sounds like one of those "hey man, let's jam!" sessions that happen after partaking of some fine herb...

Laughing Laughing

Extra points for the period-correct lap steel stand.
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Mike Neer


From:
NJ
Post  Posted 6 Apr 2011 3:45 pm    
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That has to be the cleanest Frying Pan I've ever seen. Bad news is it's the worst tone for a Frying Pan I've ever heard.
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Doug Beaumier


From:
Northampton, MA
Post  Posted 6 Apr 2011 5:29 pm    
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It's hard to tell what the true tone of the guitar is due to the massive amount of distortion, delay, probably EQ and lots more. It does have a wicked bite, and I think that's what he's going for. I'd like to hear more warmth in the sound and a little less shrillness. I do like his playing and vibe though. That Rick sounds a lot hotter than his Fender Deluxe 6.
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Richard Sevigny


From:
Salmon Arm, BC, Canada
Post  Posted 6 Apr 2011 7:54 pm    
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I'm a huge fan of David Gilmour.. his phrasing and his tone are atmospheric. Thanks for posting AJ.
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Kelvin Monaghan

 

From:
Victoria, Australia
Post  Posted 7 Apr 2011 1:08 am    
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I love Dave's guitar playing,but do you think there is more than one string on that frypan.
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Mark Mansueto


From:
Michigan, USA
Post  Posted 7 Apr 2011 3:54 am    
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I've been a Gilmour fan for a long time and my conclusion is this:

Tone is subjective and David has his own signiture tone no matter what guitar he plays. The tone on this one reminds me of "One of these days"

He's a master at the use of effects. Have you ever seen some of his stage rigs? Amazing.

He only needs one string to acheive the simple melodic solos he's known for.

Yeah, I'm sure he could have conjured that tone out of a cheap steel but he's got big bucks so he can play what he wants.

I'm just sayin'
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Last edited by Mark Mansueto on 7 Apr 2011 4:03 am; edited 1 time in total
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Mike Neer


From:
NJ
Post  Posted 7 Apr 2011 4:02 am    
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I like David Gilmour, but I just didn't like the way the Frying Pan sounds. It sounds shrill and harsh to my ears through a cranked amp like that. Those pickups are super bright and I could never get mine to sound warm through my Fender amps. Still, I'm happy to see such a beauty.
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Mark Mansueto


From:
Michigan, USA
Post  Posted 7 Apr 2011 4:06 am    
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I hear ya. Definitely not the tone I would ever go for but If/when I upload a clip of my overdriven tone I'm sure I'll offend some people Smile
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Twayn Williams

 

From:
Portland, OR
Post  Posted 7 Apr 2011 11:04 am    
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Mike Neer wrote:
I like David Gilmour, but I just didn't like the way the Frying Pan sounds. It sounds shrill and harsh to my ears through a cranked amp like that. Those pickups are super bright and I could never get mine to sound warm through my Fender amps. Still, I'm happy to see such a beauty.


This is my idea of great overdrive tone, so each to his own Smile FWIW, Gilmour gets all his drive tones from pedals, not the amp.
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Mike Neer


From:
NJ
Post  Posted 7 Apr 2011 11:23 am    
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I listened again with a different set of earbuds and it did sound better, but I guess it's really his playing that I don't care for, especially the flatpick harmonic pinching. Like you said, to each his own.

Man, I bet they get some good weed.
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Bill Creller

 

From:
Saginaw, Michigan, USA (deceased)
Post  Posted 7 Apr 2011 3:33 pm    
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Frypans are great guitars though. They do need some tone control from the amp for sure, since as Rick Aiello put it, "they will peel paint off the wall" in the treble spectrum........ Very Happy

Thing is, they are great guitars without any "modern" effects tacked on, but I gotta admit that I use a "touch" of reverb for steel guitars, which does emphasize their "soul"..... Smile
Subjective of course, but it seems like a waste of a frypan to load it up with things that totally mask it's tone. Just an opinion...and I like all you guys ! Mr. Green
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AJ Azure

 

From:
Massachusetts, USA * R.I.P.
Post  Posted 7 Apr 2011 11:48 pm    
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her's a different view His tone is not as shril here
http://www.youtube.com/watch?v=m9ohBMozCzI
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Rick Aiello


From:
Berryville, VA USA
Post  Posted 8 Apr 2011 5:05 am    
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“Render unto Floyd the things which are Pink, and unto Byrd the things that are Byrd's”
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Tom Pettingill


From:
California, USA (deceased)
Post  Posted 8 Apr 2011 8:49 am    
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Thanks for the link AJ Smile

While I'm sure its not everyone's cup of tea, I've been a Floyd / Gilmour fan for years and enjoy David's music. Ultimately I think its a good thing as it continues to help showcase the versatility of steel guitar and exposes many younger musicians to a whole different world.

What I'd like to know is the details on that Frypan.
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Bill Creller

 

From:
Saginaw, Michigan, USA (deceased)
Post  Posted 8 Apr 2011 10:06 am    
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Well said Rick! Very Happy
I got sneaky with my frypan, and mounted a small plastic aerospace type pot inside, with a cap, for rolling off some of the treble. It's only accessable through the jack (without a cord plugged in of course) with a long skinny screw driver. Works good, with a mostly permanent setting. Only one knob, for volume, like it was built.
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